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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signior Cavaliero Nicolini Grimaldi"/1) | (@(roleclean,performerclean) "Signior Cavaliero Nicolini Grimaldi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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469 results for: Keyword - Signior Cavaliero Nicolini Grimaldi
We found 289 matches on Performance Comments, 113 matches on Performance Title, 81 matches on Event Comments, 14 matches on Author, and 0 matches on Roles/Actors.

426
27 November 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

427
30 November 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

428
04 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

429
14 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

430
18 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

431
21 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

432
01 January 1737 @ King's Theatre

Event Comment: Mainpiece: Composed by Signior Hasse. Afterpiece: A Comic Interlude. [Music by Giuseppe Maria Orlandini. Text by A. Salvi. Queen and all the Royal Family present.

Performances

Mainpiece Title: Siroe

Afterpiece Title: Il Giocatore; or, The Gamester

Performance Comment: Edition of 1736 states that it was performed by Signiora Anna Maria Faini, Antonio Lottini.

433
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

434
09 October 1742 @ Drury Lane Theatre

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Daily Advertiser: This evening their Royal Highnesses...will go to the theatre...to see the Comedy of the Committee, or the Faithful Irishman, and Dancing by Signior Brunoro, &c, being the first time of his appearing at that theatre

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Dance: II: a New Comic Dance La Mascarada-Brunoro, Borromeo, Mlle Bonneval, Sga Costanza; V: New Comic Dance Les Matelotes-Brunoro, Borromeo, Mlle Bonneval, Sga Constanza

Song: III: Song-Beard

Music: IV: Concerto-Veracini

435
03 February 1750 @ King's Theatre

Event Comment: Delayed by Indisposition of Signior Melini

Performances

Mainpiece Title: Madame Ciana

436
25 September 1750 @ Drury Lane Theatre

Event Comment: Last Tuesday Signior Pasquali, Master of the Band of Music at the Theatre Royal, Mr Cibber and some other prominent players arriv'd from England to act the ensuing season [in Dublin]. Mrs Bland arriv'd [in Dublin] last Sunday from England and will appear tomorrow night in the character of Miranda in the Busy Body. Receipts: #180

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Anatomist

437
17 March 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but will be introduc'd several new Tunes on the Jew's Harp never performed before-; A Solo in a new Taste-Signor Piantafugo; Salt@Box-; and the Performances of Signior Bombasto; Sg Bombazino as usual; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; A New Prologue-a Gentleman; Epilogue-Hallet.

438
11 April 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520401 but Signior _Bombasto; Sg _Bombasino.

439
21 January 1766 @ King's Theatre

Event Comment: A new serious Opera. The Music entirely new-Signior Vento. With new Dances, new Cloaths and Decoration

Performances

Mainpiece Title: Sofonisba

440
05 September 1769 @ King's Theatre

Event Comment: PPublic Advertiser, 5 Sept. 1769: Mr Crawford and Co. beg Leave to acquaint the Nobility and Gentry, with the following List of their new Singers, and others engaged for the serious and comic Operas next Season. Those marked thus& are new Performers, viz. Principal Singers for the Serious Operas: &Signior Guadini, first Man. &Signora Cecilia Grassi, first Woman. For comic or serious: Signor Lovattini, first Man. &Sig Zamperini, &Signora Guadini, first Women. &Signor Piatti, 2nd Man serious. &Signor Bianchi, Tenor, Signora Zamperini, Sig Morighi, Signora Piatti. Composer: Sig Guiglielmi. Principal Dancers: Mr Slingsby, &Signor Galiotti, &Signor Siminon, &Signora Guidi, Signora Radicatti, &Signora Gardel. Ballet Master: &Sig Campioni. [See 7 Nov.

Performances

441
06 January 1775 @ Covent Garden

Event Comment: [See Epilogue to the Rival Candidates at dl 1 Feb. 1775, wherein Weston comments on his Dog Dragon, "But should his master's sing-song melt your soul @ He'll be as soft as-Signior Rossignol: @ Will with harmonious howlings swell each note, @ And bark sweet music,--only from his throat."

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Druids

442
09 March 1710 @ Queen's Theatre

Event Comment: At the Desire of several Persons of Quality. [In Daily Courant, 8 March, Thomyris had been announced for this day as Nicolini's benefit .

Performances

Mainpiece Title: The Old Batchelor

443
21 March 1710 @ Queen's Theatre

Event Comment: Benefit Nicolini. At the Desire of several Ladies of Quality. With all the Scenes and Decorations of the last new Opera of Almahide. The Boxes to be open'd to the Pit, and no Person to be admitted but by printed Tickets, at a half guinea

Performances

Mainpiece Title: Pyrrhus And Demetrius

444
28 December 1720 @ King's Theatre

Event Comment: Admission as 19 Nov. Weekly Journal or Saturday's Post, 31 Dec.: His Majesty and the rest of the Royal Family went to see... Radamistus, where the famous Nicolini perform'd with his wonted Applause

Performances

Mainpiece Title: Radamistus

445
21 March 1735 @ Haymarket Theatre

Event Comment: Benefit Davis and Bartlet. At the particular Desire of several Ladies of Quality. [A puff in Daily Advertiser, 21 March, extols Davis as having been trained by Nicolini Haym.]

Performances

Mainpiece Title: Arlequin Sauvage

Afterpiece Title: Les Deux Arlequins

Dance: The Jealousy between Three Lilliputians. A Harlequin by Young Cochoy

446
09 June 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Performance Comment: Polanders. Aickin, Kelly, Palmer, Bannister Jun., Caulfield, Trueman, Fairbrother, Bland, Benson, Webb, Master Welsh, Master Gregson//Mrs Crouch. Captives. Mrs Bland, Miss De Camp, Miss Miller, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Wrighten, Miss C. Wrighten, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies, &c. Guards and Attendants (performers not listed]. Tartars. Barrymore, Dignum, Sedgwick, Bannister, C. Kemble, Banks, Boimaison. The Horde. Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Hamoir, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys, &c. [Cast from text (G. G. and J. Robinson [1794]): Polandm. Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Bannister Jun. [in text: Suett (see17940613]; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson//Princess Lodoiska-Mrs Crouch. Capti"PtI. As above, but added: Miss Arne. Tartars. Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison. The Horde. As above.] hathi. hathi.

447
03 February 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Lodoiska

Performance Comment: As17950131, but Cooke's name listed in playbill; The Horde-Nicolini, _Dorion Jun.
Cast
Role: The Horde Actor: Nicolini, _Dorion Jun.

448
15 April 1800 @ King's Theatre

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Performance Comment: Principal Characters by Benelli, Roselli, Mme Banti. Cast from libretto (C. Nicolini, 1800): Alessandro-Benelli; Timoteo-Roselli; Efestione-DeGiovanni; Taide-Mme Banti; Barsene-Sga Rovedino.

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

449
04 May 1722 @ Lincoln's Inn Fields

Event Comment: Benefit Grimaldi. For the Entertainment of his Excellency Jusuf Chogia, Envoy of Tunis. Receipte: money #18 2s.; tickets #44 19s

Performances

Mainpiece Title: Woman's A Riddle

Afterpiece Title: Amadis

Music: Solo on Violin-Sig Bitte of his own Composition

Dance: Hornpipe-Jones

450
02 December 1758 @ Drury Lane Theatre

Event Comment: MMr Garrick did Marplot Mr Garrick spoke an Epilogue to the Busy Body & was greatly receiv'd, the Audience wou'd fain have had it repeated, but when I told 'em he was not well, the noise ceas'd. Mr Grimaldi [hurt?] in a Jump in the Swiss (Cross). Receipts: #210 (Cross); #204 10s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Anatomist

Dance: TThe Swiss, as17581102