SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Maria Monza"/1) | (@(roleclean,performerclean) "Signora Maria Monza")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 795 matches on Performance Comments, 197 matches on Performance Title, 155 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hydaspes

Performance Comment: Darius-Signora Maria Rosa Piscina.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Performance Comment: Pyrrhus-Cavaliero Nicolini Grimaldi; Demetrius-Antonio Bernacchi; Marius-Gaetano Berenstatt; Climena-Mrs Robinson; Deidamia-Signora Maria Grasetti, lately arriv'd.

Performances

Mainpiece Title: Aeneas

Performance Comment: Cast not listed, but edition of 1734 lists: Lavinia-Mrs Cuzzoni; Camilla-Mrs Celest. Hempson; Amata-Mrs Fran. Bertolli; Eneas-Fran. Bernardi, called Senesino; Pallas-Signora Maria Segatti; Turnus-Montagnana; Latinus-Rochetti .
Cast
Role: Pallas Actor: Signora Maria Segatti
Event Comment: Afterpiece: A new Comic Interlude. [Music by Giuseppe Maria Orlandini. Prince and Princess of Wales present.

Performances

Mainpiece Title: Merope

Afterpiece Title: Pourceaugnac and Grilletta

Performance Comment: Edition of 1737 states that it was performed by Signora Anna Maria Faini, Antonio Lottini.
Event Comment: Afterpiece: A new comic Interlude. [Music by Giuseppe Maria Orlandini.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Grullo and Moschetta

Performance Comment: Edition of 1737 lists: Performed by Signora Anna Maria Faini, Antonio Lottini.
Event Comment: Benefit Signora Anna Zamperini, Prima Buffa

Performances

Mainpiece Title: L'innamorate Del Cicisbeo

Performance Comment: Lesbina-Anna Zamperini; Cicisbeo-Giandomenico Zamperini; Aurora-Antonia Zamperini; Grilletta-Maria Zamperini; In Act II, a Song-Sga Zamperini; accompanied by a Mandolino-.
Cast
Role: Grilletta Actor: Maria Zamperini
Event Comment: Benefit Signora Maria Gallia Saggione

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-

Performances

Mainpiece Title: Solimano

Performance Comment: Larpent MS lists: Solimano-Pazzaglia; Selim-Potenza; Narsea-Signora Mattei; Osmino-Signora Galori; Emira-Signora Frasi; Resteno-Signora Rosa; Maestra de Balli-Lescot.
Cast
Role: Narsea Actor: Signora Mattei
Role: Osmino Actor: Signora Galori
Role: Emira Actor: Signora Frasi
Role: Resteno Actor: Signora Rosa

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

Event Comment: A new serious Opera [a pasticcio]. Music by different Masters. To begin at 6 p.m. on account of the Prologue. [Note: The 1760 Libretto at Library of Congress designates the "Musical Prologue sung by Signora Mattei" on 22 Nov. The prologue consists of recitative and a brief air of two quatrains.

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Minos-Gaetano Quilici; Ariadne-Signora Colomba Mattei; Theseus-Filipo Elisi; Tauris-Pietro Sorbelloni; Laodice-Signora Angiola Calori; Alcestes-Signora Teresa Eberardi; Director-Giocchino Cocchi; New Musical Prologue before the Opera begins-Signora Mattei--1760 Libretto; Director of Dancers-Gherardi; Dancers-Gherardi, Mlle Asselin, Polly Capitani, Tariot (Larpent MS).
Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

Performance Comment: Edition of 1732 lists: Catone-Senesino; Marzia-Signora Strada; Emilia-Signora Celeste Gismondi; Arbace-Signora Bertolli; Cesare-Montagnana.
Event Comment: Benefit for Signora Laura Rosa...having sustainedthe loss of her Salary by the late Failure at the Opera House. At Hickford's Room, Brewer St

Performances

Mainpiece Title: L'isola Dissabitata

Performance Comment: Parts-Signora Calori, Miss Frederick, Signora Laura Rosa, Tenducci, Quilici.

Music: First Violin-Sg Cardoni

Event Comment: Libretto by Goldoni; Music by Galuppi. A new comic Opera. To begin at 6:30 p.m. Pit and Boxes Half a Guinea. Gallery 5s. By His Majesty's Command No Persons admitted behind the Scenes [Repeated. The 1760 Libretto of Arianne e Teseo calls for Prologue to be sung by Signora Mattei on this night.

Performances

Mainpiece Title: Il Mondo Nella Luna

Performance Comment: Ernesto-Peter Sorbelloni; Sir Credulous-Carlo Paganini; Lisetta-Signora Angiola Paganini; Cecco-Christiano Tedeschini; Flaminia-Signora Angiola Calori; Ecclypticus-Gaetano Quilici; Clarice-Signora Teresa Eberardi; Director-G. Cocchi Libretto, 1760.

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

Event Comment: Benefit for Signora Galli. Composed by Handel. Signora Galli will sing the Part of Alexander, with all the original songs of Senesino. [As Senesino created this role in 1726, the piece performed tonight may be Handel's, not Lampugnani's; see kings, 15 Nov. 1743 and Deutsch, Handel, p. 647.

Performances

Mainpiece Title: Roxana

Performance Comment: Alexander-Signora Galli.
Cast
Role: Alexander Actor: Signora Galli.
Event Comment: The last Night of the Subscription. A New Opera. Music by Cocchi. N.B. The opera will be continued for a few nights more for the benefit of actors and actresses. [The opera next season to be under Signora Mattei.

Performances

Mainpiece Title: Erginda Regina Di Livadia

Performance Comment: edition of 1760 listed: Erginda-Colomba Mattei; Ormonte-Emanuele Cornacchini; Vasorre-Gaetano Quilici; Tanette-Magalli [MS notation in Folger Library copy]; Ismena-Signora Angiola Calori; Creonte-Signora Laura Rosa; Logide-Miss Polly Capitani[, eight years old., eight years old.

Dance: Gallini, Mlle Asselin, Maranesi, Sga Provenzale

Event Comment: Benefit Signora Margarita del'Epine. N.B. Three Rows of the Pit will be railed in to the Boxes at 5s

Performances

Mainpiece Title: Camilla

Performance Comment: A new Trumpet Song-Signora Margarita.

Music: Violin Solo-Carbonelli (late from Italy); accompanied-Piepo

Dance: As17181031

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

Performance Comment: Edition of 1737 lists no performers' names, but MS note in BM 11714 aa 23 lists: Sabrina-Signora Marchesini; Gomaspe-Farinelli.
Cast
Role: Sabrina Actor: Signora Marchesini
Event Comment: Benefit of Signora Bugiani and Maranesi. To begin at 6:30 p.m

Performances

Mainpiece Title: L'olimpiade

Performance Comment: A new Duetto-Signora Mingotti, Ricciarelli.

Dance: MMinuet-Sga Bugiani, Maranesi

Event Comment: Benefit Signora Frasi. At the Great Room, Dean St. A Musical Entertainment by Handel. To begin at half after six

Performances

Mainpiece Title: L'allegro, Il Penseroso Ed Il Moderato

Performance Comment: The Principal Vocal Parts-Signora Frasi, Beard, Wass.

Music: A Concerto on the Organ-Stanley

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).
Cast
Role: Eliza Actor: Signora Cremonini

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Event Comment: Benefit for Signora Frasi

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Artabanes-Vernon; Rimenes-Raworth (being his first appearance in that Character); Artaxerxes-Mrs Dorman; Artabaces-Signora Frasi, her first appearance in that Character; Semira-Mrs Scott; Mandane-Mrs Barthelemon, her first appearance in that Character.

Music: Concerto on the Hautboy-Fishar

Event Comment: Benefit for Dickinson (First Gallery Office Keeper). We borrow'd Mrs Baker for Maria (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17590106, but Thorogood-Davies; Maria-Mrs Baker.
Cast
Role: Maria Actor: Mrs Baker.

Afterpiece Title: The Englishman in Paris

Song: I: Beard

Dance: II: Hornpipe-Walker; IV: A Comic Dance-Giorgi, Sga Lucchi;

Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Baddeley; the Citizen-King; Jasper-Burton; Wilding-Lee; Dapper-Parsons; Beaufort-Packer; Quildrive-Castle; Corinna-Mrs Hippisley; Maria-Miss Pope.
Cast
Role: Maria Actor: Miss Pope.
Event Comment: Benfit for Costollo, Mrs Pitt, Mr Stede. [Public Advertiser assigns Maria to Miss Elliot.] None admitted behind Scenes. Last time of performing Mainpiece this season

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Citizen

Performance Comment: As17641107, but Corinna-Mrs Evans; Maria-Mrs Mattocks (playbill).
Cast
Role: Maria Actor: Mrs Mattocks

Dance: I: A Wooden Shoe Dance-Leppie, Miss Pitt; End: (This night only) A Medley Hornpipe-Walker, from Drury Lane, Miss Pitt his scholar; End Opera: Hornpipe-Miss Pitt; End I Afterpiece: Rural Love, as17641212

Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.
Cast
Role: Maria Actor: Mrs Baddeley

Afterpiece Title: The Miller of Mansfield

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.
Cast
Role: Maria Actor: Miss P. Hopkins

Afterpiece Title: The Lyar