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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Pergolesi"/1) | (@(roleclean,performerclean) "Sig Pergolesi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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328 results for: Keyword - Sig. Pergolesi
We found 222 matches on Author, 50 matches on Event Comments, 39 matches on Performance Comments, 26 matches on Performance Title, and 0 matches on Roles/Actors.

276
02 February 1770 @ King's Theatre

Event Comment: For the Benefit and Increase of a Fund established for the Support of decay'd Musicians, or their Families. Sig Guadagni having declined singing at this Concert, the Managers have applied to Sig Tenducci who is so obliging to favour the Society with his Performance. Upper Gallery 3s. 6d

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Music

277
20 March 1775 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Druids with two New Scenes

Performance Comment: As17750316 but Sig_ Rossignol and "With Alterations to make room for Two Entire New Scenes; The Characters of the Pantomime and Dances as Usual".
Cast
Role: 7750102 but Imitations of Birds Actor: Sig Rossignol , being his first appearance here
Role: Country Fiddler Actor: Sig Rossignol

278
20 April 1742 @ King's Theatre

Event Comment: A New Opera [a pasticcio, Metastasio text altered by Rolli, form Pergolesi's Olimpiade, 1735 (Loewenberg, Annals of Opera, I, 183)]. Music by Pergolesi, Scarlatti, Lampugnani. L. Leo, F. Leo [libretto in L. C.]. Two of the principal Performers being greatly indispos'd, the Dancers are oblig'd to be deferr'd. Thomas Gray to John Chute, 24 May: Our fifth Opera was the Olimpiade, in which they retain'd most of Pergolesi's Songs & yet 'tis gone already, as if it had been a poor thing of Galuppi's. Two nights did I enjoy it all alone, snugg in a Nook in the Gallery, but found no one in those regions had ever heard of Pergolesi, nay, I heard several affirm it was a Composition of Pescetti's.-Gray, Correspondence, I, 203

Performances

Mainpiece Title: Meraspe O L'olimpiade

Performance Comment: Monticelli, Amorevoli, Signora Moscovita, Signora Visconti [from libretto in L. C].

279
17 March 1773 @ Haymarket Theatre

Performances

Mainpiece Title: A Concerto Spirituale

Performance Comment: Part I Overture by Piccini-; Milton's Morning Hymn by several composers-; Solo on Violin-Agus Jr; Part II Miserere Mei Deus-Galuppi; Concerto on Clarinet-Mahoon; Part III Dixit Dominus by Pergolesi-; Concerto on German Flute-Florio; Part IV Anthem-Negri.
Cast
Role: Pergolesi Actor:

280
25 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Afterpiece Title: Grand Concerto Spirituale 1

Afterpiece Title: Grand Concerto Spirituale 2

Afterpiece Title: Grand Concerto Spirituale 3

Performance Comment: Dixit Dominus, the Music by Pergolesi-; The Lord said unto the Lord-Chorus; The Lord shall send-Kelly; Be Thou Ruler-Chorus; In the Day of Thy Power-Mrs Crouch; The Day of Thy Birth-Miss Hagley; The Lord swear and will not repent-Chorus; The Lord upon Thy Right Hand-Miss Hagley, Miss Lockhart, Reinhold, Dignum, Semi-Chorus; Glory be to the Father-Kelly, Reinhold; As it was in the Beginning-Chorus; To conclude with God save Great George our King-.
Cast
Role: the Music by Pergolesi Actor:

Music: As17890311

281
15 May 1716 @ King's Theatre

Event Comment: By His Royal Highness's Command. With Magnificent New Scenes, Particularly one in Perspective of a Royal Palacev, which exceeds any that has been seen in England, containing about One Thousand Yards of Painting by Sig Roberto Clerici, and to be seen again this Year. Admission as 1 Feb. [The Prince and Princess present.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Cast
Role: Marius Actor: Signora Diana Vico
Role: Deidamia Actor: Signora Elena Croce Viviani.

Music: As17160502

282
01 October 1719 @ Drury Lane Theatre

Event Comment: Afterpiece: A Cantata (divided into two Entertainments) set to Musick by Sig Attilio Ariosti

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Diana on Mount Latmos

283
23 March 1727 @ King's Theatre

Event Comment: Benefit Sig Victoria and the Doctor. By His Majesty's Command. Mainpiece: Being a particular Fatigue of Argentina, with her Comical Affectation of her New Title; wherein the Doctor will perform by the Name of Tabarin , a New Character, very Comical and Jocose, never yet seen on the Stage, which has been reserved for that Day, and may be continued hereafter, if he has the Happiness of pleasing his most Noble Spectators better than by his former

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

284
08 April 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By the best Performers. [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet

Performance Comment: [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet .

285
16 April 1734 @ Lincoln's Inn Fields

Event Comment: Composed by Sig Bononcini

Performances

Mainpiece Title: Astartus

286
14 March 1738 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Honest Yorkshireman

Music: Musical Medley called The Topers; or The Sons of Bacchus. Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts

Performance Comment: Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts.

Dance: IV: Peasant-Lalauze, Mlle Roland; V: Clown-Nivelon; End Afterpiece: Dance of Sailors-Glover

287
29 January 1743 @ King's Theatre

Event Comment: N.B. Sig Sodi being recover'd of his last indisposition, will dance this Night as usual

Performances

Mainpiece Title: Enrico

288
19 March 1743 @ Drury Lane Theatre

Event Comment: Benefit Sig Checo Torinese. Mainpiece: By Particular desire. Tickets deliver'd out for Venice Preserv'd will be taken. Tickets and places to be had of Hobson at the stage door

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lying Valet

Dance: I: The Sicilian Peasant, as17430310 III: La Mascarade de Florana-Checo, Chiaretta; V: Italian Gardeners, as17421231

289
14 March 1748 @ King's Theatre

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances

290
28 February 1749 @ King's Theatre

Event Comment: A New Comic Opera. Benefit for Sig Crosa who brought into England the comedy of Italy. Set to Musick by the celebrated Cocchi of Naples. [Subscriber's tickets will not be admitted this Night. La Maestra published this day.

Performances

Mainpiece Title: La Maestra

Entertainment: Between the Acts: A new Interlude-Signor Laschi

291
23 August 1749 @ Bartholomew Fair

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

292
20 March 1750 @ King's Theatre

Event Comment: By Desire of Several Persons of Quality. [Scheduled performance of 17 March, cancelled because of "The Indisposition of Sig Laschi."

Performances

Mainpiece Title: Il Negligente

293
07 April 1750 @ King's Theatre

Event Comment: Benefit Sig Croza

Performances

Mainpiece Title: Il Trionfo Di Camilla

294
11 December 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Cast
Role: particularly a Piece Actor: Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics

Afterpiece Title: Animal Pantomime

Performance Comment: Pantomime Entertainment. The Animal Comedians brought from Italy by Sig Ballard.

295
10 April 1753 @ Haymarket Theatre

Event Comment: Benefit for Master Benjamin Hallet and Sig Gapatono

Performances

Mainpiece Title: The Old Woman's Oratory

Song: TThe Dust Cart-Toe; accompanied-, Bombasto; Grand Dance in the Old British Taste-; Hornpipe-Timertoe

296
05 January 1754 @ King's Theatre

Event Comment: A New Opera composed by Sig Ciampi. To begin at 6:30 p.m

Performances

Mainpiece Title: Didone

297
11 February 1754 @ Covent Garden

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

298
29 November 1755 @ King's Theatre

Event Comment: Composed by Sig Perez. [The first advance bill attributed it to Hasse.

Performances

Mainpiece Title: Ezio

Performance Comment: Signora Mingotti will sing this evening.

299
10 February 1756 @ King's Theatre

Event Comment: A new Opera. [But not performed.] 'Twas with inexpressible Concern that Mr Vanneschi found the Nobility and Gentry disappointed last Night, by the new Opera's not being then performed; a circumstance wholly owing to Sig Ricciarelli's being, on a sudden, taken extremely ill Yesterday, at an hour too late for its being made known to the Public (Public Advertiser, 11 Feb.)

Performances

Mainpiece Title: L'olimpiade

300
10 April 1756 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Sig Abos

Performances

Mainpiece Title: Tito Manlio

Performance Comment: Titus Manlius-Pazzagli; Manlius-Ricciarelli; Servilia-Signora Mingotti; Sabina-Signora Frasi; Lucius-Signora Mattei; Decius-Signora Mondini (1756 libretto).
Cast
Role: Servilia Actor: Signora Mingotti
Role: Sabina Actor: Signora Frasi
Role: Lucius Actor: Signora Mattei
Role: Decius Actor: Signora Mondini

Dance: NNew Dances-