SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signor Claudio"/1) | (@(roleclean,performerclean) "Signor Claudio")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 181 matches on Performance Comments, 66 matches on Event Comments, 41 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: Evelyn, Diary: [I] heard Signor Francisco on the Harpsichord, esteem'd on[e] of the most excellent masters in Europe on that Instrument: then came Nicholao Matteis? with his Violin & struck all mute, but Mrs Knight, who sung incomparably, & doubtlesse has the greatest reach of any English Woman; she had lately ben roming in Italy: & was much improv'd in that quality: Then was other Musique, & this Consort was at Mr Slingsbys Master of the Mint, my worthy friend, & great a lover of musique. [For a contemporary account of Matteis, see Roger North on Music, ed. John Wilson (London, 1959), pp. 307-11.

Performances

Mainpiece Title: Concert

Event Comment: Evelyn, Diary: I dined at the Master of the Mints with my Wife, invited to heare Musique which was most exquisitely performed by 4 the most renouned Masters, DuPrue a French-man on the Lute: Signor Bartholomeo Albrici? Ital: on the Harpsichard: & Nicolao Matteis? on the Violin; but above all for its sweetenesse & novelty the Viol d'Amore of 5 wyre-strings, plaied on with a bow, being but an ordinary Violin, play'd on Lyra way by a German, than which I never heard a sweeter Instrument or more surprizing: There was also a Flute douce now in much request for accompanying the Voice: Mr Slingsby Master of the house (whose Sonn & Daughter played skillfully) being exceedingly delighted with this diversion, had these meetings frequently in his house

Performances

Mainpiece Title: Concert

Event Comment: Evelyn, Diary: Came to my house some German strangers, & Signor Pietro Reggio a famous Musitian, who had ben long in Sweden in Queene Christina s Court: he sung admirably to a Guittar & has a perfect good tenor & base: & had set to Italian composure, many of Abraham Cowleys Pieces which shew'd extremely well

Performances

Mainpiece Title: Concert

Event Comment: In the London Gazette, No 2917, 23-26 Oct. 1693, appeared a notice of a concert by Signor Tosi for this date, but another notice in the London Gazette, No 2919, 30 Oct.-2 Nov. 1693, announced that the concert had been postponed to 2 Nov. 1693

Performances

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Dance: Du/Ruell, Mrs Campion, others

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.
Event Comment: Never perform'd before. By Subscription. The Boxes to be open'd to the Pit, and no Person to be admitted but by the Subscribers' Tickets. Edition 1710: Music composed by Francesco Mancini. The Scenes painted by Signor Marco Rizzi of Venice

Performances

Mainpiece Title: Hydaspes

Performance Comment: edition of 1710 lists: Artaxerxes-Cassani; Darius-Valentino Urbani; Hydaspes-Nicolino Grimaldi; Arbaces-Lawrence; Mandana-Madame Isabella Girardau; Berenice-Signora Margarita del'Epine.
Event Comment: Benefit Cavaliero Valeriano Pellegrini. With an Addition of several new Songs, particularly an English one sung by Signor Cavaliero Valeriano Pellegrini. Admission as 21 March. [Valeriano received #73 19s. See Deutsch, p. 59.

Performances

Mainpiece Title: Ernelinda

Event Comment: Benefit Signor Pardini. At 8 p.m

Performances

Mainpiece Title: Concert

Event Comment: Benefit Signor Francisco Scarlatti, Brother to the famous Allessandro Scarlatti. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Receipts: #116 10s. Probable attendance: boxes, 191 paid and 12 orders; pit, 262 paid and 5 orders; slips, 25 paid and 2 orders; first gallery, 242 paid and 6 orders; second gallery, 50 paid and 1 order. For an essay on Camilla, see London Journal, 26 Nov. Mrs Pendarves to Anne Granville, 27 Nov.: I was at the opera of Camilla...performed by a Mrs Chambers, Mrs Barbiere, Mrs Fletchere, a Signor Rochetti, Mr Leveridge, Mr Legard. I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better then ballads.-Mrs Delany@Autobiography, I, 125

Performances

Mainpiece Title: Camilla

Event Comment: Benefit Miss Cecilia Young, a Scholar of Signor Geminiani, who never yet sung in Publick. Pit and Boxes half a guinea. First Gallery 5s. Upper Gallery 2s. 6d. 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: [P$Princess Royal and Princess Amelia present.] Daily Advertiser, 11 June: After the Performance was over, Signor Senesino made his Leave of the Audience, in a short Speech, acquainting them, as he said, with Regret 'That he had now perform'd his last Part on that Stage, and was henceforward discharg'd from any Engagement.

Performances

Mainpiece Title: Griselda

Event Comment: A new Oratorio or Sacred Drama. Set to Musick by Signor Nicola Porpora. [By Paul Rolli. Egmont present.]

Performances

Mainpiece Title: David

Event Comment: Set to Musick by Signor Nicola Porpora

Performances

Mainpiece Title: David

Event Comment: Set to Musick by Signor Nicola Porpora

Performances

Mainpiece Title: David

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .
Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

Event Comment: Set to Musick by Signor Nicola Porpora. With several Additions

Performances

Mainpiece Title: David

Event Comment: Benefit Signor Arrigoni. 7 P.M. Tickets half a guinea

Performances

Mainpiece Title: Concert

Event Comment: A new Opera. Edition of 1740 Composed by Signor Pescetti. A new Scene by M delaCour. By His Majesty's Command

Performances

Mainpiece Title: Busiri, Overo Il Trionfo D'amore

Performance Comment: Edition of 1740 lists: Busiri-Carestini; Erigone-Signora Panichi; Anubi-Andreoni; Merate-Rochetti.
Cast
Role: Erigone Actor: Signora Panichi

Dance: As17400408

Performances

Mainpiece Title: Double Falshood

Opera: End II and IV: of the Play will be performed an Interlude in two Comick Scenes in Musick. betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier

Performance Comment: betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier.

Dance: I: Muzette, Tambourine-Mechell, Mlle Mechell; III: Les Niaise-Mechell, Mlle Mechell

Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021

Event Comment: A new Oratorio, set to music by Signor Veracini

Performances

Mainpiece Title: L'errore Di Solomone