SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Diana By His Majesty"/1) | (@(roleclean,performerclean) "Signora Diana By His Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1180 matches on Event Comments, 705 matches on Performance Comments, 270 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Sosarmes

Performance Comment: Edition of 1731 lists: Sosarme-Senesino; Elmira-Signora Strada; Haliate-Pinacci; Erenice-Signora Bagnolesi; Argone-Campioli; Melo-Signora Bertolli; Altomaro-Montagnana.
Cast
Role: Elmira Actor: Signora Strada
Role: Erenice Actor: Signora Bagnolesi
Role: Melo Actor: Signora Bertolli

Performances

Mainpiece Title: Coriolanus

Performance Comment: Edition of 1731 lists: Coriolanus-Senesino; Volumnia-Signora Strada; Veturia-Signora Bagnolese; Claudia-Signora Bertolli; Sesto Furio-Mantagnana; Azzio Tullo-Campioli; Sicinio-Pinacci.
Cast
Role: Volumnia Actor: Signora Strada
Role: Veturia Actor: Signora Bagnolese
Role: Claudia Actor: Signora Bertolli

Performances

Mainpiece Title: Esther

Performance Comment: Edition of 1731 lists: Ahasuerus-Senesino; Haman-Montagnana; Habdonah-Lowe; Esther-Signora Strada; Mordecai-Signora Bertolli; Israelite Woman-Mrs Davis; Israelites-Mrs Turner Robinson, Signora Bertolli, Lowe.

Performances

Mainpiece Title: Orlando

Performance Comment: Edition of 1732 lists: Orlando-Senesino; Angelica-Signora Strada; Medoro-Signora Bertolli; Dorinda-Signora Celeste; Zoroastro-Montagnana.
Cast
Role: Angelica Actor: Signora Strada
Role: Medoro Actor: Signora Bertolli
Role: Dorinda Actor: Signora Celeste
Event Comment: The Princess Royal's Marriage, being deferr'd, the Opera will be perform'd that Day as usual. Daily Courant, 14 Nov.: Last Night their Majesties, his Royal Highness the Prince of Wales, and the three eldest Princesses . . . saw . . . Otho; but his Highness the Prince of Orange was not there

Performances

Mainpiece Title: Otho

Performance Comment: Cast not listed, but edition of 1733 lists: Otho-Giovanni Carestino; Theophane-Signora Strada; Gismonda-Signora Margherita Durastante; Adelberto-Carlo Scalzi; Matilda-Signora Maria Catterina Negri; Emireno-Waltz .
Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

Performance Comment: Cast not listed, but edition of 1734 lists: Polifemo-Montagnana; Aci-Farinello; Galatea-Signora Cuzzoni; Ulisse-Senesino; Calipso-Signora Bertolli; Nerea-Signora Segatti .
Cast
Role: Galatea Actor: Signora Cuzzoni
Role: Calipso Actor: Signora Bertolli
Role: Nerea Actor: Signora Segatti
Event Comment: A New Opera. [By Metastasio. Music by Francis Veracini. For a full account of this opera and opera in general, see Ilchester, Lord Hervey and his Friends, pp. 238-39.] Daily Advertiser, 26 Nov.: Their Majesties, his Royal Highness, and the Princesses [attended] Adriano, compos'd by the famous Signior Veracini, who perform'd the first Fiddle

Performances

Mainpiece Title: Adriano

Performance Comment: Cast not listed, but edition of 1735 lists: Adriano-Fran. Bernardi, called Senesino; Farnaspe-Carlo Broschi, called Farinelli; Emirena-Signora Fran. Cuzzoni; Sabina-Signora Fran. Bertolli; Idalma-Signora Santini; Osroa-Montagnana .

Performances

Mainpiece Title: Mithridates

Performance Comment: Cast not listed, but edition of 1735 lists: Mitridate-Francesco Bernardi, detto Senesino; Sifare-Carlo Broschi, detto Farinelli; Semandra-Signora Francesca Cuzzoni; Farnace-Signora Fran. Bertolli; Ismene-Signora Santa Tasca, detta la Santina; Archelao-Antonio Montagnana; Arcante-Bernardo Palma .
Event Comment: A new Opera. [Text by A. Salvi. Music by Handel.] By His Majesty's Command, [Their Majesties expect to attend.

Performances

Mainpiece Title: Berenice

Performance Comment: Deutsch, Handel, p. 435, lists: Berenice-Signora Strada; Selene-Signora Bertolli; Alessandro-Conti; Demetrio-Annibali; Arsace-Signora Maria Caterina Negri; Fabio-Beard; Aristobolo-Reinhold.
Event Comment: By Desire and Consent of Frederic Handel, Esq. Afterpiece: Musick composed by his Majesty the King of Prussia. Pit half a Guinea. Gallery 5s. 6 p.m. At the Great Room, Dean St., Soho

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Vocal Parts-Signora Passerini, Signora Mattei, Pazzaglia, Miss Thomas, Batichel.

Afterpiece Title: Charlottenburg Festegiante

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Event Comment: [Text by Haym. Music by Handel.] Admission as 7 Nov. Daily Journal, 14 Jan.: On Saturday Night, his Majesty was at the Opera...and Signiora Catzoni, newly arrived from Italy, perform'd for the first Time, to the Surprize and admiration of the Audience, which was very numerous. [See also London Journal and British Journal, 12 and 19 Jan.

Performances

Mainpiece Title: Otho

Performance Comment: Edition of 1723 lists: Ottone-Francesco Bernardi , called Senesino; Teofane-Signora Francesca Cuzzoni; Emireno-Guiseppe Boschi; Gismonda-Signora Margherita Durastanti; Adelberto-Gaetano Berenstatt; Matilda-Mrs Anastasia Robinson.
Event Comment: [Text by Haym. Music by Handel.] Admission as 14 Jan. Daily Journal, 21 Feb.: Last Night his Majesty, the Prince and Princess, with great Numbers of the Nobility, went to see the new Opera

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Edition of 1724 lists: Giulio Cesare-Senesino; Cornelia-Mrs Robinson; Sesto Pompeo-Signora Durastanti; Cleopatra-Signora Cuzzoni; Tolomeo-Berenstadt; Achilla-Boschi; Nireno-Bigonsi; Deutsch, Handel, p. 157 adds: Curio-Lagarde.
Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Performance Comment: Cast not listed, but edition of 1736 lists: Atalanta-Signora Strada; Meleager-Gioachino Conti, called Egizzielli; Irene-Signora Maria Negri; Amintas-Beard; Nicander-Waltz; Mercury-Reinhold .
Cast
Role: : Atalanta Actor: Signora Strada
Role: Irene Actor: Signora Maria Negri

Performances

Mainpiece Title: Ezio

Performance Comment: Valentiniano-Tenducci; Fulvia-Signora Scotti; Ezio-Manzoli; Onori-Signora Cremonini; Massimo-Ciprandi; Darce-Miss Young; Varo-[?] (Libretto 1764).?] (Libretto 1764).
Cast
Role: Fulvia Actor: Signora Scotti
Role: Onori Actor: Signora Cremonini

Dance: II: Scene ii: Dance of Vintage-; II: Masons at Work-; End Opera: The Chinese Wedding-; Ballet Master-Gherardi

Event Comment: At the particular Desire of several Persons of Quality. For the Benefit of the Famous Signora Violante, who is just arriv'd with a new extraordinary fine Company....After the Irish Manner, Which was perform'd 96 Times in Dublin with great Applause. Boxes 5s. Pit 3s. Gallery 2s. [For performances at the Fairs in September, see season of 1731-1732.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-the celebrated Miss Woffington; Peachum-Morrice; Lockit-Daly; Filch-Roan; Mat-Dease; Polly-Miss Jenny Jones; Mrs Peachum-Miss Woffington; Lucy-Miss Corbally; Diana-Miss Woffington.
Cast
Role: Diana Actor: Miss Woffington.

Dance: HHarlequin-Master LaFevre, Miss Violante; Louvre in Boys Cloaths-Miss Violante; Two Pierrots-Lalauze, Tobin

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Anderson; Filch-Holtom; Mat@o@Mint-Baker; Player-White; Beggar-Bennet; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Green; Mrs Peachum-Mrs Stephens; Lucy-Miss Miller; Polly-Miss Brent; Hornpipe-Miss Pitt, Miss Daw, Miss Twist; To conclude with a Country Dance-the characters.
Cast
Role: Diana Trapes Actor: Mrs Copin

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

Dance: II: A Tambourine, as17641015

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Royal Chace

Performance Comment: As17651207, but Diana-Mrs Baker.
Cast
Role: Diana Actor: Mrs Baker.

Dance: II: The Village Romps, as17651019; IV: The Garland, as17651003

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17690209, but Peirrot-Lalauze, 1st time in tha character these 8 years; Harlequin-Miles; Venus-Mrs Baker; Colombine-Mrs Dyer. [The New Character would seem to be Venus-Mrs Baker. But playbill gives no indication of who played Mrs Baker's old part of Diana.]

Dance: IV: The Lamplighters, as17681101

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Humourist; or, Who's Who

Performance Comment: Sir Anthony Halfwit-Parsons; Frolick-Baddeley; Beaumont-Williames; Blunt-Alfred; Dabble-Bannister Jun.; Diana-Mrs Ward; Mrs Meddle-Mrs Wilson; Jenny-Miss Tidswell; Mrs Matadore-Mrs Hopkins. Prologue spoken by Bannister Jun .
Cast
Role: Diana Actor: Mrs Ward

Dance: End of mainpiece The Provencalle by Mills and Miss Stageldoir

Performances

Mainpiece Title: Solimano

Performance Comment: Larpent MS lists: Solimano-Pazzaglia; Selim-Potenza; Narsea-Signora Mattei; Osmino-Signora Galori; Emira-Signora Frasi; Resteno-Signora Rosa; Maestra de Balli-Lescot.
Cast
Role: Narsea Actor: Signora Mattei
Role: Osmino Actor: Signora Galori
Role: Emira Actor: Signora Frasi
Role: Resteno Actor: Signora Rosa

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

Event Comment: A new serious Opera [a pasticcio]. Music by different Masters. To begin at 6 p.m. on account of the Prologue. [Note: The 1760 Libretto at Library of Congress designates the "Musical Prologue sung by Signora Mattei" on 22 Nov. The prologue consists of recitative and a brief air of two quatrains.

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Minos-Gaetano Quilici; Ariadne-Signora Colomba Mattei; Theseus-Filipo Elisi; Tauris-Pietro Sorbelloni; Laodice-Signora Angiola Calori; Alcestes-Signora Teresa Eberardi; Director-Giocchino Cocchi; New Musical Prologue before the Opera begins-Signora Mattei--1760 Libretto; Director of Dancers-Gherardi; Dancers-Gherardi, Mlle Asselin, Polly Capitani, Tariot (Larpent MS).
Event Comment: Benefit for Signora Laura Rosa...having sustainedthe loss of her Salary by the late Failure at the Opera House. At Hickford's Room, Brewer St

Performances

Mainpiece Title: L'isola Dissabitata

Performance Comment: Parts-Signora Calori, Miss Frederick, Signora Laura Rosa, Tenducci, Quilici.

Music: First Violin-Sg Cardoni

Event Comment: Libretto by Goldoni; Music by Galuppi. A new comic Opera. To begin at 6:30 p.m. Pit and Boxes Half a Guinea. Gallery 5s. By His Majesty's Command No Persons admitted behind the Scenes [Repeated. The 1760 Libretto of Arianne e Teseo calls for Prologue to be sung by Signora Mattei on this night.

Performances

Mainpiece Title: Il Mondo Nella Luna

Performance Comment: Ernesto-Peter Sorbelloni; Sir Credulous-Carlo Paganini; Lisetta-Signora Angiola Paganini; Cecco-Christiano Tedeschini; Flaminia-Signora Angiola Calori; Ecclypticus-Gaetano Quilici; Clarice-Signora Teresa Eberardi; Director-G. Cocchi Libretto, 1760.

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

Event Comment: Benefit for Signora Galli. Composed by Handel. Signora Galli will sing the Part of Alexander, with all the original songs of Senesino. [As Senesino created this role in 1726, the piece performed tonight may be Handel's, not Lampugnani's; see kings, 15 Nov. 1743 and Deutsch, Handel, p. 647.

Performances

Mainpiece Title: Roxana

Performance Comment: Alexander-Signora Galli.
Cast
Role: Alexander Actor: Signora Galli.