SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir Henry Herbert"/1) | (@(roleclean,performerclean) "Sir Henry Herbert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6588 matches on Performance Comments, 4994 matches on Author, 1593 matches on Performance Title, 1363 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Maids Tragedy

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118: Aglavara the Tragicall Way

Performances

Mainpiece Title: Aglaura

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. BM Add. Mss. 34217, in Hotson, p. 246: @O' th' contrary Salendina for witt@Most say did come far short of it@And though I confesse there was some fault there@Yett this I'll say in defense of the Author@A good Plott though ill writt lookes more like a Play@Then all your fine lines when the plott is away.

Performances

Mainpiece Title: Zelindra

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Little Thief

Event Comment: The Duke's Company. Pepys, Diary: [Mr Herbert] and I and the two young ladies and my wife to the playhouse, the Opera, and saw The Mayde in the Mill, a pretty good play

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Northern Lass

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: Fathers Own Son

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Knight Of The Burning Pestle

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: Brenoralt or the Discontented Colonel

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also W. J. Lawrence, Times Literary Supplement, 24 Oct. 1929, p. 846; and J. G. McManaway, "Philip Massinger and the Restoration Drama," ELH: A Journal of English Literary History, 1 (1934), 287-88. The manuscript is in Bod. Rawlinson poet. 20

Performances

Mainpiece Title: The Renegado

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. John Wright (Historia Histrionica [1699], p. 3): [Hart] Acted the Dutchess in the Tragedy of The Cardinal, which was the first Part that gave him Reputation

Performances

Mainpiece Title: The Cardinal

Event Comment: In Herbert, Dramatic Records, p. 138, the entry following that for Flora's Figarys is: A Pastorall called the Exposure. This unknown play was possibly presented in November 1663

Performances

Mainpiece Title: The Exposure

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love Or The Royal Martyr

Event Comment: Luttrell (A Brief Relation, I, 34-35): The 26th, Mrs Ellen Gwyn being at the dukes playhouse, was affronted by a person who came into the pitt and called her whore; whom Mr Herbert, the earl of Pembrokes brother, vindicating, there were many swords drawn, and a great hubbub in the house

Performances

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .

Performances

Mainpiece Title: Fontainbleau Or Our Way In France

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Davies, Wewitzer, Egan, Johnstone; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs T. Kennedy [on playbill of ij Nov.: 1st appearance on this stage], Mrs Webb, Mrs Bannister. [Cast from text (Dublin: W. Wilson, 1785), and Gazetteer, 17 Nov.: Lackland-Lewis; Lapoche-Quick; Sir Shenkin ap Griffin-Edwin; Sir John Bull-Wilson; Lord Winlove-Davies; Colonel Epaulette-Wewitzer; Drunken Butler-Egan; Robin-Darley; Henry-Johnstone; French Inn-keeper-Gaudry; Jockey-Kennedy; Postboy-Jones; Waiters-Helme, Thompson; Mrs Casey-Mrs Kennedy; Celia-Miss Wheeler; Nanette-Mrs Martyr; Miss Bull-Mrs T. Kennedy; Lady Bull-Mrs Webb; Rosa-Mrs Bannister.] hathi. hathi.
Cast
Role: Sir Shenkin ap Griffin Actor: Edwin
Role: Sir John Bull Actor: Wilson
Role: Henry Actor: Johnstone

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bonnor; Young Wilding-Davies; Beaufort-Cubitt; Sir Jasper Wilding-Thompson; Quildrive-Kennedy; Dapper-Jones; Old Philpot-Quick; Corinna-Miss Stuart; Maria-Mrs T. Kennedy .
Cast
Role: Sir Jasper Wilding Actor: Thompson

Dance: End of mainpiece The Belle of the Village, as17840917

Performances

Mainpiece Title: National Prejudice

Performance Comment: [Principal Characters-Lewis, Quick, Holman, Farren, Blanchard, Davies, Macready, C.] Powell, Mrs Mattocks, Mrs Wells, Miss Chapman, Mrs Harlowe, Mrs Davenett, Mrs Pope. [Cast from European Magazine, May 1791, p. 389, and Larpent MS: Sir Paul Flippant-Lewis; Mr Tudor-Quick; Egerton-Holman; Frank Tudor-Farren; William-Blanchard; Marquis Luzan-Davies; Sir Frederick O'Neil-Macready; Henry Tudor-[C.] Powell; Florizet-Mrs Mattocks; Miss Clerimont-Mrs Wells; Lucy Tudor-Miss Chapman; Emma Tudor-Mrs Harlowe; Madame Detour-Mrs Davenett; Harriet Clerimont-Mrs Pope; [New Prologue-Harley.
Cast
Role: Sir Paul Flippant Actor: Lewis
Role: Sir Frederick O'Neil Actor: Macready
Role: Henry Tudor Actor:

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

Performances

Mainpiece Title: The Wheel Of Fortune

Performance Comment: Characters by R. Palmer, King, Kemble, Whitfield, Palmer, C. Kemble, Suett, Waldron, Phillimore, Bland, Maddocks, Banks, Trueman, Webb, Lyons, Evans, Fisher, Mrs Powell, Miss Farren, Mrs Maddocks, Miss Tidswell. [Cast from text (C. Dilly, 1795): Sir David Daw-R. Palmer; Tempest-King; Penruddock-Kemble; Woodville-Whitfield; Sydenham-Palmer; Henry Woodville-C. Kemble; Weazel-Suett; Woodville's Servant-Waldron; Attendant-Phillimore; Jenkins-Bland; Servants of Sir George Penruddock-Maddocks, Banks, Evans, Fisher, Lyons; Livery Servant-Trueman; Servant to Tempest-Webb; Mrs Woodville-Mrs Powell; Emily Tempest-Miss Farren; Dame Dunckley-Mrs Maddocks; Maid of the Lodging-Miss Tidswell; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17950328] .These were spoken, as here assigned, at the 1st 9 performances only (see17950328] .

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Five Thousand A Year

Performance Comment: [Principal Characters by Lewis, Pope, Munden, H. Johnston, Murray, Farley, Waddy, Simmons, Rees, Abbot, Miss Betterton, Mrs Pope, Miss Murray (1st appearance this season]), Mrs Mattocks. [Cast from text (G. G. and J. Robinson [1799]: George Fervid-Lewis; Frederick Fervid-Pope; Sir Matthew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Rees; Servants to Sir Matthew-Abbot, Wilde; Servant to Frederick-Curties; Boy-Master Webb; Maria-Miss Betterton; Lady Julia-Mrs Pope; Aurelia-Miss Murray [in text: Mrs H. Johnston (see17990325; Lady Maxim-Mrs Mattocks; Prologue (partly Musical)-Munden; Epilogue-Mrs Mattocks.

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Emery, Simmons, Gray, Rees, Mrs Martyr, Mrs Mills; [Cast adjusted from playbill of 2 Oct. 1797: Capt. Frederick-Johnstone; Thicket-Incledon; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Gray; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills.] With Dialogue to introduce the following favorite Songs: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the ancients its speaking-Johnstone; [Song, I went to Sea-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; The moment Aurora-Incledon; Dear Mary adieu-Incledon; The Midnight Watch-Incledon; [To conclude with a Rural Masquerade-; [in which a new song, by Mazzinghi; Poor Orra come from distant shore-Miss Waters; [Sea Song, A sailor's life's a life of woe-Mrs Mills; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.
Cast
Role: Sir Fidget Fearful Actor: Emery

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: Speed The Plough

Performance Comment: Principal Characters by Pope, Munden, Fawcett, Knight, H. Johnston, Murray, Davenport, Waddy, Atkins, Street, Abbot, Curties, Klanert, Miss Murray, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. [Cast from text (T. N. Longman and O. Rees, 1800): Sir Philip Blandford-Pope; Sir Abel Handy-Munden; Bob Handy-Fawcett; Farmer Ashfield-Knight; Henry-H. Johnston; Morrington-Murray; Evergreen-Davenport; Gerald-Waddy; Peter-Atkins; Postillion-Abbot; Young Handy's Servant-Klanert; Susan Ashfield-Miss Murray; Dame Ashfield-Mrs Davenport; Lady Handy-Mrs Dibdin; Miss Blandford-Mrs H. Johnston; unassigned-Street, Curties; Prologue-Betterton; [This was spoken, as here assigned, at the 1st 9 performances only (see18000219).] Epilogue-Fawcett. [This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .
Cast
Role: Sir Philip Blandford Actor: Pope
Role: Sir Abel Handy Actor: Munden
Role: Henry Actor: H. Johnston

Afterpiece Title: Rosina

Performances

Mainpiece Title: Squire Oldsapp Or The Night adventurers

Performance Comment: Edition of 1679; Welfore-Betterton; Henry-Smith; Lovell-Crossby; Squire Oldsapp-Nokes; Sir Frederick Banter-Leigh; Colonel Buff-Sandford; Pimpo-Underhill; Madame Tricklove-Mrs Currer; Christina-Mrs Price; Sophia-Mrs Barrer; Cornet-Mrs Norrice; Lucinda-Mrs Seymour; Prologue-Oldsapp; Epilogue-Mrs Currer.
Cast
Role: Henry Actor: Smith
Role: Sir Frederick Banter Actor: Leigh