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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Mons"/1) | (@(roleclean,performerclean) "Signora Mons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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783 results for: Keyword - Signora Mons
We found 374 matches on Performance Comments, 236 matches on Performance Title, 177 matches on Event Comments, 48 matches on Author, and 0 matches on Roles/Actors.

676
17 October 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Camp

Performance Comment: Gage-Parsons; O'Daub-Moody; Mons. Bluard-Baddeley; Sir Harry Bouquet (1st time)-R. Palmer; William (1st time)-Du-Bellamy; Serjeant Drill-Bannister; Nancy-Miss Kirby; Nell-Mrs Wrighten; The other Characters-Burton, Wrighten, Wright, Chaplin, Holcroft, Fawcett, Phillimore, Norris, Griffiths, Nash, Mrs Cuyler, Miss Simson, Miss Collett.

677
07 May 1781 @ Covent Garden

Event Comment: By Particular Desire of their Excellencies the Persian Ambassadors. Benefit for Wild. Wild begs leave to inform his friends Mons. DeLoutherbourg has no concern whatever in the invention or painting any of the above scenes [in Phusimimesis]. Receipts: #288 9s. (210.14; tickets: 77.15) (charge: #105)

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

678
25 September 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: THE CAMP

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Parsons; O'Daub-Moody; Mons. Bluard-Baddeley; William-Du-Bellamy; Serjeant Drill-Bannister; Nancy-Mrs Wells (from the Theatre Royal, Haymarket; 1st appearance on this stage); Nell-Mrs Wrighten. The other Characters by Burton, Wrighten, Wright, Chaplin, Holcroft, Fawcett, Phillimore, Norris, Griffiths, Nash, &c.; Miss Wright, Miss Simson, Miss Collett . Miss Wright, Miss Simson, Miss Collett .

679
09 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Performance Comment: ), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411.

680
06 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Camp

Performance Comment: Gage-Waldron; O'Daub-Moody; Mons. Bluard-Baddeley; Sir Harry Bouquet-R. Palmer; William (1st rime)-Barrymore; Serjeant Drill (1st time)-Staunton; Nancy-Mrs Wells; Nell-Mrs Wrighten. The other Characters by Burton, Fawcett, Wrighten, Wright, Chaplin, Kenny, Phillimore, Norris, Alfred, &c.; Miss Wright, Miss Simson, Miss Collett . Miss Wright, Miss Simson, Miss Collett .

Dance: In Act I of mainpiece, as17821003; End of Act II, as17821016

681
06 May 1785 @ Covent Garden

Event Comment: Benefit for Bonnor. 1st piece: Not acted these 5 years. 2nd piece: Translated from La Fete de Campagne; ou, L'Intendant Comedien malgre lui, written by Mons. Dorvigny, and acted in Paris with uncommon applause. 3rd piece: Written by Harry Carey; not acted these 16 years [acted 28 May 1773]

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Manager an Actor in Spite of Himself

Afterpiece Title: The Contrivances

Dance: As17850416

682
24 April 1787 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: [Principal Characters-Morelli (1st appearance), Mengozzi, Morigi, Sga Sestini, Sga Schinotti, Sga Storace (1st appearance since 1777]). [Cast from libretto (D. Stuart, 1787): Bastiano Ammazzagatte-Morelli; Don Berlicco-Mengozzi; Mons. Perruque-Morigi; Mlle Neri-Sga Sestini; Mlle Pate-Sga Schinotti; Glenda-Sga Anna Storace.

Dance: As17870329

683
07 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

Performance Comment: Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp.

684
05 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters by Morelli, Calvesi, Morigi, Sga Sestini, Sga Schinotti, Sga Storace. Cast adjusted from libretto (D. Stuart, 1787): Bastiano Ammazzagatte-Morelli; Don Berlicco-Calvesi; Mons. Perruque-Morigi; Mlle Neri-Sga Sestini; Mlle Pate-Sga Schinotti; Gelinda-Sga Anna Storace.

Dance: End I: Les Offrandes a l'Amour, as17871208

Ballet: End Opera: L'Amour et Psiche. As17880129

685
22 August 1788 @ Haymarket Theatre

Event Comment: Benefit for Bannister. 3rd piece [1st time; F 1, by Horatio Edgar Robson, based on La Bonne Mere, by Jean Pierre Claris de Florian]: Now reading with universal Applause by Mons. LeTexier. Public Advertiser, 9 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street. Ibid., 8 Oct. 1788: This Day is published Look before You Leap (1s.)

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Cast
Role: Signora Figurante Actor: Mrs Plomer

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

686
18 August 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Heigho For A Husband

Afterpiece Title: MISS IN HER TEENS

Afterpiece Title: RULE BRITANNIA

Performance Comment: Characters by Johnstone, Suett, C. Kemble, Sedgwick, Fawcett//Mrs Hopkins, Miss De Camp, Miss Leak. [Cast from text (Hookham and Carpenter, 1794): Captain Anchor-Johnstone [in text: Davies (see17940825)]; Sir Tremor Hectic-Suett; Mons. Barleduc-C. Kemble; Sailor-Sedgwick; Thomas-Fawcett//Lady Hectic-Mrs Hopkins; Anna-Miss De Camp; Sophia-Miss Leak.] hathi. hathi.

687
23 January 1703 @ Drury Lane Theatre

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Dance: Du/Ruell, Mrs Campion, others

688
13 May 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Thomyris, Queen Of Scythia

Performance Comment: Advertised but postponed by the illness of Signora Margarita.

689
29 March 1710 @ York Buildings

Event Comment: Benefit Signora Maria Gallia Saggione

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-

690
21 April 1710 @ Queen's Theatre

Event Comment: Benefit Signora del'Epine. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hydaspes

691
25 November 1710 @ Queen's Theatre

Event Comment: Receipts: #147 3s. 6d. Signora Schiavonetti is announced as in the Service of her Highness the Princess Sophia of Hanover

Performances

Mainpiece Title: Hydaspes

692
28 April 1711 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Pilotta Schiavonetti. At the Desire of several Ladies of Quality. Admission as 7 April

Performances

Mainpiece Title: Hydaspes

693
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Afterpiece Title: Thomyris (the famous Scene only)

694
13 November 1712 @ Hickford's Room

Event Comment: Benefit Signora Celotti. At the Request of several Ladies. A 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-, Compos'd by some of the best Italian Masters

695
10 December 1712 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda

Performance Comment: singers included Cavaliero Valeriano, Valentini Urbani, Signora Pilotta Schivaonetti, Mrs Barbier, Leveridge.

696
04 March 1713 @ Stationer's Hall

Event Comment: Benefit Signora Celotti. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands of the Opera

697
28 March 1713 @ Queen's Theatre

Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

698
09 April 1713 @ Hickford's Room

Event Comment: Benefit Signora Victoria Albergotti Romano. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; performing several Songs out of the newest Operas-; with One and Two Trumpets-; With variety of new Concertos for Flutes, German Flutes, Trumpets, Hautboys, other Instruments; by Mr Corbet-Mr Corbet, others of the best Masters in the Opera

699
17 April 1714 @ Queen's Theatre

Event Comment: Benefit Signora Galerati. Admission as 10 April

Performances

Mainpiece Title: Ernelinda

Music: As17140403

700
28 April 1714 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbet. Tickets 5s. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a Solo of Corelli's-Mr Corbet; with variety of Pieces on the Echo Flute Hautboy German Flute and Trumpet-the best Masters; with a new Cantata-the best Masters; a Solo for the Harpsichord-the best Masters