SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signor Baptista"/1) | (@(roleclean,performerclean) "Signor Baptista")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 120 matches on Performance Comments, 62 matches on Event Comments, 38 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Signor Francisco Scarlatti, Brother to the famous Allessandro Scarlatti. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Receipts: #116 10s. Probable attendance: boxes, 191 paid and 12 orders; pit, 262 paid and 5 orders; slips, 25 paid and 2 orders; first gallery, 242 paid and 6 orders; second gallery, 50 paid and 1 order. For an essay on Camilla, see London Journal, 26 Nov. Mrs Pendarves to Anne Granville, 27 Nov.: I was at the opera of Camilla...performed by a Mrs Chambers, Mrs Barbiere, Mrs Fletchere, a Signor Rochetti, Mr Leveridge, Mr Legard. I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better then ballads.-Mrs Delany@Autobiography, I, 125

Performances

Mainpiece Title: Camilla

Event Comment: Benefit Miss Cecilia Young, a Scholar of Signor Geminiani, who never yet sung in Publick. Pit and Boxes half a guinea. First Gallery 5s. Upper Gallery 2s. 6d. 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: [P$Princess Royal and Princess Amelia present.] Daily Advertiser, 11 June: After the Performance was over, Signor Senesino made his Leave of the Audience, in a short Speech, acquainting them, as he said, with Regret 'That he had now perform'd his last Part on that Stage, and was henceforward discharg'd from any Engagement.

Performances

Mainpiece Title: Griselda

Event Comment: A new Oratorio or Sacred Drama. Set to Musick by Signor Nicola Porpora. [By Paul Rolli. Egmont present.]

Performances

Mainpiece Title: David

Event Comment: Set to Musick by Signor Nicola Porpora

Performances

Mainpiece Title: David

Event Comment: Set to Musick by Signor Nicola Porpora

Performances

Mainpiece Title: David

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .
Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

Event Comment: Set to Musick by Signor Nicola Porpora. With several Additions

Performances

Mainpiece Title: David

Event Comment: Benefit Signor Arrigoni. 7 P.M. Tickets half a guinea

Performances

Mainpiece Title: Concert

Event Comment: A new Opera. Edition of 1740 Composed by Signor Pescetti. A new Scene by M delaCour. By His Majesty's Command

Performances

Mainpiece Title: Busiri, Overo Il Trionfo D'amore

Performance Comment: Edition of 1740 lists: Busiri-Carestini; Erigone-Signora Panichi; Anubi-Andreoni; Merate-Rochetti.
Cast
Role: Erigone Actor: Signora Panichi

Dance: As17400408

Performances

Mainpiece Title: Double Falshood

Opera: End II and IV: of the Play will be performed an Interlude in two Comick Scenes in Musick. betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier

Performance Comment: betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier.

Dance: I: Muzette, Tambourine-Mechell, Mlle Mechell; III: Les Niaise-Mechell, Mlle Mechell

Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021

Event Comment: A new Oratorio, set to music by Signor Veracini

Performances

Mainpiece Title: L'errore Di Solomone

Event Comment: A New Opera...Written by Metastasio and set to Musick by Signor Hasse

Performances

Mainpiece Title: Dido

Event Comment: Benefit Signor Reginelli

Performances

Mainpiece Title: Dido

Song: In I: favorite Song-Reginelli; accompanied on the Saltero-Caruso, which was never performed in any Concert before

Event Comment: A new Opera written by Metastasio and the Musick compos'd originally by Signor Hasse. [First time performed in England.

Performances

Mainpiece Title: La Semiramide Reconosciuta

Event Comment: By Subscription. A Burletta, or Comic Opera...being the first of this Species of Musical Drama ever exhibited in England. [But see Burney, II, 248, on both cast and music.] Pit and Boxes Half a guinea. Gallery 5s. To begin at 6 p.m. Last Wednesday arrived in London, from Italy, Signor Croza, with his New Company of Italian Performers, who are to entertain the Town the approaching Season, at the King's Theatre in the Haymarket, with Operas of a new kind, call'd Burlettas (General Advertiser, 23 Sept.)

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

Event Comment: Benefit Signor Laschi, with Comic Interludes between the Acts, called La Serva Padrona. The music composed by Sig Gio. Batista Pergolesi

Performances

Mainpiece Title: Adriano In Siria

Afterpiece Title: La Serva Padrona

Event Comment: Benefit Signor Antonio Ambrosia, Operator on the Cremona Staccato, vulgarly call'd the Salt-Box. Tickets delivered for 5 March will be taken. Prices, Boxes 4s. Pit 3s. Gallery 2s. [The fifteenth night.

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: Benefit for Signor Maranesi and Miss Hilliard

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Lover His Own Rival

Dance: II: A New Dance Il Guastatore-Maranesi, Sga Bugiani; III: Grand Scots Ballet, as17521216; IV: Mock Minuet-Sg Bugiani, Sga Bugiani; V: Minuet, Louvre-Cooke, Miss Hilliard

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: A New Opera. Musick composed by Signor Hasse. Application by Regina Mingotti, Manager of ye Operas (Larpent MS)

Performances

Mainpiece Title: Il Re Pastore

Performance Comment: Aminta-Giuseppi Ricciarelli; Eliza-Signora Regina Mingotti.

Dance: Withnew Dances-