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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sga Guglielmi"/1) | (@(roleclean,performerclean) "Sga Guglielmi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1549 results for: Keyword - Sga Guglielmi
We found 907 matches on Performance Comments, 651 matches on Performance Title, 255 matches on Event Comments, 26 matches on Roles/Actors, and 0 matches on Author.

751
24 March 1752 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I New Overture by Giardini-; Airs: Caro sposo (Alberti)-Sga Frasi; Through the Land so Lovely Blooming (Handel)-Beard; Honour and Arms (Handel)-Wass; Vo solcando (Vinci)-Sga Galli; Concerto-Pasqualino; Part II Concerto-Giardini; Airs: Father in Heaven (Handel)-Galli; Revenge Timotheus cries (Handel)-Wass; See Hercules how smiles yon myrtle plain (Handel)-Sga Frasi; The Trumpets loud Clangor (Handel)-Beard; Duetto-Sga Frasi, Sga Galli; Concerto-Miller; Part III Concerto-Vincent; Airs: Love in her eyes sits playing (Handel)-Beard; Pastorella (Ciampi)-Sga Galli; Se perde l'usignolo (Jomelli)-Sga Frasi; Trio, The Flocks shall leave the Mountain (Handel)-Sga Frasi, Beard, Wass; Grand Concerto of Handel's-.
Cast
Role: Caro sposo Actor: Sga Frasi
Role: Vo solcando Actor: Sga Galli
Role: See Hercules how smiles yon myrtle plain Actor: Sga Frasi
Role: Duetto Actor: Sga Frasi, Sga Galli
Role: Pastorella Actor: Sga Galli
Role: Se perde l'usignolo Actor: Sga Frasi
Role: The Flocks shall leave the Mountain Actor: Sga Frasi, Beard, Wass

752
05 June 1781 @ King's Theatre

Performances

Mainpiece Title: L'omaggio

Performance Comment: Principal Parts-Roncaglia, Trebbi, Gherardi, Sampieri, Micheli, Rauzzini, Sga Sestini, Sga Lorenzini, Sga Pollone, Sga Romanzini, Sga Prudom. [Libretto (E. Cox, 1781) lists the parts: Giannino, Berto, Il Conte, Fabrizio, Fileno, Nice, Silvio, Damone, Lisetta, Contessa, Corilla, Giannina, Rosalba. Larpent MS 561 lists the same, and adds: Farnace, Oronte, Mitridate, Fabio, Almira, Irene.]Libretto (E. Cox, 1781) lists the parts: Giannino, Berto, Il Conte, Fabrizio, Fileno, Nice, Silvio, Damone, Lisetta, Contessa, Corilla, Giannina, Rosalba. Larpent MS 561 lists the same, and adds: Farnace, Oronte, Mitridate, Fabio, Almira, Irene.]
Cast
Role: Principal Parts Actor: Roncaglia, Trebbi, Gherardi, Sampieri, Micheli, Rauzzini, Sga Sestini, Sga Lorenzini, Sga Pollone, Sga Romanzini, Sga Prudom.

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Performance Comment: =-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong.

753
28 May 1785 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Performance Comment: Principal Characters by Babbini (1st appearance in the Comic), Morigi, Schinotti, Tasca; Sga Schinotti, Sga Catenacci, Sga Pollone, Sga Ferrarese (1st appearance in the Comic). [Cast from libretto Q. Jarvis, 1785): Giannetto-Babbini; Patterio-Morigi; Pasquino-Schinotti; Don Gastone-Tasca; Isabella-Sga Schinotti; Lauretta-Sga Pollone; Bettina-Sga Ferrarese. The listing of Sga Catenacci appears to be a misprint; in this opera there are only 3 female parts. And see17850614]. in this opera there are only 3 female parts. And see17850614].
Cast
Role: Isabella Actor: Sga Schinotti
Role: Lauretta Actor: Sga Pollone
Role: Bettina Actor: Sga Ferrarese. The listing of Sga Catenacci appears to be a misprint

Dance: End of Act i Divertissement, as17850224; End of Opera Don Juan, as17850407

754
16 January 1768 @ King's Theatre

Event Comment: A new serious Opera, Music entirely new-Guglielmi, a Neopolitan Master

Performances

Mainpiece Title: Ifigenia In Aulide

755
26 March 1768 @ King's Theatre

Event Comment: A new comic Opera, composed by Guglielmi. New Dances, Cloaths, and Decorations

Performances

Mainpiece Title: Il Ratto De La Sposa

756
24 May 1768 @ King's Theatre

Event Comment: A new comic Opera. Music entirely new-Pietro Guglielmi

Performances

Mainpiece Title: I Viaggiatori Ridicoli, Tornati In Italia

757
19 November 1768 @ King's Theatre

Event Comment: A new comic opera, Musick entirely new by Pietro Guglielmi

Performances

Mainpiece Title: Il Viaggiatori Tornati

758
12 December 1769 @ King's Theatre

Event Comment: Music by Guglielmi. Decorations

Performances

Mainpiece Title: Il Viaggiatori Ridicoli

Dance: [Not specified.

759
03 February 1770 @ King's Theatre

Performances

Mainpiece Title: Ezio

Performance Comment: As17700113 Signora Guglielmi the sixth time.

760
31 March 1770 @ King's Theatre

Event Comment: A new comic Opera; Music by Guglielmi. New Dances and Decorations

Performances

Mainpiece Title: La Costanza Di Rosinella

761
07 April 1770 @ King's Theatre

Event Comment: By Command of their Majesties. Music by Gluck, Bach, Guglielmi. The whole to be New Dressed, New Scenes, with Grand Chorusses and New Dances

Performances

Mainpiece Title: Orfeo

762
23 February 1771 @ King's Theatre

Event Comment: A new Comic Opera. Poetry by Badini; Music entirely New, composed by Guglielmi

Performances

Mainpiece Title: Le Pazzie D'orlando

763
30 April 1771 @ King's Theatre

Event Comment: The favourite Serious Opera intermix'd with Grand Chorusses. Music by Gluck, Bach, and Guglielmi. To begin 7 p.m

Performances

Mainpiece Title: Orfeo

764
23 November 1771 @ King's Theatre

Event Comment: A New comic Opera Written by Sig Badini; The Music entirely new composed by Guglielmi. With New Dances and Decorations

Performances

Mainpiece Title: Il Disertore

765
24 March 1772 @ King's Theatre

Event Comment: A new comic opera. Music entirley new by Guglielmi

Performances

Mainpiece Title: L'assemblea

Dance: New Dances-Mlle Heinel, other principals

766
07 April 1772 @ King's Theatre

Event Comment: Signora Guglielmi, being greatly recovered, will sing this evening

Performances

Mainpiece Title: L'assemblea

Dance: I: New Pastorale dance-Mlle Heinel; End Last Act: A New Jacone-

767
09 April 1772 @ King's Theatre

Event Comment: Benefit for Lovattini. Signora Guglielmi not being ready with her part in La Buona Figliuola as proposed for the evening Lovattini is oblig'd to have Le Pazzie which he humbly hopes will be acceptable

Performances

Mainpiece Title: Le Pazzie D'orlando

Dance: I: Turkish Dance-Mlle Heinel, other principals; End Last Act: Admete and Alceste, as17720310

768
30 May 1772 @ King's Theatre

Event Comment: The last night of the Subscription of this Season. N.B. By particular desire many of the Nobility and Gentry who are engag'd to Drury Lane Theatre on Tuesday next for the benefit of decay'd actors, the last serious opera of Demetrio (Music entirely new, Composed by Guglielmi) is deferred till Wednesday next when Mlle Heinel is to dance for the last time of her engagement in England

Performances

Mainpiece Title: Artaserse

Dance: As17720519

769
14 August 1779 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 2]: Written by the Author of Tony Lumpkin in Town [John O'Keeffe. Text (1st authorized) published in Cumberland's British Theatre, Vol. XXXI]. The Music and Overture composed by Dr Arnold [with airs adapted from Philidor and Guglielmi (Public Advertiser, 17 Aug.)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Son-in-Law

Dance: As17790610

770
08 March 1790 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Tickets delivered for Monday the 8th of February will be received. Mainpiece [1st time; CO 3, by John O'Keeffe. Text 1st published in his Dramatic Works, Vol. III (T. Woodfall, 1798). Season of 1790-91 acted as The Fugitive]: With new Scenes, Dresses, and Decorations. The Music selected and composed by Shield, and consists of several Russian Melodies, and compositions of Handel, Sacchini, Pleyel, Rauzzini, Guglielmi, Weichsel, Dalayrac, Callcott, Reeve, Prati and Shield. Receipts: #366 9s. 6d. (255.2.6; 3.5.0; tickets: 108.2.0)

Performances

Mainpiece Title: The Czar

Afterpiece Title: Three Weeks after Marriage

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

771
25 June 1791 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Kentish Barons

772
31 December 1791 @ Pantheon, Oxford Street

Event Comment: "On 31st Dec. I was with Pleyel in the Pantheon Theatre. They gave La Pastorella Nobile by Guglielmi. Mad. Casentini played the leading role and Lazarini? the primo huomo; the thin Calvesi had l'ultima parte. The opera did not please. Neither did the ballet, even though the great Hilligsburg [sic] danced" (Haydn, 266)

Performances

Mainpiece Title: La Pastorella Nobile

Dance: End I: La Fontaine d'Amour, as17911217; End Opera: La Fete Villageoise-(composed by D'Auberval [with music by Mazzinghi])DeLaChapelle (his 1st appearance). [For other performers see hay, 14 Feb. 1792.

773
20 February 1795 @ King's Theatre

Event Comment: A Sacred Oratorio; the music entirely by Guglielmi, composed purposely for Mme Banti at the Royal Theatre of St.@Charles at Naples [in l788]; with Grand Chorusses under the direction of Dr Arnold, who will himself preside at the organ. At the harpsichord, Federici. Leader of the Band, Cramer. The Orchestra, vocal and instrumental, will consist of nearly two hundred performers

Performances

Mainpiece Title: Debora And Sisara

Music: End Part I: a Grand Overture by Haydn-; conducted-Haydn

Song: At commencement Part II: Angels ever bright and fair-Mme Banti

774
19 April 1799 @ Covent Garden

Event Comment: Benefit for Fawcett. 3rd piece [DO 2. Larpent MS 1251; not published]: Never acted at a Public Theatre [1st acted privately at Brandenburgh House, Hammersmith, 28 Feb. 1798]; Written by her Serene Highness the Margravine of Anspach. The Music partly by the Margravine, and partly by Sarti, Guglielmi, Paisiello, and Saphio. Grand Overture, La Chasse, by Reeve. The Scenery painted by Phillips, Lupino, Hollogan, &c. The Machinery by Sloper. The Dresses by Dick and Mrs Egan. Morning Chronicle, 17 Apr.: Her Serene Highness the Margravine of Anspach having, with unprecedented Kindness and Liberality, lent Mr Fawcett the Manuscript of the above magnificent and interesting Opera, he begs leave to state that nothing shall be wanted on his Part to render it as acceptable to the Public as it was to the Nobility who had the pleasure of seeing it at the Brandenburgh house Theatre. Ibid, 4 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho. Receipts: #532 6s. 6d. (239.1.6; 2.9.0; tickets: 290.16.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

775
10 April 1745 @ Covent Garden

Performances

Mainpiece Title: Music

Performance Comment: Part I Overture to Samson-; Airs: Total Eclipse in Samson-Beard; Preso al Caro amato Cido in Meraspe-Sga Galli; Return O God of Hosts from Samson-Miss Robinson; Myself I Shall Adore in Semele-Sga Francesina; Del Minacciar del Vento in Otho-Reinhold; Part II Concerto-Weideman; Airs: Per Pieta nell' Incostanza Delusa-Sga Frasi; O Ruddier than the Cherry in Acis and Galatea-Reinhold; O Sleep in Semele-Sga Francesina; Concerto-Sga Caporale; Air: Dirti ben Mio in Alexander in Persia-Miss Robinson; Part III Concerto-Miller; Airs: Tremende oscure atroci in Meraspe-Sga Galli; Why does the God of Israel Sleep in Samson-Beard; Scherza Quest' Alma Mia del Sig Lampugnani-Sga Frasi; Concerto-Vincent; Trio in Acis and Galatea-Sga Francesina, Miss Robinson, Reinhold; Handel's Grand Sonata-.
Cast
Role: Preso al Caro amato Cido in Meraspe Actor: Sga Galli
Role: Myself I Shall Adore in Semele Actor: Sga Francesina
Role: Per Pieta nell' Incostanza Delusa Actor: Sga Frasi
Role: O Sleep in Semele Actor: Sga Francesina
Role: Concerto Actor: Sga Caporale
Role: Tremende oscure atroci in Meraspe Actor: Sga Galli
Role: Scherza Quest' Alma Mia del Sig Lampugnani Actor: Sga Frasi
Role: Trio in Acis and Galatea Actor: Sga Francesina, Miss Robinson, Reinhold