SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sga Gambarini"/1) | (@(roleclean,performerclean) "Sga Gambarini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 904 matches on Performance Comments, 647 matches on Performance Title, 217 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Idalide

Performance Comment: As17910414, but Aliciloe-Sga Schinotti in place of Sga Salimbeni.

Dance: As17910616

Performances

Mainpiece Title: Il Capriccio Drammatico

Performance Comment: Principal Characters by Rovedino, Braghetti, Morelli//Sga Colombati, Sga De Mira, Sga Negri. [For cast sec 1 Mar.] hathi.

Afterpiece Title: LA BELLA PESCATRICE

Performance Comment: Principal Characters by Rovedino, Braghetti, Garelli, Morelli//Sga Colombati, Sga Casentini Borghi. [Cast from libretto (C. Clarke [1794]): Conte-Rovedino; Celidoro-Braghetti; Maccabruno-Garelli; Don Alfonso-Morelli//Vespina-Sga Colombati; Dorinda-Sga Anna Casentini Borghi.] hathi. hathi.

Dance: As17940311hroughout

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Performances

Mainpiece Title: A Grand Selection Of Music Chiefly From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ESTHER). He smote all the first born by Chorus (ISRAEL IN EGYPT). Sin not O King! by Mrs Bland (SAUL). Call forth thy powers by Kelly (JUDAS MACCABAEUS). Fix'd in his everlasting seat by Chorus (SAMSON). What though I trace by Mrs Crouch (SOLOMON). Pleasure my by Harrison (TIME AND TRUTH). Fall'n is the foe by Chorus (JUDAS MACCABAEUS). Praise the Lord by Sga Storace (ESTHER). Lord in thee by Kelly and Chorus (TE DEUM). PART II. When the ear heard [singer not listed] (FUNERAL ANTHEMS). He deliver'd the poor by Chorus. Dead March (SAUL). The Soldier tir'd by Sga Storace. My faith and truth by Miss Leak and Master Welsh (SAMSON). The praise of Bacchus by Dignum; Bacchus ever fair by Meredith and Chorus (ALEXANDER'S FEAST). Like a bright Cherub by Sga Storace, Mrs Bland, Harrison (GIDEON). Prophetic visions by Master Welsh (OCCASIONAL ORATORIO). Let their celestial concerts all unite by Chorus (SAMSON). PART III. Awake the trumpet by Chorus (SAMSON). Tears such as tender Fathers by Meredith (DEBORAH). Donald by Sga Storace (Scotch Air). The many rend the skies by Chorus (ALEXANDER'S FEAST). The Mansion of Peace by Harrison. From mighty Kings by Mrs Crouch; Sound an alarm by Kelly and Chorus (JUDAS MACCABAEUS). Queen Mary's Lamentation by Miss Leak. May balmy peace by Master Welsh. From the censer by Chorus (SOLOMON) .

Music: In Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: Semiramide; O, La Vendetta Di Nino

Performance Comment: Principal Characters by Roselli (1st appearance), Rovedino, Braghetti, Torregiani, Garelli//Mme Banti (1st appearance), Sga Colombati. [Cast from libretto (C. Clarke, 1794): Arsace-Roselli; Seleuco-C. Rovedino; Oroe-Braghetti; Ombra di Nino-Torregiani; Mitrane-Garelli//Semiramide-Sga Brig. Banti; Azema-Sga Colombati.) hathi.

Dance: End of Act I New Divertisement, as17940311End of Act II Les Ruses de l'Amour, as17940401, but omitted: Mlle Guirdele

Performances

Mainpiece Title: Le Nozze Di Dorina

Performance Comment: Principal Characters-Brida, Rovedino, Morelli, Sga Morichelli. Cast from Larpent MS 1088: Masotto-Brida; Mingone-Rovedino; Titta-Morelli; Conte di Belfiore-DePaoli; Dorina-Mme Morichelli; La Contessa-Sga Colombati; Livietta-Sga Pastorelli.

Afterpiece Title: Semiramide (Act II only)

Dance: As17950522

Music: As17950616

Performances

Mainpiece Title: Le Gelosie Villane

Performance Comment: see17970718 Cast from libretto (L. DaPonte, 1797): Cecchino-Morelli; Tognino-Rovedino; Il Marchese-Viganoni; Mengone-Bonfanti; Nardone-DeGiovanni; Giannina-Sga Fabrizzi; Sandrina-Sga Salimbeni; Olivetta-Sga Pastorelli.
Cast
Role: Giannina Actor: Sga Fabrizzi
Role: Sandrina Actor: Sga Salimbeni
Role: Olivetta Actor: Sga Pastorelli.

Dance: As17970513

Song: End Opera: Pygmalion-Viganoni

Ballet: Sapho et Phaon. As17970513

Performances

Mainpiece Title: La Cifra

Performance Comment: [Principal Parts by Morelli, Bonfanti, Viganoni, Sga Angelelli. Cast from libretto (E. Jackson [1798]): Rusticone-Morelli; Sandrino-Bonfanti; Milord Fideling-Viganoni; Leandro-Braghetti; Eurilla-Sga Angelelli; Lisotta-Sga Colombati.
Cast
Role: Eurilla Actor: Sga Angelelli
Role: Lisotta Actor: Sga Colombati.

Dance: As17980306

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Performance Comment: Cast from Larpent MS 1200: Tamburlano-Morelli; Pierotto-Rovedino; Conte Giacinto-Viganoni; Guglielmo-DeGiovanni; Lesbina-Sga Angelelli; Ernesta-Sga Colombati; Lisetta-Sga Pastorelli.
Cast
Role: Lesbina Actor: Sga Angelelli
Role: Ernesta Actor: Sga Colombati
Role: Lisetta Actor: Sga Pastorelli.

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

Performances

Mainpiece Title: Il Capriccio Drammatico

Performance Comment: [Cast adjusted from libretto (C. Clarke 1794): Don Crisobolo-Rovedino; Don Perinzonio-Morelli; Gelindo Scagliozzi-Braghetti; Fiordispina Coribanti-Sga Angelelli; Merlina-Sga Colombati; Dorinda-Sga Pastorelli.]

Afterpiece Title: Il Consiglio Imprudente

Performance Comment: Cast adjusted from Larpent MS 1147: Filiberto-Morelli; Lindoro-Viganoni; Riccardo-DeGiovanni; Brunella-Rovedino; Giannina-Sga Angelelli; Costanza-Sga Colombati; Rosina-Sga Pastorelli.
Cast
Role: Giannina Actor: Sga Angelelli
Role: Costanza Actor: Sga Colombati
Role: Rosina Actor: Sga Pastorelli.

Dance: As17980331

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Principe Spazzacamino

Performance Comment: Principal Characters by Morelli, Rovedino, Viganoni, Sga Bolla. Cast from libretto (W. Glindon, 1800): Pierotto Spazzacamino-Morelli; Don Fabio-Rovedino; Il Principe di Mont' Albore-Viganoni; Giannino-DeGiovanni; Rosina-Sga Bolla; Donna Flora-Sga Rovedino.
Cast
Role: Rosina Actor: Sga Bolla
Role: Donna Flora Actor: Sga Rovedino.

Dance: End: Le Mariage Mexicain, as18000225; End 2nd piece: Telemaque- [see18000619 and 18000621

Performances

Mainpiece Title: The Winter's Tale

Ballet: nd in which will be introduc'd a New Grand Ballet call'd the% Rural Assembly. Chasseur-Desnoyer; Pastors-Richardson, Delagarde, Dupre, Destrade, Bencraft; Shepherdesses-Mrs Wright, Mlle Fabres, Mrs LeBrun, Mlle Rhenos, Mlle Maudet; Nymph of the Plain-Sga Barberina; Old Herdsman-Villeneuve; Cottage Nymph-Sga Domitilla; Two Nymphs of the Vale, a Sylvan-Picq, Mlle Bonneval, Mlle Auguste

Performance Comment: Chasseur-Desnoyer; Pastors-Richardson, Delagarde, Dupre, Destrade, Bencraft; Shepherdesses-Mrs Wright, Mlle Fabres, Mrs LeBrun, Mlle Rhenos, Mlle Maudet; Nymph of the Plain-Sga Barberina; Old Herdsman-Villeneuve; Cottage Nymph-Sga Domitilla; Two Nymphs of the Vale, a Sylvan-Picq, Mlle Bonneval, Mlle Auguste.

Performances

Mainpiece Title: Gianguir

Performance Comment: Gianguir-Amorevoli; Cosrovius-Angelo Monticelli; Semira (Alinda)-Caterina Visconti; Zama-Sga Giovanna Contini; Mahobeth-Sga Giulia Frasi (Larpent MS.).
Cast
Role: Zama Actor: Sga Giovanna Contini
Role: Mahobeth Actor: Sga Giulia Frasi

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

Performances

Mainpiece Title: The Maid's Tragedy

Afterpiece Title: The Rape of Proserpine; with the Birth and Adventures of Harlequin

Performance Comment: Ceres-Mrs Wright; Proserpine-Mrs Lampe; Jupiter-Roberts; Mercury-Reinhold; Followers of Proserpine-Sga Campioni, Mrs Duval, Mrs LeBrun, Mrs Villeneuve, Mrs Ozane; Followers of Ceres-Mrs Delagarde; Pluto-Leveridge; Demons-Villeneuve, Delagarde, Dupre, Destrade; Harlequin-Woodward; Yeoman-Bencraft; Colombine-Mrs Kilby; Clodpole-Hippisley; Old Man-Smith; Old Woman-Mrs Delagarde; Gardeners-Destrade, Dupre; Country Lads, Lasses-Delagarde, Dupre, Destrade, Mrs Villeneuve, Miss Jackson, Mrs Vaughan; The Elements: Earth-LaLauze, Mrs Duval; Air-Villeneuve, Mrs Delagarde; Fire-Picq, Mrs LeBrun; Water-Cooke, Sga Campioni.

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Clive; Eurydice-Mrs Lampe; 1st Nymph, Follower of Eurydice-Sga Campioni; Pluto-Leveridge; Ascalax-Reinhold; Demons-Picq, Villeneuve, Delagarde; Harlequin-Woodward; Colombine-Mrs Kilby; Pantaloon-Rosco; Squire-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge (servant to Pantaloon)-Hippisley; Woman Dwarf-a French Boy; Country Lads-Villeneuve, Delagarde, Dupre, Destrade; Country Lasses-Mrs Duval, Mrs Delagarde, Mrs LeBrun, Mrs Ozane; a Rural Swain, Nymph-Cooke, Sga Campioni.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Rape of Proserpine; with the Birth and Adventures of Harlequin

Performance Comment: Ceres-Mrs Wright; Proserpine-Mrs Lampe; Jupiter-Roberts; Mercury-Reinhold; Follower of Proserpine-Sga Campioni; 2nd Follower-Miss Vandersluys; 3rd Follower-Mrs LeBrun; 4th Follower-Mrs Villeneuve; 5th Follower-Mrs Ozane; Follower of Ceres-Mrs Delagarde; Pluto-Leveridge; Demons-Villeneuve, Delagarde, Dupre, Destrade; Harlequin-Woodward; Colombine-Mrs Havard; Yeoman-Bencraft; Clodpole-Hippisley; Old Man-Smith; Old Woman-Mrs Vaughan; Gardeners-Destrade, Dupre; Elements: Earth-Destrade, Mrs Ozane; Air-Villeneuve, Miss Vandersluys; Fire-Delagarde, Mrs LeBrun; Water-Cooke, Sga Campioni.

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Lampe; Eurydice-A Young Gentlewoman who never appeared on any stage before; 1st Nymph, follower of Eurydice-Sga Campioni; Harlequin-Woodward; Colombine-Mrs Havard; Pantaloon-Arthur; Squire Gawky-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge (servant to Pantaloon)-Hippisley; Woman Dwarf-a French Boy; Country Lads-Villeneuve, Destrade, Delagarde, Dupre; Country Lasses-Mrs Duval, Mrs Phillips, Mrs LeBrun; Mrs Gondau; Rural Swain-Cooke; Nymph-Sga Campioni.

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Vocal Parts-Sga Sybilla, Miss Young, Waltz, Hague, Messing Jr; Act I: The overture in Otho-; A Concerto of Geminiani-; A Solo on the German Flute-Balicourt; Powerful Guardians, Come ever Smiling Liberty by Handel-Sga Sybilla; Concerto on the Bassoon-Miller; Solo on the Violincello-Jones; First Trumpet-Snow; A Grand Concerto with Trumpets French Horns, and four Kettle Drums-John Mitchell Axt; who has had the honour to perform before several Sovereigns and English General Officers with great applause. Between the Acts: Preamble on Kettle Drums-Axe; a piece of music-six of the best French Horns; in England, never attempted before. Act II: The Music on the Thanksgiving Day-; compos'd by John Frederick Lampe, as it was perform'd on Thursday the 9th day of October 1746, in the Savoy. The words oy Christian Benjamin Schlaiblin, dedicated to the Duke of Cumberland. Concluding with the Water Music of Handel-;accompanied with four kettle drummers-.
Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: L'amanti Gelosi

Dance: [Unspecified.]

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Performances

Mainpiece Title: Concert

Performance Comment: Part I Overture-; Songs Hail Immortal Bacchus (from Judith Arne)-Champness; Di Nobil Alma (Ciampi)-Miss Frederick; Farewell ye Limpid Springs (from Jeptha, Handel)-Sga Frasi; Come Blooming Boy (from Choice of Hercules, Handel)-Miss Young; Concerto on violincello-Sig Cervetto; Anthem My Heart is Insisting-(Handel); Part II Concerto on Bassoon-Baumgarten; Songs, Nymphs and Shepherds (from Alfred, Arne)-Miss Brent; Happy Day (from Eliza, Arne)-Miss Young; Concerto on violin composed and performed-Dubourg; Anthem As pants the heart-(Handel); Part III Concerto on Hautboy-Vincent; Songs, Vain is Beauty's Gaudy Flow'r (from Judith, Arne)-Miss Brent; When Bacchus, Jolly God (Handel)-Beard; Verdi Prati (from Alcina, Handel)-Miss Frederick; Freely I to Heaven Resign (from Jeptha, Handel)-Sga Frasi; Anthem, The King Shall Rejoice-(Handel).

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17621027, but Masquerade Dance-Vincent, Sga Giorgi; Benvolio-Ackman; Escalus-Bransby (playbill).

Afterpiece Title: The Beggar's Wedding

Performance Comment: As17630224, but Dance-Sga _Fiorentini.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Beggar's Wedding

Performance Comment: As17630224, but Dance-Sga _Fiorentini.

Dance: IV: Double Hornpipe, as17630504

Performances

Mainpiece Title: Adriano In Syria

Performance Comment: Adriano-Tenducci; Osroa-Ercole Ciprandi; Emirena-Sga Teresa Scotti; Farnaspe-Giovanni Manzoli; Sabina-Sga Clementina Cremonini; Barsene-Miss Young; Aquilio-Leopoldo Micheli (Edition of 1765).

Dance: Between the acts: As17650105; New Dances-

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Witches; or, Harlequin Cherokee

Performance Comment: Principal Witches-Vernon, Champnes, Johnston, Sga Grimaldi, Mrs Vincent, Miss Young, Mrs Dorman; Harlequin-Rooker; Misers-Castle, Parsons; Misers' Servants-Clough, Ackman; Lilliputian Harlequin-Miss Rogers; Lilliputian Colombine-Miss Ford; a Reel, a Hornpipe-Aldridge; Colombine-Miss Baker; To Conclude with the landing of the Cherokees in America-; Cherokees-Grimaldi, Giorgi, Tassoni, Sga Giorgi, Miss Baker.