SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Edward Smith"/1) | (@(roleclean,performerclean) "Sir Edward Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7923 matches on Performance Comments, 2538 matches on Author, 1462 matches on Event Comments, 767 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for several: Wilford, Ross, Derby, Mislebrook, and Trott (Lobby-door-keeper). Tickets deliver'd out by Morgan, Elliot, Dimmock, Slatter, Toten, Jos. Smith, Hacket, Barnes, and others will be taken. On Monday Romeo and Juliet with Harlequin Sorcerer

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Englishman Returned from Paris

Dance: New Comic Dance, as17580417

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Thomasand Sally

Event Comment: By Command of Their Majesties. Smith Don Felix--very so, so. The Play was very imperfect (+Hopkins Diary). Receipts: #249 12s. 6d. (235.6.0; 12.15.6; 1.11.0)

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Felix-Smith (1st appearance in that character); Don Lopez-Baddeley; Don Pedro-Parsons; Colonel Briton-Brereton (1st appearance in that character); Frederick-Packer; Gibby-Moody; Lissardo-King; Isabella-Miss Hopkins; Flora-Miss Pope; Inis-Mrs Bradshaw; Violante-Mrs Yates.
Cast
Role: Don Felix Actor: Smith

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier

Dance: End II: The Double Festival-Gallet, Mlle Dupre, Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci, Mrs Sutton

Event Comment: Benefit for Mrs Colles, Miss Abrams & Miss Kirby. Public Advertiser, 4 May: Tickets to be had of Mrs Colles at Smith's No. 10, Bow-street, the corner of Martlet Court, Covent Garden; of Miss Abrams, Little Bridges Street, Covent Garden; of Miss Kirby at Andrews's, No. 70, Long Acre. Receipts: #203 7s. (28.1; 14.16; 1.11; tickets: 158.19) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Quaker

Related Works
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Edward Thompson
Event Comment: Benefit Smith and Corey. At the Desire of several Ladies of Quality. Receipts: money #18 11s. 6d. and tickets #67 14s

Performances

Mainpiece Title: Timon Of Athens; Or, The Man Hater

Music: In it a Masque of Vocal and Instrumental Musick (compos'd by the late Mr Henry Purcell)-Leveridge, Cook, Reading, the Boy, Mrs Cross

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier
Related Work: Small Talk; or, The Westminster Boy Author(s): Edward Topham
Related Work: Scaramouch a Philosopher, Harlequin a School-Boy, Bravo, Merchant and Magician Author(s): Edward Ravenscroft

Song:

Dance: Smith's Daughter who never perform'd on the Stage before

Event Comment: [By Edward Young.] Never Acted before. With new Habits

Performances

Mainpiece Title: Busiris, King Of Egypt

Performance Comment: Edition of 1719 lists: Busiris-Elrington; Myron-Booth; Nicanor-Mills; Memnon-Wilks; Rameses-Walker; Syphoces-Thurmond; Pheron-Williams; Auletes-W. Mills; Myris-Mrs Thurmond; Mandane-Mrs Oldfield; Prologue-Booth; Epilogue-Mrs Oldfield.
Cast
Role: Busiris Actor: Elrington
Related Works
Related Work: Busiris Author(s): Edward Young
Event Comment: Benefit the Author of the Afterp1ece [Edward Phillips]. Mainpiece: Written by the late Mr Congreve. Afterpiece: A Farcical Ballad Opera. Receipts: money #44 7s. 6d.; tickets #32 7s

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Mock Lawyer

Related Works
Related Work: The Mock Lawyer Author(s): Edward Phillips

Dance: TTambourine-Miss Rogers; Fingalian-Newhouse, Mrs Ogden; Scottish Dance, as17330424

Event Comment: Benefit Peacopp (Housekeeper), Mayle, Walker, Edwards, Pritchard (Officer-Keeper). Tickets deliver'd for Saturday last will be taken

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: As17440113, but Sir John Brute-Giffard; Razor-Green; Belinda-Mrs Ridout.
Cast
Role: Sir John Brute Actor: Giffard

Afterpiece Title: The Anatomist

Related Works
Related Work: The Anatomist; or, The Sham Doctor Author(s): Edward Ravenscroft

Dance: III: Mlle Auguste

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales. We hear that His Royal Highness the Prince of Wales, with Prince Edward will be this night at Covent Garden, to see the tragedy of Romeo and Juliet, and Harlequin Skeleton. On Tuesday 3 March, will be reviv'd a Tragedy call'd Macbeth (as written by Shakespear) the part of Macbeth by Barry, and Lady Macbeth by Mrs Cibber, being the first time of her appearing in that character. To which will be added the Oracle, a new Dramatic piece (of one act) taken from the French, the Principal Part to be perform'd by Mrs Cibber. Pit and boxes laid together

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Related Works
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips
Related Work: The Royal Chace; or, Harlequin Skeleton Author(s): Edward Phillips
Event Comment: [Letter to Woodward from Samson Edwards, The Merry Cobler of Haymarket. Answer to Henry Woodward's reply on Hill's Letter, 6d. Ironical defense of Hill casting further opprobrium upon him.] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Cast
Role: Smith Actor: Burton
Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Anatomist

Related Works
Related Work: The Anatomist; or, The Sham Doctor Author(s): Edward Ravenscroft
Event Comment: Afterpiece: A New Masque [by Capt. Edward Thompson] never perform'd. With New Music, Dresses, Scenery, and Decorations. The Music composed by Fisher. The Scenes painted by Dall and Carver. Books of the songs to be had at the Theatre. [The Westminster Magazine for March also lists Boreas -Reinhold; Carlos -DuBellamy; Traverse -Mahon; Druid -L'Estrange, and tells the story of the play. The reviewer did not approve of the piece, since for him it lacked unbounded fire of fancy, originality of idea, language, and character. He approved of Fisher's music.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Syrens

Related Works
Related Work: The Sirens Author(s): Edward Thompson
Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda; Or, The Royal Convert

Afterpiece Title: The Seraglio

Related Works
Related Work: The Seraglio Author(s): Edward Thompson

Music: V: the Original Music for the Sacrifice by Purcell-

Event Comment: Afterpiece [1st time; MF 2, by Edward Neville]: The Overture and Music composed by Dibdin. Books of the Entertainment to be had at the Theatre. Public Advertiser, 20 Oct.: This Afternon at Three is published Plymouth In An Uproar (1s.). Receipts: #242 16s. 6d. (241.5.0; 1.11.6)

Performances

Mainpiece Title: The Bondman

Afterpiece Title: Plymouth In An Uproar

Related Works
Related Work: Plymouth in an Uproar Author(s): Edward Neville
Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Related Works
Related Work: Robin Hood; or, Sherwood Forest Author(s): Edward Lysaught

Afterpiece Title: Harlequin Rambler

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Related Works
Related Work: Small Talk; or, The Westminster Boy Author(s): Edward Topham

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham. Larpent MS 772; not published; synopsis of plot in Public Advertiser, 3 May. Prologue by George Monck Berkeley (European Magazine, June 1787, p. 411)]. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Receipts: #257 3s. 6d. (160.4.6; 5.7.0; tickets: 91.12.0)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Sir William Meadows Actor: Fearon

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Related Works
Related Work: Bonds without Judgement; or, The Loves of Bengal Author(s): Edward Topham

Dance: As17870217

Event Comment: Benefit for Pope. 2nd piece: Written by Edward Jerningham, Esq., with Alterations and Additions (interspersed with Music, after the manner of Rousseau's Pygmalion). The Music composed by Hook. The subject of the above Performance is taken from a remarkable incident in the Life of Margaret . Morning Herald, 2 Mar.: Tickets to be had of Mrs Pope at her house, No. 5, Half-moon-street, Piccadilly. Receipts: #368 15s

Performances

Mainpiece Title: Wild Oats

Cast
Role: Sir George Thunder Actor: Quick

Afterpiece Title: Margaret of Anjou

Related Works
Related Work: Margaret of Anjou Author(s): Edward Jerningham

Afterpiece Title: The Irishman in London

Cast
Role: Smith Actor: Powel
Role: Edward Actor: Fawcett

Song: In 3rd piece: a Planxty descriptive of Ireland,-Johnstone

Event Comment: 2nd piece: With Alterations. "On the first night Ethelberta died; at the succeeding representations her life was spared" (Edward Jerningham and his Friends, ed. Lewis Bettany, 1919, p. 97). 3rd piece: In 3 acts. Receipts: #219 13s. 6d. (202/11/6; 17/2/0)

Performances

Mainpiece Title: Nina

Cast
Role: Sir Henry Check Actor: Powel
Role: Edward Actor: Miss Standen

Afterpiece Title: THE SIEGE OF BERWICK

Related Works
Related Work: The Siege of Berwick Author(s): Edward Jerningham

Afterpiece Title: THE MISER

Event Comment: Benefit for Pope. At the particular Desire of his Excellency the Ambassador [see 7 May] from the Sublime Porte:. 3rd piece: At End of Act I of the DIVERTISEMENT. Written by Edward Jerningham, Esq., with Alterations and Additions, interspersed with Music, after the manner of Rousseau's PYGMALION. Morning Chronicle, 19 Apr.: Tickets to be had of Pope, Half-Moon-street, Piccadilly. Receipts: #231 17s. (138/14; 3/3; tickets: 90/0)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: A DIVERTISEMENT

Cast
Role: Sir Fidget Fearful Actor: Powel

Afterpiece Title: MARGARET OF ANJOU

Related Works
Related Work: Margaret of Anjou Author(s): Edward Jerningham

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

Event Comment: Benefit for R. Palmer, Russell & Dowton. 1st piece [1st time; B 1, by Edward Henry Iliff. The title-page has "by Edmund Spenser, Ynger." On his copy, now in Huntington Library, J. P. Kemble has written, "Iliffe [sic] is the real Name of the Authour"; he has made a similar notation on the playbill]: Founded on the 17th Number of The Spectator. 3rd piece [1st time; MF 1. Larpent MS 1219; not published. The characters are all taken from previous plays by John O'Keeffe, as follows: Sadboy (The Young Quaker); Signor Arionelli and Bowkitt (The Son-in-Law); Motley (The Dead Alive); Tully (The London Hermit); Lingo and Cowslip (The Agreeable Surprise); Ephraim Smooth (Wild Oats); Nipperkin (Sprigs of Laurel); Jemmy Jumps and Betty Blackberry (The Farmer); Mrs Casey (Fontainbleau)]: Written by Mr O'Keeffe. Times, 4 June: Tickets to be had of R. Palmer, No. 2, Queen's-row, Pimlico; of Russell, No. 19, Martlet-court, Bow-street; of Dowton, No. 5, Strand-lane, Surry-street, Strand. Receipts: #413 11s. 6d. (76.17.6; 37.7.0; 1.0.0 tickets: 298.7.0) (charge: #215 10s. 5d.)

Performances

Mainpiece Title: The Ugly Club

Related Works
Related Work: The Ugly Club Author(s): Edward Iliff

Afterpiece Title: The Castle-Spectre

Cast
Role: Sir Matthew Medley Actor: Maddocks

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley
Related Work: The Wrangling Lovers; or, The Invisible Mistress Author(s): Edward Ravenscroft

Performances

Mainpiece Title: Sir Martin Marall; Or, The Feign'd Innocence

Performance Comment: Dartmouth-Cory; Moody-Johnson; Sir Martin-Bullock; Warner-Booth; Sir John-Mills; Carrier-Cross; Lady Dupe-Mrs Powell; Mrs Christian-Mrs Baker; Mrs Millisent-Mrs Porter; Rose-Mrs Bradshaw.
Cast
Role: Sir Martin Actor: Bullock
Role: Sir John Actor: Mills

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Edition of 1724 lists: Earl of Northampton-Bridgwater; Earl of Somerset-Cibber Jr; Sir ThomasOverbury-Savage; Sir George Elloways-Keith; Lady Frances Howard-Mrs Campbell; Isabella-Mrs Bret; Cleora-Mrs Davidson; Prologue by Aaron Hill-Cibber Jr; Epilogue by Aaron Hill-Mrs Bret.
Cast
Role: Sir ThomasOverbury Actor: Savage
Role: Sir George Elloways Actor: Keith
Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Benefit the Author of Sir John Cockle at Court. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sir John Actor: Wright

Afterpiece Title: Sir John Cockle at Court

Cast
Role: Sir John Cockle Actor: Miller
Role: Sir Timothy Flash Actor: Beard

Performances

Mainpiece Title: Sir John Cockle, At Court

Performance Comment: King-Williamson; Sir John Cockle-Kemble; Sir Timothy Flash-Davies; French Cook-Wewitzer; Joe-Edwin; with The Tower of London-Edwin; Mrs Starch-Mrs Edwin; Miss Kitty-Mrs Brown.
Cast
Role: Sir John Cockle Actor: Kemble
Role: Sir Timothy Flash Actor: Davies

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Performance Comment: Farmer Hodge-Edwin; Trusty-Moss; Captain Constant-Davies; Sir Jeffery-Usher; Clinch-R. Palmer; Belinda-Miss Palmer; Dolly-Mrs Edwin.
Cast
Role: Sir Jeffery Actor: Usher
Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin