SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Signor Pietro Reggio"/1) | (@(roleclean,performerclean) "Signor Pietro Reggio")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1222 matches on Author, 84 matches on Event Comments, 71 matches on Performance Comments, 48 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Pietro. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; With several Solos on the Bass Viol and German Flute-Signor Pietro

Event Comment: Benefit Pietro. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Careless Husband

Song: Singing in Italian-Signor Pietro

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Related Works
Related Work: Artaxerxes Author(s): Pietro Pariati
Related Work: Artaxerxes Author(s): Pietro Metastasio
Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

Related Works
Related Work: Artaxerxes Author(s): Pietro Pariati
Related Work: Artaxerxes Author(s): Pietro Metastasio
Event Comment: Benefit Signor Laschi, with Comic Interludes between the Acts, called La Serva Padrona. The music composed by Sig Gio. Batista Pergolesi

Performances

Mainpiece Title: Adriano In Siria

Related Works
Related Work: Adriano in Siria Author(s): Pietro Metastasio
Related Work: Adriano Author(s): Pietro Metastasio
Related Work: Adriano in Syric Author(s): Pietro Metastasio

Afterpiece Title: La Serva Padrona

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Related Works
Related Work: Didone Author(s): Pietro Metastasio
Related Work: Didone Abbandonata da Enea; or, Dido Forsaken by Aeneas: With the Bloody Batte between the Trojans and Moors, and the Destruction of Carthage Author(s): Pietro Metastasio
Related Work: Didone abbandonata Author(s): Pietro Metastasio
Related Work: Didone Abbandonata Author(s): Pietro Metastasio
Related Work: La Didone Abbandonata Author(s): Pietro Metastasio
Event Comment: A New Opera. [Text by Angelo Cori. Music by Pietro Sandoni.]

Performances

Mainpiece Title: Issipile

Performance Comment: Cast not listed, but edition of 1735 lists: Toante-Montagnana; Issipile-Signora Francesca Cuzzoni; Giasone-Carlo Broschi, called Farinelli; Learco-Francesco Bernardi, called Senesino; Eurinome-Signora Francesca Bertolli; Rodope-Signora Maria Segatti .
Related Works
Related Work: Issipile Author(s): Pietro Sandoni
Event Comment: A Comic Opera. Tickets at half a Guinea. [Latilla's comic opera; but music for this production by Pietro Auletta. See Loewenberg, Annals of Opera, Cols. 187-88.] Books will be delivered this morning at Mrs Sylvester's (Daily Advertiser)

Performances

Mainpiece Title: Orazio

Related Works
Related Work: Orazio Author(s): Pietro Auletta

Dance: Between the Acts: Music-

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by various eminent Composers [Anfossi, Myslivecek and Piccinni]. Amongst them several airs by Handel. Under the Direction of Bertoni. With entire new Scenes, Dresses and Decorations, both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. and 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughtout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. To prevent mistakes, Ladies who have not sent the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the office of the Theatre, in order to [permit] their Tickets being engraved. Subscriptions are received by Johnson in Union Court, Hay Market

Performances

Mainpiece Title: Alessandro Nelle Indie

Related Works
Related Work: Alessandro nelle Indie Author(s): Pietro Metastasio
Related Work: Alessandro nell'Indie Author(s): Pietro Metastasio
Related Work: Alessandro Nell Indie Author(s): Pietro Metastasio

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

Event Comment: A Serious Opera, in 2 acts (never performed before [by Pietro Metastasio]); the Music entirely new by Anfossi. With new Scenes and Decorations, designed and painted by Novosielski. Public Advertiser, 10 May: The Event of Saturday night may teach the Managers, if they are not incapable of being taught, how it has happened that their House has for these six Weeks past been almost empty, and now at last was again full. For these six weeks past the Town has been disgusted with bad Music, ill sung; with that wretched Apology for a first rate singer, Rauzzini, and that barbarous dullness which he thinks Music, his Regina di Golconda. On Saturday Night there was the direct Reverse of all this wretched Infamy . . . There have been few finer Operas, and none since Farinelli's time so exquisitely sung

Performances

Mainpiece Title: Issipile

Related Works
Related Work: Issipile Author(s): Pietro Sandoni

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325athi

Event Comment: Benefit for Sga Ferrarese del Bene. A Serious Opera [1st time; SER 2, by Pietro Giovannini]; the Music entirely new by Cherubini. Tickets, 10s. 6d. each, to be had of Sga Ferrarese del Bene, No. 232, Piccadilly

Performances

Mainpiece Title: Giulio Sabino

Related Works
Related Work: Giulio Sabino Author(s): Pietro Giovannini

Dance: As17860311hroughout

Event Comment: Evelyn, Diary: I din'd at my Lord Falklands, Tressurer of the Navy, where after dinner we had rare Musique, there being amongst others Signor Pietro Reggio and Signor Jo. Battist bothe famous, the one for his Voice, & the other his playing on the Harpichord, few if any in Europe exceeding him

Performances

Mainpiece Title: Concert

Event Comment: Evelyn, Diary: Came to my house some German strangers, & Signor Pietro Reggio a famous Musitian, who had ben long in Sweden in Queene Christina s Court: he sung admirably to a Guittar & has a perfect good tenor & base: & had set to Italian composure, many of Abraham Cowleys Pieces which shew'd extremely well

Performances

Mainpiece Title: Concert

Event Comment: Benefit Pietro. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; With Singing-Antonio Bernacchi, Gaetano Berenstatt; several Solos-Castrucci on the Violin, Pietro on the Bassviol and German Flute

Event Comment: Benefit Pietro. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Vocal Part-a Scholar of Pipo who never sung in publick before; Concerto-Keitch; Solo-Pietro, Pipo

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Dance: Mlle Constance Chollet (a principal dancer will make her first appearance this Evening)

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Dance: As17710402

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Dance: I: Mlle Sholet (for Como, indisposed); II: New Comic Dance-M. Drouville; a principal dancer and the ballets of his Composition; III: New Ballet to finish with a pas de deux with Tambourine-Drouville, Sga Radicatti

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo

Dance: III: Statue Dance-Sga Guidi

Event Comment: Benefit Sig & Signora Guglielmi. Music by Guglielmi

Performances

Mainpiece Title: Le Pazzie Dorlando

Related Works
Related Work: Le Pazzie D'Orlando Author(s): Pietro Guglielmo