Event Comment: By Particular Desire of several Ladies of Quality.  Positively the last Night.  [Intended as satire on the 
Reverend John Henley's Oratory (eccentric preacher, 1692-1756) and as a puff for 
The Midwife or 
Old Woman's Magazine, edited by 
Christopher Smart and 
John Newberry, 1751-53.  
The  Old Woman's Oratory written and produced by Smart.  See the 
Gentleman's Magazine, 1752, p. 43; and 
Horace Walpole's letter to 
Montagu 12 May 1752, as follows:  It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace.  There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music.  There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of 
sight; for if you don't see the tricks with his hands, it is no better than ordinary.  Another play  on a violin and trumpet together; another mimics a bagpipe with a 
German flute, and makes it full if disagreeable.  There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp.  Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action.  The last fellow imitates farting and curtseying to a 
French horn.  There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (
The Yale Edition of Horace Walpole's Correspondence, IX, p. 131).  [See 3 Dec. 1751.
                   
                    
                      Performances
                      Mainpiece Title: The Old Womans Oratory
Performance Comment: See17520502, but A Full Piece by Noell-; Two Orations-Mrs Midnight; A Duetto on two Beesomatoes-; with a Song-; a Solo in a New Taste-Sig Piantofugocalo; a new Concerto and Solo on the Cymbalo-Noell; a new Cantata in the Venetian Taste, by Sig Hasse-Sig Bombazino accompanied with the Vox Humaine; Solo on violincello-Master Hallett in the Character of a Cupid ; An Oration on the Salt@Box-a Rationalist; A Declamatory Piece on the Jew's Harp-a Casuist; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; Also a Prologue, Epilogue-Toe.