SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Charles Williams"/1) | (@(roleclean,performerclean) "Sir Charles Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14335 matches on Author, 7193 matches on Performance Comments, 1573 matches on Event Comments, 598 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17161027

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Charles Dibdin
Event Comment: [By John Williams] At Mr Penkethman's Theatre. Benefit Author. At 6:30 p.m

Performances

Mainpiece Title: Richmond Wells Or Good Luck At Last

Performance Comment: Actors only listed, but edition of 1723 lists: Randome-Shephard; Loveworth-Char. Williams; Gaylove-Wilks Jr; Cheatly-Oates; Tony Souscrown-Miller; Robin-Harper; Belinda-Mrs Morgan; Mrs Fainal-Mrs Wetherilt; Prologue-W. Wilks; Epilogue-Penkethman.
Cast
Role: Loveworth Actor: Char. Williams
Related Works
Related Work: Richmond Wells; or, Good Luck at Last Author(s): John Williams

Song: Drunken Man-Harper

Dance: Drunken Man-Harper

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Farren, Blanchard, Fawcett, Cubitt, Mrs Davis, Miss Chapman, Mrs Pope. Cast from text T. N. Longman, 1793): Pave-Lewis; Smalltrade-Quick; Warford-Pope; Sir ThomasRoundhead-Munden; Sir Charles Dazzle-Farren; Hippy-Blanchard; Latitat-Fawcett; Nab-Cubitt; Plainly-Powel; Formal-Thompson; Servant-Rees; Sir Charles's Servant-Ledger; Sir Thomas's Servant-Simmons; Smalltrade's Servant-Blurton; Rosa-Mrs Davis [in text: Mrs Esten]; Miss Dazzle-Miss Chapman; Lady Henrietta-Mrs Pope; Betty-Miss Stuart; Prologue-Pope; Epilogue-Lewis. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

Performances

Mainpiece Title: The Stratagem

Performance Comment: Scrub-Norris Sr; Archer-Bridgewater; Aimwell-Chapman; Sir Charles-Williams; Gibbet-Norris Jr; Foigard-West; Boniface-Harper; Mrs Cherry-Mrs Roberts; Countrywoman-Mrs Willis; Mrs Sullen-Mrs Houghton; Dorinda-Mrs Orfeur; Lady Bountiful-Mrs Gulick.
Cast
Role: Sir Charles Actor: Williams

Dance: Houghton, Mrs Willis

Song: A Mimick Song in Praise of the Country Life-Mrs Willis

Event Comment: Benefit Brothers and Sisters of Charles Williams, deceas'd. At the particular Desire of several Persons of Quality. 7 p.m

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17301116, but Sir George-W. Mills; Sir Francis-Harper; Charles-Marshall; Isabinda-Mrs Cibber; Miranda-Mrs Butler; Scentwell-Mrs Walter.
Cast
Role: Sir George Actor: W. Mills
Role: Sir Francis Actor: Harper
Role: Charles Actor: Marshall
Role: Sir Jealous Actor: Shepard

Afterpiece Title: Patie and Peggy

Cast
Role: Sir William Actor: Corey

Music: Select Pieces-

Dance:

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Garrick; Sir Charles-Barry; Faddle-Woodward; Col. Raymond-Havard; Sir Roger-Yates; Villiard-Winstone; Rosetta-Mrs Pritchard; Fidelia-Mrs Cibber.
Cast
Role: Sir Charles Actor: Barry
Role: Sir Roger Actor: Yates

Afterpiece Title: The Virgin Unmaskd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Performances

Mainpiece Title: Fortunes Fool

Performance Comment: Principal Characters by Lewis, Quick, Fawcett, Middleton, Macready, Simmons, Street, Abbot, Wilde, Curties, Blurton, Mrs Mattocks, Miss Morris, Miss Logan, Mrs Watts, Mrs Norton, Miss Leserve, Miss Wallis. [Cast from text (T. N. Longman, 1796): Ap@Hazard-Lewis; Sir Bamber Blackletter-Quick; Tom Seymour-Fawcett; Sir Charles Danvers-Middleton; Orville-Macready; Servants-Street, Wilde, Curties [in text: Lee], Blurton; Samuel-Abbot; Miss Union-Mrs Mattocks; Mrs Seymour-Miss Morris; Orange Women-Mrs Watts, Mrs Norton, Miss Leserve; Lady Danvers-Miss Wallis; unassigned-Simmons, Miss Logan; Prologue-Toms; Epilogue-Mrs Mattocks.

Afterpiece Title: The Irish Mimick or Blunders at Brighton

Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17960927, but Sir Peter Teazle-Murray [of cg]; Careless-C. Kemble; Lady Teazle-Mrs Jordan (1st appearance in that character); Servants-.

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Dignum
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Event Comment: Afterpiece: [By Charles Johnson.] A New Farce of Two Acts only

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Cobler of Preston

Performance Comment: Edition of 1716 lists: Sir Charles Briton-Rian; Captain Jolly-Walker; Constable-Leigh; Butler-Birkhead; Kit Sly-Pinkethman; Betty-Mrs Willis Jr; Cicely Gundy-Mrs Baker; Joan-Mrs Willis; Prologue-Wilks.
Cast
Role: Sir Charles Briton Actor: Rian
Related Works
Related Work: The Cobler of Preston Author(s): Charles Johnson
Event Comment: By Command of his Royal Highness. [The Prince, accompanied by the Duke of Manchester, Lord Charles Cavendish, and Colonel Schutz, present.

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Morelove-Mills; Sir Charles-Wilks; Lady Betty-Mrs Oldfield; Lady Easy-Mrs Porter; Lady Graveairs-Mrs Horton; Edging-Mrs Mills.
Cast
Role: Sir Charles Actor: Wilks

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Charles Dibdin
Event Comment: At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson-Harper; Sir John-Stoppelaer; Lady Loverule-Mrs Mills; Nell-Miss Raftor; Sergeants-Berry, Oates, Fielding, Miss Williams, Miss Oates.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Music:

Song: As17310811

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay or The Wives Metamorphosd

Performance Comment: Jobson-Harper; Sir John-Stoppelaer; Lady Loverule-Mrs Grace; Nell-Miss Raftor; Servants-Berry, Oates, Fielding, Miss Williams, Miss Oates.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey
Event Comment: Mainpiece: Alter'd form Shakespear by Sir William Davenant and Mr Dryden

Performances

Mainpiece Title: The Tempest Or The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey
Event Comment: At the Desire of several Eminent Citizens. 6:30 p.m

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17320517, but Blunt-Ridout; Maria-Miss Williams.
Cast
Role: Maria Actor: Miss Williams.

Afterpiece Title: The Devil to Pay

Performance Comment: Nell-Miss Raftor; Jobson-Bridgwater; Sir John-Stoppelaer; Lady Loverule-Mrs Mullart; Servants-Mullart, Jones, Ridout, Miss Williams, Miss Mears.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Dance: I: English Maggot-Lally Jr, Mrs Walter; V: Harlequin-Miss Brett; End Farce: The Midsummer Whim (new)-Lally Jr, Holt, Mrs Walter, Mrs D'Lorme

Song: In I: Miss Raftor; End IV: E. Roberts

Event Comment: Benefit for Macklin. [This was his last appearance on the stage; his 1st was c. 1716. In the middle of his first scene his memory failed him, and Ryder, who had been asked by the manager to be prepared for this eventuality, finished the part (Public Advertiser, 9 May; William W. Appleton, Charles Macklin, 1960, 225-27).

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Dance: End IV: Fortune's Favor-Byrn, Mrs Goodwin, Mrs Ratchford

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Incledon, Waddy, Townsend, Emery, Simmons, Claremont, Rees, Mrs Martyr, Mrs Mills. Cast adjusted from playbill of 16 Mar. 1799: Thicket-Incledon; Capt. Frederick-Waddy; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Claremont; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills; Dialogue to introduce following favorite Songs: Peggy Perkins, Let Bards elate-Simmons; Irish Drinking Song, Of the Ancients its speaking-Waddy; Song, I went to Sea-Townsend; Taffy and Griddy, Abergavenny is fine-Mrs Martyr; Duetto, As Hodge got drubb'd-Emery, Rees; Hunting Song, The moment Aurora-Incledon; Song, Young William was a seaman true-Incledon; Song, Come Painter with thy happiest flight-Incledon; Rural Masquerade. Song, Dear Yanco say and true he say-Miss Wheatley; Sea Song, A sailor's life's a life of woe-Mrs Mills; Masquerade Song, Sure an't the World a Masquerade-Waddy, Chorus.
Cast
Role: Sir Fidget Fearful Actor: Emery
Related Works
Related Work: A Divertisement Author(s): Charles Dibdin

Dance: In afterpiece: Ballet-Blurton, Mrs Watts

Opera: Mainpiece: Solemn Dirge. As17991118

Event Comment: Timon published at 1s. 6d. Tomorrow will be publish'd, Beautifully printed, The Theatres: A poetical Dissection by Sir Nicholas Nipclose, printed for John Bell. [See 17 Dec. and 1 Jan. 1772.] King's share of Bristol Theatre purchas'd by Dodd (Winston MS 10). Paid Mr Weston's Bill to Mr Best #4 5s. 6d. (Treasurer's Book). Receipts: #136 13s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Guardian

Performance Comment: Heartly-Reddish; Sir Charles-Parsons; Young Clackit-Dodd; Harriet-Miss Rogers; Lucy-Miss Pope.
Cast
Role: Sir Charles Actor: Parsons
Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.
Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Event Comment: Benefit for Tindal and Charles Sarjant (book and housekeeper). Not acted this season

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Apprentice

Dance: IV: A Tambourine, as17641015; End: (by Particular Desire) A New Hornpipe, as17650510

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Thomasand Sally