SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Ricciarelli"/1) | (@(roleclean,performerclean) "Sig Ricciarelli")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 44 matches on Performance Comments, 40 matches on Event Comments, 27 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merchant Of Venice

Dance: LLe Genereux Corsaire-Sig and Siga Fausan; only; but see17411214 Les Jardiniers Suedois, as17411128

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The What D'ye Call It

Dance: II: Peasant-Cooke; IV: Comic Ballet-Cooke, Sig Campioni

Event Comment: Oratorio by Mr Handel. Benefit for Signora Frasi; To begin at 7 p.m. Prices: Pit and Boxes at half a guinea each; Gallery 5s

Performances

Mainpiece Title: Acis And Galatea

Music: Organ-Stanley; First Violin-Sig Giardini

Performances

Mainpiece Title: Manasseh

Music: CConcerto on violin-Sig Giardini

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I. Overture by Giardini-; Nocchiero s'abbandona (Galuppi)-Sga Grandis; Quel Ciglio che mesto (Cocchi)-Pazzagli; Concerto on Violincello-Gordon; Ogn' Amante (Scarlatti)-Ricciarelli; Numi se giusti siete (Hasse)-Sga Mingotti; Concerto on German Flute-Tacet; Part II. Concerto on Bassoon-Miller; Al caro nume appresso (Galuppi)-Sga Mareschi; Disciolta da pene (Graun)-Sga Passerini; Concerto on violin-Giardini; Se Amor provaste mei (Jomelli)-Sga Grandis; La Destra ti chiedo (duetto nel Demofoonte)-Sga Mingotti, Ricciarelli; Part III. Concerto on Hautboy-Vincent; Lascia giacer sul prato (Scarlatti)-Pazzagli; Innocente e quell'affetto (Graun)-Sga Passerini; Verdi prati (Handel)-Ricciarelli; S'espone a perdersi (Hasse)-Sga Mingotti; Concerto composed by Martini of Milan-; Coronation Anthem, God Save the King-.

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I Overture-Hasse; Air-Ricciarelli; Concerto on German Flute-Tacet; Air-Sga Mingotti; Concerto on Hautboys-Vincent; Part II The Stabt Mater of Pergolesi, with some of the parts made into chorusses-Signor DeGiardini; Part III Concerto on the Organ-Stanley; Air-Sga Mingotti; Air-Ricciarelli; Solo on Violin-De Giardini; Duetto-Ricciarelli, Sga Mingotti; Chorus of Hasse-.

Performances

Mainpiece Title: The Old Woman's Oratory Concert

Performance Comment: Principal parts-Mrs Midnight, her Daughter Dorothy, Sig Bombasto just arrived from Padua, Sig Bombazeeno also arrived from Italy, Signora Spoonatissima dug out of the ruins of Herculaneum, Sig Ambrosiano alias Sig Salt-Box, Sig Twangdilo the Casuist, Sig Piantafugocalo, Sig Gapatoono first Cousin to Farinelli, Mynheer Puffupandyke, Mlle Rompereau, Mme Hophye, the two Mlle Broileau, Miss Merit an English Lady of an ancient Family, almost extinct.

Dance: Dancing in the old British Taste-; Hornpipe-Timbertoe

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: New Overture by DuBourg-; Non Pensi (Latilles)-Mondini; Cantata (Arne)-Beard; Voglio Amor-Sga Curioni; Concerto on violincello-Pasqualino; Pensa che amante (Cocchi)-Guadagni; S'e spoze (Hasse)-Mingotti; Part II: Concerto on Bassoon-Miller; Per lei fra l'armi-Ciprandi; Sorge nell' alma mia (Perez)-Sga Mattei; Concerto on Violin-Dubourg; Tremende oscuri atroci (Pergolesi)-Sga Frasi; Fra quest Ombra (Hasse)-Ricciarelli; Part III: Concerto on oboe-Vincent; Non via Piaque (Conforto)-Sga Mingotti; Destrir che all' armi usato (Ciampi)-Guadagni; Return O God of Hosts (Handel)-Sga Frasi; Uniti a Lupi (Hasse)-Ricciarelli; Grand Concerto-Handel.

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert; Or, The Old Woman's Oratory

Performance Comment: Set for a Smoking Pipe, a Tankard, a Bassoon, a Pair of Tongs, two Wooden Spoons, a Salt Box, and a Pair of Slippers, by the best Italian masters, viz.: Sig Zappino, Sig Sallybotino, Sig Diavolino, Sig Ferrareni, Sig Cochinino, Sig Batterino, Sig Ciavartino, several others (just arrived from the Republic of San Marino).

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter; or, Love and Magic

Performance Comment: Actors only-Lowe, Champnes, Mrs Vincent, Miss Young, Master Leoni, 1st time. Moroc-Champness; Kaliel-Master Leoni; Zoreb-Lowe; Zaida-Mrs Vincent; Lyssa-Miss Young; The dances-Sig Grimaldi, Sig Tioli, Sig Giorgi, Sga Giorgi, Miss Baker, Miss Dawson, Miss Lucchi, others. The music composed by Mr Smith (Folger Bill).
Event Comment: By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the Reverend John Henley's Oratory (eccentric preacher, 1692-1756) and as a puff for The Midwife or Old Woman's Magazine, edited by Christopher Smart and John Newberry, 1751-53. The Old Woman's Oratory written and produced by Smart. See the Gentleman's Magazine, 1752, p. 43; and Horace Walpole's letter to Montagu 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a German flute, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a French horn. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (The Yale Edition of Horace Walpole's Correspondence, IX, p. 131). [See 3 Dec. 1751.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520502, but A Full Piece by Noell-; Two Orations-Mrs Midnight; A Duetto on two Beesomatoes-; with a Song-; a Solo in a New Taste-Sig Piantofugocalo; a new Concerto and Solo on the Cymbalo-Noell; a new Cantata in the Venetian Taste, by Sig Hasse-Sig Bombazino accompanied with the Vox Humaine; Solo on violincello-Master Hallett in the Character of a Cupid ; An Oration on the Salt@Box-a Rationalist; A Declamatory Piece on the Jew's Harp-a Casuist; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; Also a Prologue, Epilogue-Toe.

Performances

Mainpiece Title: L'ipermestra

Performance Comment: Hypermestra-Sga Mingotti; Lynceus-Ricciarelli; Danaus-Ciprandi; Elpinice-Sga Mattei; Plisthenes-Sga Curioni; Adrastus-Sga Mondini (Libretto of 1754).
Cast
Role: Lynceus Actor: Ricciarelli

Dance: Pietro, Isaia Nieri, Arna Conti, Elizabeth Buggiani, Cosimo Marranesi

Performances

Mainpiece Title: Ezio

Performance Comment: Fulvia-Sga Mingotti; Ezio-Ricciarelli.
Cast
Role: Ezio Actor: Ricciarelli.

Dance: new Dew Dances-

Performances

Mainpiece Title: Demofoonte

Performance Comment: Song Ogni Amante-Ricciarelli [Wm. Mason to ThomasGray, 25 Dec. 1755]; With Dances-.
Cast
Role: Song Ogni Amante Actor: Ricciarelli

Performances

Mainpiece Title: Grand Entertainment Of Vocal And Instrumental Musick

Performance Comment: Overture-DuBourg; Song-Signora Mattei; Song-Ricciarelli; Concerto Violincello-Pasqualino; Song-Passagli; Song-Ricciarell; Concerto-Millar; Song-Signora Mondini; Song-Signora Mattei; Concerto-DuBourg; Songs-Frasi, Perolini, Mingotti; Concerto-Vincent; Songs-Pazzagli, Perolini, Signora Frasi, Signora Mingotti.
Event Comment: Benefit of Signora Bugiani and Maranesi. To begin at 6:30 p.m

Performances

Mainpiece Title: L'olimpiade

Performance Comment: A new Duetto-Signora Mingotti, Ricciarelli.

Dance: MMinuet-Sga Bugiani, Maranesi

Event Comment: A New Opera. Musick composed by Signor Hasse. Application by Regina Mingotti, Manager of ye Operas (Larpent MS)

Performances

Mainpiece Title: Il Re Pastore

Performance Comment: Aminta-Giuseppi Ricciarelli; Eliza-Signora Regina Mingotti.

Dance: Withnew Dances-

Event Comment: An Oratorio composed by Sg Gio. Adol. Hasse, With Additions by Sg Giardini. End of the first Act a Concerto on the Organ by Mr Burton, In Act the third a Hautboy Concerto by the two Signori Besozzi, lately come from abroad. Pit and boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. Tickets and Places to be had of Mr Varney, at the stage-door of the Theatre. The profits of this performance will be given to A Public Charity. [No receipts recorded by Cross.

Performances

Mainpiece Title: I Pellegrini

Performance Comment: The vocal parts-Signora Mingotti, Signora Passerini, Ricciarelli, Pazzagli, Cox, others; First violin, a solo-Giardini.

Performances

Mainpiece Title: Rosmira

Performance Comment: Partenope-Signora Passerini; Arsare-Ricciarelli; Rosmira-Signora Regina Mingotti (Larpent MS).

Dance: With new dances

Performances

Mainpiece Title: Merope

Afterpiece Title: Harlequin's Invasion, with Additions and Alterations

Performance Comment: Harlequin-King; Others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Vaughan, Mrs Bennet, Miss Pope; The Vocal Parts-Champnes, Fawcett, Miss Young; The Dances-Sig Grimaldi, Sig Giorgi, Miss Baker; and a New Hornpipe-Miss Dawson.
Event Comment: PPublic Advertiser, 5 Sept. 1769: Mr Crawford and Co. beg Leave to acquaint the Nobility and Gentry, with the following List of their new Singers, and others engaged for the serious and comic Operas next Season. Those marked thus& are new Performers, viz. Principal Singers for the Serious Operas: &Signior Guadini, first Man. &Signora Cecilia Grassi, first Woman. For comic or serious: Signor Lovattini, first Man. &Sig Zamperini, &Signora Guadini, first Women. &Signor Piatti, 2nd Man serious. &Signor Bianchi, Tenor, Signora Zamperini, Sig Morighi, Signora Piatti. Composer: Sig Guiglielmi. Principal Dancers: Mr Slingsby, &Signor Galiotti, &Signor Siminon, &Signora Guidi, Signora Radicatti, &Signora Gardel. Ballet Master: &Sig Campioni. [See 7 Nov.

Performances

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520204, but short bill when the Jews Harp-; Salt@Box-; Performances of Sig Bombasto-_; Sig Bamboozino-_. will be introduced.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520505, but some serious Pieces-Sig Custonelli just arrived from Italy.
Event Comment: [See Epilogue to the Rival Candidates at dl 1 Feb. 1775, wherein Weston comments on his Dog Dragon, "But should his master's sing-song melt your soul @ He'll be as soft as-Signior Rossignol: @ Will with harmonious howlings swell each note, @ And bark sweet music,--only from his throat."

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Druids

Performance Comment: See17750102 but Imitations of Birds(with his throat only)-Sig Rossignol , being his first appearance here; Country Fiddler-Sig Rossignol; Concerto on A Violin Without Strings-OrchestraWith the Last New Scene, Additional Performances. Characters of the Pantomime and Dances as usual.