SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Shadwell"/1) | (@(roleclean,performerclean) "Shadwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 833 matches on Author, 92 matches on Event Comments, 16 matches on Performance Comments, 12 matches on Roles/Actors, and 0 matches on Performance Title.

Performances

Mainpiece Title: Notoriety

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell

Afterpiece Title: WHO's THE DUPE

Song: Mainpiece: Vocal Parts by Dignum, Sedgwick, Caulfield, Cooke, Lyons, Dorion Sen. and Jun., Dibble, Willoughby, Walker, Brown, Saunders, Welsh, Burden//Mrs Bland, Miss De Camp, Mrs Stuart, Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale. In Act V the Masque of Neptune and Amphitrite. Neptune-Sedgwick//Amphitrite-Mrs Stuart

Performances

Mainpiece Title: Nina

Afterpiece Title: THE SIEGE OF BERWICK

Afterpiece Title: THE MISER

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Hypocrite

Related Works
Related Work: The Hypocrite Author(s): Thomas Shadwell

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: The Telegraph

Afterpiece Title: The Comedy of Errors

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Afterpiece Title: The Devil to Pay

Song: III 2nd piece: song in character-Mrs Clendining

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Entertainment: Monologue Mainpiece: The Original Epilogue [by Richard Brinsley Sheridan]-Mrs Wilson

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell

Afterpiece Title: My Grandmother

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Cooke, Master Welsh, Miss Leak, Miss D'Evelyn

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss D'Evelyn

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Dance: As17971025

Song: In: Old Towler-Incledon; a new Duetto, composed by Mme Mara,-Incledon, Mme Mara

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell

Afterpiece Title: Who's the Dupe

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Danby, Brown, Fisher, Evans, Phillimore, Ms Leak, Ms Arne, Ms Wentworth, Ms Butler, Ms Jackson, Ms Benson, Ms Menage, Ms Roffey, Ms Gaudry

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss Dufour

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Song: In V: a Dirge, as17980917

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Afterpiece Title: The Guardian

Afterpiece Title: The Magic Oak

Music: In 3rd piece: As17990131

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell

Afterpiece Title: Bon Ton

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

Performances

Mainpiece Title: Management

Afterpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Afterpiece Title: Paul and Virginia

Afterpiece Title: Raymond and Agnes

Dance: In 2nd piece: Dances-Blurton, Wilde, Platt, Lewiss, Klanert, L. Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett

Song: In 2nd piece: Chorusses-Linton, Street, Denman, Oddwell, Thomas, Little, Curties, Lee, Ms Trevor, Ms Leserve, Ms Castelle, Ms Norton, Ms Masters, Ms Iliff, Ms Lloyd

Related Works
Related Work: The Merry Wives of Broad Street Author(s): Charles Shadwell
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.
Cast
Role: Heraclia Actor: Mrs Shadwell
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Silent Woman; the best comedy, I think, that ever was wrote; and sitting by Shadwell the poet, he was big with admiration of it. Here was iy Lord Brouncker and W. Pen and their ladies in the box....Knepp did her part mighty well

Performances

Mainpiece Title: The Silent Woman

Event Comment: Pepys' remarks suggest that Shadwell's The Royal Shepherdess may once have been intended to have its premiere on this day. Pepys, Diary: By a hackneycoach followed my wife and the girls, who are gone by eleven o'clock, thinking to have seen a new play at the Duke of York's house. But I do find them staying at my tailor's, the play not being to-day.... Thence to the Duke of York's playhouse, and there, finding the play begun, we homeward

Performances

Event Comment: The Duke's Company. Pepys, Diary: And my wife being gone abroad with W. Hewer, to see the new play to-day, at the Duke of York's house, Guzman, I dined alone.... I thence presently to the Duke of York's playhouse, and there, in the 18d. seat, did get room to see almost three acts of the play; but it seemed to me but very ordinary. After the play done, I into the pit, and there find my wife and W. Hewer...[and] here I did meet with Shadwell, the poet, who, to my great wonder, do tell me that my Lord of Orrery? did write this play, trying what he could do in comedy, since his heroique plays could do no more wonders. This do trouble me; for it is as mean a thing, and so he says, as hath been upon the stage a great while; and Harris, who hath no part in it, did come to me, and told me in discourse that he was glad of it, it being a play that will not take

Performances

Mainpiece Title: Guzman

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 406. There is no indication as to whether this is the premiere; the play was not licensed for publication until 27 Nov. 1676. Preface to Settle's Ibrahim (licensed 4 May 1676): Having a Play, call'd the Triumphant Widow, given him [Thomas Shadwell] to bring into the Duke's Playhouse, he spitefully foists in a Scene of his own into the Play, and makes a silly Heroick Poet in it, speak the very words he had heard me say, and made reflexions on some of the very Lines he had so senselessly prated on before in his Notes [to The Empress of Morocco]

Performances

Mainpiece Title: The Triumphant Widow; Or, The Medley Of Humours