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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Tenducci"/1) | (@(roleclean,performerclean) "Sig Tenducci")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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164 results for: Keyword - Sig Tenducci
We found 85 matches on Performance Comments, 60 matches on Event Comments, 28 matches on Performance Title, 3 matches on Author, and 0 matches on Roles/Actors.

126
11 December 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Cast
Role: particularly a Piece Actor: Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics

Afterpiece Title: Animal Pantomime

Performance Comment: Pantomime Entertainment. The Animal Comedians brought from Italy by Sig Ballard.

127
10 April 1753 @ Haymarket Theatre

Event Comment: Benefit for Master Benjamin Hallet and Sig Gapatono

Performances

Mainpiece Title: The Old Woman's Oratory

Song: TThe Dust Cart-Toe; accompanied-, Bombasto; Grand Dance in the Old British Taste-; Hornpipe-Timertoe

128
05 January 1754 @ King's Theatre

Event Comment: A New Opera composed by Sig Ciampi. To begin at 6:30 p.m

Performances

Mainpiece Title: Didone

129
11 February 1754 @ Covent Garden

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

130
29 November 1755 @ King's Theatre

Event Comment: Composed by Sig Perez. [The first advance bill attributed it to Hasse.

Performances

Mainpiece Title: Ezio

Performance Comment: Signora Mingotti will sing this evening.

131
10 February 1756 @ King's Theatre

Event Comment: A new Opera. [But not performed.] 'Twas with inexpressible Concern that Mr Vanneschi found the Nobility and Gentry disappointed last Night, by the new Opera's not being then performed; a circumstance wholly owing to Sig Ricciarelli's being, on a sudden, taken extremely ill Yesterday, at an hour too late for its being made known to the Public (Public Advertiser, 11 Feb.)

Performances

Mainpiece Title: L'olimpiade

132
10 April 1756 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Sig Abos

Performances

Mainpiece Title: Tito Manlio

Performance Comment: Titus Manlius-Pazzagli; Manlius-Ricciarelli; Servilia-Signora Mingotti; Sabina-Signora Frasi; Lucius-Signora Mattei; Decius-Signora Mondini (1756 libretto).
Cast
Role: Servilia Actor: Signora Mingotti
Role: Sabina Actor: Signora Frasi
Role: Lucius Actor: Signora Mattei
Role: Decius Actor: Signora Mondini

Dance: NNew Dances-

133
08 March 1757 @ King's Theatre

Event Comment: With new Music compos'd by Sig Nicola Conforto, and new Dances. A new Scene painted by Mr Mitermayer. [Repeated in the bills.

Performances

Mainpiece Title: Antigono

134
26 April 1757 @ King's Theatre

Event Comment: Opera by Sig Hasse

Performances

Mainpiece Title: Il Re Pastore

Dance: With Dances

135
31 May 1757 @ King's Theatre

Event Comment: A New Opera. The Musick by Sig Baldassare Galuppi. [Mingotti had been advertising for subscriptions for next season but now Vanneschi announces that he was secured the licence for next year from the Lord Chamberlain and he is the new Director of the operas (Daily Advertiser).

Performances

Mainpiece Title: Euristeo

Performance Comment: Creonte-Pazzaglia; Antigona-Signora Mingotti; Eurifreo-Ricciarelli; Ermione-Signora Passerini; Learco-Signora Grandis; Ormonte-Mareschi (Larpent MS).
Cast
Role: Antigona Actor: Signora Mingotti
Role: Ermione Actor: Signora Passerini
Role: Learco Actor: Signora Grandis

Dance: With New dances-

136
14 March 1758 @ King's Theatre

Event Comment: A New Opera. Ths Musick newly composed by Sig Cocchi. New Clothes, Decorations, and Dances. [On Monday 13 March Sga Frasi published in the Public Advertiser thanks for those who supported her benefit (6 March) and apologized for deficiencies in the performances. Some of the principals were engaged in the run of the new tragedy [The Prophetess? Mariamne?] whose run she could not anticipate.

Performances

Mainpiece Title: Issipile

137
21 April 1759 @ King's Theatre

Event Comment: A New Opera. Music by Sig Perez. New Scenes, New Cloaths, and New Dances

Performances

Mainpiece Title: Farnace

138
22 May 1759 @ King's Theatre

Event Comment: Benefit Sig and Signora Forti. [Actually a charity benefit, as the ship with their costumes was seized by the French.

Performances

Mainpiece Title: Il Ciro Riconosiuto

Dance: new dance% Il Divertimento Napolitano-

139
14 December 1759 @ Drury Lane Theatre

Event Comment: Afterpiece: An English Burtetta from the Italian. Music by Sig Adolfo Hasse (playbill). Burletta Damn'd (Cross). Acted but once and not printed (Genest, IV, 579). Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Zara

Cast
Role: Lusignan Actor: Garrick

Afterpiece Title: The Tutor

140
24 March 1763 @ King's Theatre

Event Comment: Benefit for Sga DeAmicis, who will present it [the afterpiece] in its own natural beauty, such as it originally came from the hands of the ingenious author Sig Pergolesi, and as it was first done at Naples, in order to give the Nobility and Gentry the most favorable idea of so masterly a piece. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s

Performances

Mainpiece Title: Il Tutore E La Pupilla

Afterpiece Title: La Serva Padrona

Dance:

141
07 March 1765 @ King's Theatre

Event Comment: Benefit for Manzoli. The Music entirely new, composed by Giardini. On account of the great Demand for Gallery Tickets, Sig Manzoli is obliged to appropriate the Upper Gallery for this Night. Gallery, Pit and Boxes will be open at 4. To begin precisely at 6:30 p.m

Performances

Mainpiece Title: Il Re Pastore

142
23 May 1769 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliola

Performance Comment: cnl, but Sig Lovatini will perform tonight.

143
10 August 1769 @ Mary-le-Bone Gardens

Event Comment: A Concert of Vocal and Instrumental Music benefit for Mrs Pinto. Songs by Mrs Forbes, Master Brown, and Mrs Pinto. Concertos on the organ and Hautboy by Hook and Park. After which will be performed for the first time a Pastoral Serenata called Love and Innocence, in two acts composed by Mr Hook, with chorusses. An elegant transparent Temple of Apollo designed and painted by Sig Bigar, machinist to the Opera House. The Gardens will be additionally illuminated. Fireworks. The whole to conclude with a Ball

Performances

Mainpiece Title: Love And Innocence

144
04 December 1770 @ King's Theatre

Event Comment: The above opera will be perform'd owing to the sudden indisposition of Sig Lovattini, the first man in the Comic Opera

Performances

Mainpiece Title: Cosroe

145
23 November 1771 @ King's Theatre

Event Comment: A New comic Opera Written by Sig Badini; The Music entirely new composed by Guglielmi. With New Dances and Decorations

Performances

Mainpiece Title: Il Disertore

146
26 March 1772 @ King's Theatre

Event Comment: Benefit Sig & Signora Guglielmi. Music by Guglielmi

Performances

Mainpiece Title: Le Pazzie D'orlando

147
24 November 1778 @ King's Theatre

Performances

Mainpiece Title: L'avaro Deluso

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

Performance Comment: Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli.
Cast
Role: unassigned Actor: Sg Zuchelli, Sga Zuchelli.

148
16 December 1758 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Performance Comment: New Songs of Tenducci and Quilici-.

Dance: With new dances-

149
13 March 1760 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Isola Disabitata; Or, The Deserted Island

Performance Comment: Sga Calori, Miss Frederick, Tenducci, Quilici.

Entertainment: S$Sg Cordoni, virtuoso on the violin, lately arrived from Italy, who never yet appeared in public, will direct the orchestra and perform a solo and Miss Frederick will play a Concerto on the harpsichord, the compsoition of Sg Paradies

150
27 February 1761 @ Drury Lane Theatre

Event Comment: Music composed by Dr Arne. Pit and Boxes will be laid together at Half a Guinea, and no person to be admitted without Tickets, which may be had at Dr Arne's in the Piazza next the Church, Covent Garden, and of Varney at the Stage Door of the Theatre. First Gallery 5s. Upper Gallery 3s. 6d. [Information concerning this Oratorio appeared in the Public Advertiser, 23 Feb.. "on Saturday last the New Oratorio called Judith, composed by Dr Arne, to be at Drury Lane on Friday, was rehearsed at the House of a Lady of Quality, where was present a numerous Assembly of the First Distinction, who honoured it with the highest approbation. We are assured that in the Sacred Oratorio, Sg Tenducci has obtained Permission from his Plaintiff, to sing the part which Signora Eberhardi was so obliged as to understudy for him, in Case he could not obtain such Indulgence."

Performances

Mainpiece Title: Judith

Music: A Concerto on the Organ-