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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Signora Margarita del\'Epine"/1) | (@(roleclean,performerclean) "Signora Margarita del\'Epine")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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729 results for: Keyword - Signora Margarita del'Epine
We found 380 matches on Performance Comments, 270 matches on Performance Title, 138 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

626
06 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea Triumph of Truth 0

Afterpiece Title: A Miscellaneous Concert

Music: End I: serenata solo on harp-Mme Krumpholtz (2nd appearance in this Kingdom)

627
20 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Afterpiece Title: Triumph of Truth 2

Afterpiece Title: Triumph of Truth 3

Music: As17890311

628
15 November 1707 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. All Sung after the Italian manner. [in Post Boy, 13-15 Nov., a notice states: "Whereas the Names of Mrs Margarita del'Epine and Mrs Tofts, are mention'd in the Bills for the Opera of Camilla, as if they were to perform the parts of Prenesto and Camilla...That the Publick may not be impos'd upon, This is to give Notice, that the same is done without their Consent; and that they do not intend to perform; there being no Articles of Agreement between them and the Managers...who have of late declin'd coming to any with them."

Performances

Mainpiece Title: Camilla

Dance: Between the Acts:

629
18 December 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Thomyris Queen Of Scythia Or The Royal Amazon

Performance Comment: Valentini, Mrs Tofts, Signiora Margarita, Leveridge, Mrs Lindsey, Laurence performing their Parts as formerly.

Dance:

630
14 June 1710 @ Greenwich

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.

631
15 November 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maids Tragedy

Afterpiece Title: Myrtillo

Performance Comment: See17151105, but Mrs Margarita, Mrs Barbier, others.

Dance: As17151105

632
18 November 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest Or The Inchanted Island

Afterpiece Title: Venus and Adonis two interludes

Performance Comment: Mrs Margarita, Mrs Barbier, Turner.

633
08 March 1722 @ Hickford's Room

Event Comment: Benefit Mrs Isabella Chambers, Scholar to Mrs Margarita, who never Sung in Publick before. Tickets 6s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Singing-Mrs Isabella Chambers

634
13 March 1723 @ Haymarket Theatre

Event Comment: Benefit Mrs Isabella Chambers, Scholar to Mrs Margarita. Pit and Boxes at 6s. Gallery 3s. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

635
23 January 1703 @ Drury Lane Theatre

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Dance: Du/Ruell, Mrs Campion, others

636
29 March 1710 @ York Buildings

Event Comment: Benefit Signora Maria Gallia Saggione

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-

637
21 April 1710 @ Queen's Theatre

Event Comment: Benefit Signora del'Epine. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hydaspes

638
25 November 1710 @ Queen's Theatre

Event Comment: Receipts: #147 3s. 6d. Signora Schiavonetti is announced as in the Service of her Highness the Princess Sophia of Hanover

Performances

Mainpiece Title: Hydaspes

639
28 April 1711 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Pilotta Schiavonetti. At the Desire of several Ladies of Quality. Admission as 7 April

Performances

Mainpiece Title: Hydaspes

640
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Afterpiece Title: Thomyris the famous Scene only

641
13 November 1712 @ Hickford's Room

Event Comment: Benefit Signora Celotti. At the Request of several Ladies. A 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-, Compos'd by some of the best Italian Masters

642
04 March 1713 @ Stationer's Hall

Event Comment: Benefit Signora Celotti. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands of the Opera

643
28 March 1713 @ Queen's Theatre

Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

644
09 April 1713 @ Hickford's Room

Event Comment: Benefit Signora Victoria Albergotti Romano. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; performing several Songs out of the newest Operas-; with One and Two Trumpets-; With variety of new Concertos for Flutes, German Flutes, Trumpets, Hautboys, other Instruments; by Mr Corbet-Mr Corbet, others of the best Masters in the Opera

645
17 April 1714 @ Queen's Theatre

Event Comment: Benefit Signora Galerati. Admission as 10 April

Performances

Mainpiece Title: Ernelinda

Music: As17140403

646
28 April 1714 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbet. Tickets 5s. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a Solo of Corelli's-Mr Corbet; with variety of Pieces on the Echo Flute Hautboy German Flute and Trumpet-the best Masters; with a new Cantata-the best Masters; a Solo for the Harpsichord-the best Masters

647
02 April 1715 @ King's Theatre

Event Comment: Benefit Signora Pilotti. By His Majesty's Command. Pit and Boxes together by tickets only at half a guinea. Stage Boxes 15s. Gallery 4s. Tickets for Ernelinda taken. At 6 p.m

Performances

Mainpiece Title: Lucius Verus

648
23 April 1715 @ King's Theatre

Event Comment: Benefit Signora Galerati. With several Songs alter'd. Admission as 23 Oct. 1714. By Command. Weekly Journal, 30 April: His Majesty was incognito...at Lucius Verus...as were the Prince and Princess of Wales, who went publickly

Performances

Mainpiece Title: Lucius Verus

649
30 April 1715 @ King's Theatre

Event Comment: Benefit Signora Vico. By Command

Performances

Mainpiece Title: Lucius Verus

650
15 March 1716 @ Hickford's Room

Event Comment: Benefit Signora Isabella Aubert

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; the Instrumental-Castraccio lately arriv'd from Rome