SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Baldassare Galuppi"/1) | (@(roleclean,performerclean) "Sig Baldassare Galuppi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 259 matches on Author, 64 matches on Event Comments, 37 matches on Performance Comments, 25 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Music: Particularly several Pieces on Hautboy the famous-Sig St.Martin of Milan, just arrived from the Court of Brussels

Performances

Mainpiece Title: Henry Iv, Part Ii

Afterpiece Title: The Jovial Crew

Music: Concerto by Sig Visconti-Charke, others

Song: II: As17310427

Dance: IV: English Maggot-Rainton, Mrs Walter; V: Gondolier and Courtezan-Young Lally, Miss Brett; End afterpiece: French Gardener and his Mistress-Rainton, Mrs Walter

Performances

Mainpiece Title: Concert

Music: Singing-Miss Young, Hull; Violoncello-Sig Pasquale (appearing in public for the first time); The rest of the Instruments-the performers of Germiniani's Concert

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Covent Garden Tragedy

Music: A Piece of Musick upon the Common Flute by a Gentleman, composed by Sig Valesciene

Dance: Two Pierrots by F. Tench and Davenport. Scotch Dance by Mr and Mrs Davenport. The Whim by F. Tench and Miss Mann

Performances

Mainpiece Title: Henry Iv, Part I

Dance: I: Clown-Nivelon; III: Peasant Dance-Lalauze; V: Scotch Dance-Glover, Mrs Laguerre

Song: II: The Lady's Lamentationfor the Loss of Sig Sensino-Roberts; IV: Beard

Performances

Mainpiece Title: The Merchant Of Venice

Dance: LLe Genereux Corsaire-Sig and Siga Fausan; only; but see17411214 Les Jardiniers Suedois, as17411128

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The What D'ye Call It

Dance: II: Peasant-Cooke; IV: Comic Ballet-Cooke, Sig Campioni

Event Comment: Oratorio by Mr Handel. Benefit for Signora Frasi; To begin at 7 p.m. Prices: Pit and Boxes at half a guinea each; Gallery 5s

Performances

Mainpiece Title: Acis And Galatea

Music: Organ-Stanley; First Violin-Sig Giardini

Performances

Mainpiece Title: Manasseh

Music: CConcerto on violin-Sig Giardini

Performances

Mainpiece Title: The Old Woman's Oratory Concert

Performance Comment: Principal parts-Mrs Midnight, her Daughter Dorothy, Sig Bombasto just arrived from Padua, Sig Bombazeeno also arrived from Italy, Signora Spoonatissima dug out of the ruins of Herculaneum, Sig Ambrosiano alias Sig Salt-Box, Sig Twangdilo the Casuist, Sig Piantafugocalo, Sig Gapatoono first Cousin to Farinelli, Mynheer Puffupandyke, Mlle Rompereau, Mme Hophye, the two Mlle Broileau, Miss Merit an English Lady of an ancient Family, almost extinct.

Dance: Dancing in the old British Taste-; Hornpipe-Timbertoe

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert; Or, The Old Woman's Oratory

Performance Comment: Set for a Smoking Pipe, a Tankard, a Bassoon, a Pair of Tongs, two Wooden Spoons, a Salt Box, and a Pair of Slippers, by the best Italian masters, viz.: Sig Zappino, Sig Sallybotino, Sig Diavolino, Sig Ferrareni, Sig Cochinino, Sig Batterino, Sig Ciavartino, several others (just arrived from the Republic of San Marino).

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter; or, Love and Magic

Performance Comment: Actors only-Lowe, Champnes, Mrs Vincent, Miss Young, Master Leoni, 1st time. Moroc-Champness; Kaliel-Master Leoni; Zoreb-Lowe; Zaida-Mrs Vincent; Lyssa-Miss Young; The dances-Sig Grimaldi, Sig Tioli, Sig Giorgi, Sga Giorgi, Miss Baker, Miss Dawson, Miss Lucchi, others. The music composed by Mr Smith (Folger Bill).
Event Comment: By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the Reverend John Henley's Oratory (eccentric preacher, 1692-1756) and as a puff for The Midwife or Old Woman's Magazine, edited by Christopher Smart and John Newberry, 1751-53. The Old Woman's Oratory written and produced by Smart. See the Gentleman's Magazine, 1752, p. 43; and Horace Walpole's letter to Montagu 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a German flute, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a French horn. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (The Yale Edition of Horace Walpole's Correspondence, IX, p. 131). [See 3 Dec. 1751.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520502, but A Full Piece by Noell-; Two Orations-Mrs Midnight; A Duetto on two Beesomatoes-; with a Song-; a Solo in a New Taste-Sig Piantofugocalo; a new Concerto and Solo on the Cymbalo-Noell; a new Cantata in the Venetian Taste, by Sig Hasse-Sig Bombazino accompanied with the Vox Humaine; Solo on violincello-Master Hallett in the Character of a Cupid ; An Oration on the Salt@Box-a Rationalist; A Declamatory Piece on the Jew's Harp-a Casuist; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; Also a Prologue, Epilogue-Toe.

Performances

Mainpiece Title: Merope

Afterpiece Title: Harlequin's Invasion, with Additions and Alterations

Performance Comment: Harlequin-King; Others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Vaughan, Mrs Bennet, Miss Pope; The Vocal Parts-Champnes, Fawcett, Miss Young; The Dances-Sig Grimaldi, Sig Giorgi, Miss Baker; and a New Hornpipe-Miss Dawson.
Event Comment: PPublic Advertiser, 5 Sept. 1769: Mr Crawford and Co. beg Leave to acquaint the Nobility and Gentry, with the following List of their new Singers, and others engaged for the serious and comic Operas next Season. Those marked thus& are new Performers, viz. Principal Singers for the Serious Operas: &Signior Guadini, first Man. &Signora Cecilia Grassi, first Woman. For comic or serious: Signor Lovattini, first Man. &Sig Zamperini, &Signora Guadini, first Women. &Signor Piatti, 2nd Man serious. &Signor Bianchi, Tenor, Signora Zamperini, Sig Morighi, Signora Piatti. Composer: Sig Guiglielmi. Principal Dancers: Mr Slingsby, &Signor Galiotti, &Signor Siminon, &Signora Guidi, Signora Radicatti, &Signora Gardel. Ballet Master: &Sig Campioni. [See 7 Nov.

Performances

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520204, but short bill when the Jews Harp-; Salt@Box-; Performances of Sig Bombasto-_; Sig Bamboozino-_. will be introduced.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520505, but some serious Pieces-Sig Custonelli just arrived from Italy.
Event Comment: [See Epilogue to the Rival Candidates at dl 1 Feb. 1775, wherein Weston comments on his Dog Dragon, "But should his master's sing-song melt your soul @ He'll be as soft as-Signior Rossignol: @ Will with harmonious howlings swell each note, @ And bark sweet music,--only from his throat."

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Druids

Performance Comment: See17750102 but Imitations of Birds(with his throat only)-Sig Rossignol , being his first appearance here; Country Fiddler-Sig Rossignol; Concerto on A Violin Without Strings-OrchestraWith the Last New Scene, Additional Performances. Characters of the Pantomime and Dances as usual.

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I. Overture by Giardini-; Nocchiero s'abbandona (Galuppi)-Sga Grandis; Quel Ciglio che mesto (Cocchi)-Pazzagli; Concerto on Violincello-Gordon; Ogn' Amante (Scarlatti)-Ricciarelli; Numi se giusti siete (Hasse)-Sga Mingotti; Concerto on German Flute-Tacet; Part II. Concerto on Bassoon-Miller; Al caro nume appresso (Galuppi)-Sga Mareschi; Disciolta da pene (Graun)-Sga Passerini; Concerto on violin-Giardini; Se Amor provaste mei (Jomelli)-Sga Grandis; La Destra ti chiedo (duetto nel Demofoonte)-Sga Mingotti, Ricciarelli; Part III. Concerto on Hautboy-Vincent; Lascia giacer sul prato (Scarlatti)-Pazzagli; Innocente e quell'affetto (Graun)-Sga Passerini; Verdi prati (Handel)-Ricciarelli; S'espone a perdersi (Hasse)-Sga Mingotti; Concerto composed by Martini of Milan-; Coronation Anthem, God Save the King-.

Performances

Mainpiece Title: Oncerto Spirituale

Performance Comment: Vocal parts-Sga Mingotti, Miss Brent, Beard, Champnes, Master Soper; The first violin, a Solo-Giardini; Act I: Handel's Overture of Saul-; A song-Sga Mingotti composed by Sg Galuppi; A song-Beard of Handel's; A Song-Miss Brent of Arne's; A Concerto on the German flute-Tacet; A Song-Sga Mingottiof Mr Hasse's; The Lauda, a celebrated Chorus compos'd by Hasse-; Act II: A Concerto on the Hautboy-Vincent; The Funeral Anthem by Handel-; A Solo on the violin-Giardini; Act III: A Concerto on the Organ-Stanley; The Stabat Mater compos'd by Pergolesi, with several of the parts made into Chorusses-Giardini.

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Atto I. Overture del Ag. Bach-; Song Furia di donna irata-Sga Cremonina (Piccini); Concerto Bassoon-Miller; Song Vedi Amor nel mio Sembiante-Ciardini (Ciampi); Song Quando Saprai chi Sono-Sga De Amicis (Trajetta); Atto II. Concerto violincello-; Song Saro qual e il torrente-Quilici (Galuppi); Song Destrier che al arme uiate-Giustinelli (Piccini); Concerto Hautboy-Simpson; Song Misero Pergoletto-Sga Cremonina (Piccini); Song State Lungi Sol per poco-Ciardini (Galuppi); Atto III. Song Fieri tormenti-Quilici (Jomelli); Song Di quanto Cor le pene-Giustinelli (Trajetta); Concerto violin-; Song Madre non mi conosci-Sga De Amicis (Zingoni); God Save the King-.

Performances

Mainpiece Title: A Concerto Spirituale

Performance Comment: Part I Overture by Piccini-; Milton's Morning Hymn by several composers-; Solo on Violin-Agus Jr; Part II Miserere Mei Deus-Galuppi; Concerto on Clarinet-Mahoon; Part III Dixit Dominus by Pergolesi-; Concerto on German Flute-Florio; Part IV Anthem-Negri.

Performances

Mainpiece Title: Armida

Performance Comment: As17750107, but [the Alterations and new Songs specified by particular reference to the 1774 Word Book] Act I, Page 15. Duetto [by Anfossi-Signor Rauzinni, Signora Schindlerin; [Act II. Page 19, a Song [by Galuppi-Sga Farinella; [Page 20. a Song [by Vento-Sga Schindlerin;[. Page 23 a Song [by Bach-Signor Passini; [Page 24. a Song [by Sacchini-Sga Schindlerin; [Page 27. a Song [by Bertoni-Sg Rauzzini; [Act III. Page 32. Song [by Vento-Sg Rauzzini.

Dance: As17750107

Performances

Mainpiece Title: The Feign'd Curtizans; Or, A Night's Intrigue

Performance Comment: Edition of 1679: The Prologue-Mrs Currer; Morisini-Norris; Julio-Crosby; Octavio-Gilloe; Petro-Leigh; Sir Harry Fillamour-Smith; Galliard-Betterton; Sig Signall Buffoon-Nokes; Tickletext-Underhill; Laura Lucretia-Mrs Lee; Marcella-Mrs Currer; Cornelia-Mrs Barry; Phillipa-Mrs Norris; Sabina-Mrs Seymour; Epilogue-Mr Smith.
Cast
Role: Sig Signall Buffoon Actor: Nokes