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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sga Cecilia Davies Inglesina"/1) | (@(roleclean,performerclean) "Sga Cecilia Davies Inglesina")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3585 results for: Keyword - Sga Cecilia Davies Inglesina
We found 3086 matches on Performance Comments, 683 matches on Performance Title, 355 matches on Event Comments, 8 matches on Roles/Actors, and 0 matches on Author.

201
10 December 1773 @ Drury Lane Theatre

Event Comment: The New Comedy, The School for Wives, (which was to have been performed this evening) oblig'd to be deferred till tomorrow. Reddish hoarse. Paid tallow chandler's 3rd bill #44 19s. 11d.; Mr Smeltzer for men's cloaths #5; J. Stevens on note #3 3s. (Treasurer's Book). [In the bill for the first planned performance of Twelfth Night this season (namely for 4 Dec.) Antonio was to be done by Fawcett; Sir Toby by Love; and the Clown by Davies.] Receipts: #122 6s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Jefferson; Antonio-Davies; Fabian-Waldron; Maria-Mrs Hopkins; Sir Toby-Palmer; Malvolio-King; Sir Andrew-Dodd; Sebastian-Cautherly; Clown (with Original Epilogue song)-Vernon; Viola-Miss Younge; Maria-Mrs Hopkins; Olivia (with Song)-Mrs Abington (playbill).
Cast
Role: Antonio Actor: Davies

Afterpiece Title: The Genii

Cast
Role: To Conclude with a Bacchanalian Jubilee Actor: Como, Atkins, Giorgi, Sga Crespi.

202
12 May 1775 @ Drury Lane Theatre

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Performance Comment: Sharp-Dodd; Blunt-Moody; others-Baddeley, Waldron, Lamash, Burton, Master Blanchard, Miss Platt, Mrs Davies.
Cast
Role: others Actor: Baddeley, Waldron, Lamash, Burton, Master Blanchard, Miss Platt, Mrs Davies.

203
26 June 1777 @ Haymarket Theatre

Event Comment: [Henderson's 1st appearance on the stage was as Hamlet, at Bath, 6 Oct. 1772. In I.iv "after the short ejaculation of 'Angels and ministers of grace, defend us!' he endeavoured to conquer that fear and terror into which he was naturally thrown by the first sight of the vision, and uttered the remainder of the address calmly, but respectfully, and with a firm tone of voice, as from one who had subdued his timidity and apprehension" (Davies, III, 30). "Palmer's Ghost would have been more in character had he given less into the rant of declamation and the bustle of stage action, which accord not with our ideas of a supernatural being; his crying, likewise, at the recital of his murder, was childish, and destroyed the solemnity of the scene' (Morning Post, 27 June).

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Henderson (1st appearance in that character [in London]); King-Fearon; Horatio-Davies; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Edwin; Laertes-Aickin; Player@King-Griffiths; Lucianus-Blissett; Osrick-R. Palmer; Gravediggers-Parsons, Massey; Ghost-Palmer; Ophelia-Mrs Hitchcock; Player@Queen-Mrs Poussin; Queen-Mrs Hunter.
Cast
Role: Horatio Actor: Davies

Afterpiece Title: Polly Honeycombe

204
24 July 1777 @ Haymarket Theatre

Event Comment: [Henderson's 1st recorded appearance as Falstaff was at Bath, 6 Mar. 1777. "In the frolicksome, gay, and humourous situations of Falstaff Henderson is superior to every man...His soliloquy in describing his ragamuffin regiment, and his enjoying the misuse of the king's press-money are so truly excellent that they are not inferior to any comic representation of the stage" (Davies, I, 252-53).] Afterpiece: Never performed here. The Musick composed by Dr Arnold

Performances

Mainpiece Title: The First Part Of King Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Henderson (1st appearance in that character [in London]); Hotspur-Aickin; King-Younger; Westmorland-Egan; Sir W. Blunt-T. Davis; Sir Richard Vernon-Davies; Worcester-Fearon; Poins-R. Palmer; Bardolph-Massey; Peto-Kenny; Gadshill-Besford; Francis-Edwin; Carriers-Jackson, Blissett; Prince of Wales-Palmer; Hostess-Mrs Love; Lady Percy-Mrs Colles.
Cast
Role: Sir Richard Vernon Actor: Davies

Afterpiece Title: The Portrait

205
27 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Grecian Daughter

Afterpiece Title: Bon Ton

206
28 July 1786 @ Haymarket Theatre

Event Comment: Benefit for Mrs Wells. [Miss Davies is identified in European Magazine, July 1786, p. 122. Address by William Upton (.Morning Chronicle, 29 July).]

Performances

Mainpiece Title: The English Merchant

Performance Comment: As17860621 but Amelia-A Young Lady (1st appearance on any stage [Miss Davies]) .Miss Davies]) .

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece, as17860706

Monologue: 1786 07 28 Before mainpiece an Introductory Address, on the 1st appearance of the Young Lady, spoken by Bannister Jun

207
07 December 1786 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Lewis, but he "having...received a blast in the eye, was rendered incapable of playing Capt. Crevelt last night, and his part was read by Davies" (Public Advertiser, 8 Dec.). Receipts: #215 18s. (210.16.6; 5.1.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Performance Comment: As17861120, but Captain Crevelt-Davies in place of Lewis.
Cast
Role: Captain Crevelt Actor: Davies in place of Lewis.

Afterpiece Title: The Girl in Style

Dance: As17861116

208
12 November 1790 @ Covent Garden

Event Comment: Afterpiece: By Particular Desire of the Cherokee Chiefs. [These six Chiefs had recently come to England to enlist aid in their dispute with Mexico (London Chronicle, 2 Nov.). The playbill retains Bannister as Robin Hood, but "Previous to the curtain's drawing up...Farley walked forward and apologized for the absence of Bannister, informing the audience that their favourite singer was suddenly indisposed, and that Davies had undertaken to play Bannister's part" (Diary, 13 Nov.). Davies's part of Scarlet was probably acted by Farley (see 18 Nov.).] Receipts: #201 17s. 6d. (187.5.0; 14.12.6)

Performances

Mainpiece Title: The German Hotel

Cast
Role: A New Prelude Actor: Ryder, Davies, Bernard
Role: Williams Actor: Davies

Afterpiece Title: Robin Hood

Performance Comment: As17901013, but Robin Hood-Davies; Stella-Miss Francis; Angelina-Miss Williames (1st appearance in that character).
Cast
Role: Robin Hood Actor: Davies
Role: Scarlet Actor: Davies

209
12 November 1793 @ Covent Garden

Event Comment: Afterpiece: By Particular Desire of the Cherokee Chiefs. [These six Chiefs had recently come to England to enlist aid in their dispute with Mexico (London Chronicle, 2 Nov.). The playbill retains Bannister as Robin Hood, but "Previous to the curtain's drawing up...Farley walked forward and apologized for the absence of Bannister, informing the audience that their favourite singer was suddenly indisposed, and that Davies had undertaken to play Bannister's part" (Diary, 13 Nov.). Davies's part of Scarlet was probably acted by Farley (see 18 Nov.).] Receipts: #201 17s. 6d. (187.5.0; 14.12.6)

Performances

Mainpiece Title: The German Hotel

Cast
Role: A New Prelude Actor: Ryder, Davies, Bernard
Role: Williams Actor: Davies
Role: Benvolio Actor: Davies

Afterpiece Title: Robin Hood

Performance Comment: As17931013, but Robin Hood-Davies; Stella-Miss Francis; Angelina-Miss Williames (1st appearance in that character).
Cast
Role: Robin Hood Actor: Davies

210
29 September 1770 @ Drury Lane Theatre

Event Comment: Mrs Davies Smart little figure, some spirit, was well receiv'd (Hopkins Diary)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17700925[; Young Gentleman Davies] second appearance.

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-Wright; Mercury-Dodd; Abram-Waldron; Gasconade-Baddeley; Simon-Moody; Snip-Parsons; Forge-Burton; Justice-Hartry; Corporal Bounce-Bransby; Constable-Ackman; Irishman-Messink; Welchman-Booth; Sukey Chitterlin-a young gentlewoman her first appearance [Mrs Davies]; Dolly Snip-Miss Pope; Mrs Snip-Mrs Bradshaw.

211
22 November 1725 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: St

Performance Comment: Ceciliae; or, The Union of the Three Sister Arts. St. Ceciliae-Mrs Chambers; Homer-Leveridge; Apelles-Legare.
Cast
Role: Ceciliae Actor: Mrs Chambers

Dance: Proper Dances-Salle, Dupre, Lally, Mrs Wall, Mrs Bullock, Mrs Anderson; Polonese-Lally, Mrs Wall; French Peasant-Nivelon, Mrs Legar

212
29 November 1725 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: St

Performance Comment: Ceciliae. As17251122.
Cast
Role: Ceciliae Actor: Mrs Chambers

Dance: Dupre, Salle, Lally, Mrs Bullock, Mrs Wall, Mrs Anderson

213
30 March 1776 @ King's Theatre

Event Comment: Sga Sestini thinks it her Duty to assure, in this Public Manner, the English Nobility Gentry and Public, of her unfeign'd Gratitude for their numerous appearance on Thursday Night 28 March at her Benefit as she looks upon it as the most convincing Proof of their honouring her with the continuance of their kind Indulgence and Protection, which she will always use her utmost Endeavour to deserve as long as she shall continue in England, and retain the most grateful Rembrance of wherever her Profession may call her (Public Advertiser)

Performances

Mainpiece Title: La Vestale

Cast
Role: Vocal Parts Actor: Rauzzini, Trebbi, Sga Galli, Savoi, Sga Francesca Gabrielli, Sga Gabrielli.

Dance: I: Les Deux Soeurs, as17760203; II: La Fete du Village, as17760224

Ballet: III: Astolphe. As17760312

214
19 March 1703 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Several new Songs-Mrs Hudson, Mr Elford accompany'd with the Lute; Also particular Performances-Mr Paisible, Mr Banister; concluding with a Song made upon St. Cecilia's Day, but never yet perform'd-

Performance Comment: Cecilia's Day, but never yet perform'd-.

215
05 April 1718 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Wife's Relief

Music: Entertainment of Vocal and Instrumental Music- by Babel for St. Cecilia's Day; Vocal Parts-Leveridge, Mrs Barbier, Babel's Scholar, who never appear'd on any Stage before

Performance Comment: Cecilia's Day; Vocal Parts-Leveridge, Mrs Barbier, Babel's Scholar, who never appear'd on any Stage before.

Song: Mad Dialogue by Purcell-Leveridge, Mrs Thurmond

Dance: As17171022

216
17 March 1732 @ Chancery Lane

Performances

Mainpiece Title: Concert

Music: When the fine Overture compos'd by the late ingenious Mr William Babell, for St. Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston

Performance Comment: Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston.

217
26 February 1741 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: A Solo on the Violin-Collett; a Concerto on the Harpsichord-Gladwin; several Pieces on the Trumpet-Snow; Likewise the Dead March in Saul-to be performed with the Sackbuts; To which will be added, set to Musick Dryden's Ode on St. Cecilia's Day by Mr Handel-; the principal Voice Part-Mrs Arne

Performance Comment: Cecilia's Day by Mr Handel-; the principal Voice Part-Mrs Arne.

218
18 March 1743 @ Covent Garden

Performances

Mainpiece Title: L'allegro E Il Penseroso; With Additions, Dryden's Ode On St

Performance Comment: Cecilia's Day. Also Concerto on Organ-; Violin Solo-Dubourg.

219
11 February 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Dryden's Ode On St

Performance Comment: Cecilia's Day. Principal Vocal Parts-Norris, Webster, Miss M. Linley, Miss Draper, Mrs Wrighten.

Music: End I Oratorio: concerto on the organ-Stanley; End II: concerto on the violin-Cramer

220
10 March 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: L'allegro, Penseroso; Alexander's Feast

Afterpiece Title: Dryden's Ode On St

Performance Comment: Cecilia's Day; Alexander's Feast. Singers Same. As17800211, but 1st Violin-Richards as17800216.

Music: As17800211

221
02 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Dryden's Ode for St

Performance Comment: Cecilia's Day. Principal Vocal Parts-Norris, Reinhold, Miss Linley, Miss Draper, Miss Prudom.

Music: End Part I oratorio: concerto on the organ-Stanley; End Part II: concerto on the violin-Cramer

222
21 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: L'allegro Il Penseroso

Afterpiece Title: Dryden's Ode for St

Performance Comment: Cecilia's Day. Vocal Parts not listed, but see17830319athi .

Music: End of Part II of oratorio concerto on the clarionet by Mahon

223
04 April 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Dryden's Ode for St

Performance Comment: Cecilia's Day. Singers same .

Music: As17830321athi

224
22 February 1799 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea; Grand Selection 0

Music: End I: Ode on St. Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley

Performance Comment: Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley.

225
25 August 1760 @ King's Theatre

Event Comment: [Sga Mattei announced her undertaking direction of Italian Serious Operas and Burlettas for the ensuing winter, promised the performance of them for the best advantage of the public, and listed the members of the company she had engaged: For Serious Operas: herself, Philippo Elisi (the first singer in Italy), Gaetano Quilice (tenor), Angiola Calori (second woman), Giovanni Sorbelloni (second man), and a new singer for the lowest character. For the Burlettas: Sga Paganini (the first female character and the foremost in Italy), Gaetano Quilice (the first man), Sga Eleardi (second woman), Paganini (second man), Signor N. N. (third man), Angiola Calori and Sorbelloni (to perform the serious parts in the Burlettas). Dancers: Mlle Asselin (first woman dancer), Gheradi (first dancer of the men, and ballet master), famed both in the serious and comic as well as for his invention as for exercises in dancing. There will also be other comic dancers, and figures both for the serious operas and burlettas.

Performances