SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg Storace"/1) | (@(roleclean,performerclean) "Sg Storace")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 712 matches on Author, 220 matches on Performance Comments, 181 matches on Performance Title, 126 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Vocal Parts-Reinhold, Kelly, Dignum, Mrs Crouch, Miss Hagley, Sga Storace; 1st Violin-Shaw; Conductor-Dr Arnold.

Music: End II: concerto on the violin-Master Bridgtower, Son to the African Prince

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 2

Performance Comment: As17900317but Che faro[Orfeo ed Euridice, by Gluck]-Sga Storace; The Prince unable to conceal his pain-_; Concerto on the violin-Master Bridgtower.

Performances

Mainpiece Title: Redemption 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: As17900226, but In sweetest harmony-Sga Storace.

Afterpiece Title: Redemption 3

Music: End Part II: As17900219; End I: a new concerto on the Piano Forte-Attwood Jun., Musician to his Royal Highness the Prince of Wales

Performances

Mainpiece Title: Il Barbiere Di Siviglia; Or, The Spanish Barber

Performance Comment: Count Almaviva-Kelly (of dl); Figaro-Borselli; Don Basilio-Torregiani; Don Bartolo-Neri; Giovinetto-Benigni; Rosina-Sga Storace.
Cast
Role: Rosina Actor: Sga Storace.

Dance: End I: La Bergere des Alpes, as17900525; End Opera: Divertisement, as17900529

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Related Works
Related Work: Cymon Author(s): Stephen Storace

Afterpiece Title: All the World's a Stage

Cast
Role: Lilla Actor: Sga Storace

Performances

Mainpiece Title: At King's The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Baddeley; Edward-Bannister Jun.; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; Hugo-Moody; De Courcy-Whitfield; Martin-Hollingsworth; Lady Elinor-Miss DeCamp; Adela-Sga Storace; Cicely-Mrs Bland; Maud-Mrs Booth.
Cast
Role: Adela Actor: Sga Storace

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenburg-Palmer; Ismael-Benson; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Katharine-Mrs Crouch; Fatima-Miss Barclay; Lilla-Sga Storace; Ghita-Mrs Bland.
Cast
Role: Lilla Actor: Sga Storace

Afterpiece Title: High Life Below Stairs

Dance: In II afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: Le Nozze Di Dorina And I Zingari In Fiera

Performance Comment: A Selection, in 2 acts of the most favourite Scenes from these Comic Operas. Principal Characters-Morelli, Rovedino, Kelly, Sga Storace.

Dance: As17930622

Ballet: Iphiginia in Aulide. As17930622

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller. Leader as17940312ART I. Overture. Comfort ye my people and Every Valley by Harrison. And the glory by Chorus. Thus saith the Lord and But who may abide by Meredith. And he shall purify by Chorus. Behold! a Virgin and O thou that tellest by Kelly. For, behold! and The people that by Meredith. For unto us by Chorus. There were Shepherds by Sga Storace. Glory to God by Chorus. Rejoice greatly by Master Welsh. Then shall the Eyes and He shall feed his flock by Mrs Bland. Come unto him by Sga Storace. His yoke is easy by Chorus. PART II. Behold the Lamb by Chorus. He was despised by Mrs Crouch. Surely he hath borne by Chorus. All they that see him by Kelly. He trusted in God by Chorus. Thy rebuke hath and Behold! and see by Harrison. He was cut off and But thou didst not by Miss Leak. Lift up your heads by Chorus. Unto which of the by Kelly. Let all the Angels by Chorus. Thou art gone up by Mrs Bland. The Lord gave by Chorus. How beautiful by Master Welsh. Their sound is gone by Chorus. Why do the nations by Meredith. Let us break by Chorus. He that dwelleth and Thou shalt break them by Dignum. Hallelujah by Chorus. PART III. I know that my Redeemer liveth by Master Welsh. Since by Man by the Principal Singers and Semi-Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass [singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: A Grand Selection

Performance Comment: Principal Vocal Performers as17940321eader as17940312verture (OCCASIONAL ORATORIO). He smote all the first born by Chorus (ISRAEL IN EGYPT). Beold, the Lord's arm is not shortened and Lo! he is our God by Miss Leak (RESURRECTION, by Dr Arnold). Tyrants would in impious throngs by Sga Storace and Chorus (ATHALIA). Loud as the thunder by Master Welsh (SAMSON). I feel the Deity within and Arm, arm ye brave by Meredith; We come in bright array by Chorus (JUDAS MACCABAEUS). The prince unable by Sga Storace; The many rend the skies by Chorus (ALEXANDER'S FEAST). Concerto on the flute by Ashe .

Afterpiece Title: ACIS AND GALATEA

Music: End of Part I of oratorio concerto on violin by Giornovichi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Prize

Performance Comment: As17940918, but Caroline-Sga Storace.
Cast
Role: Caroline Actor: Sga Storace.
Related Works
Related Work: The Prize; or, 2.5.3.8 Author(s): Stephen Storace

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Prize; or, 2

Performance Comment: 5.3.8. Lenitive-Bannister Jun.; Mr Caddy-Benson; Heartwell-Whitfield; Label-Suett; Juba-Master Welsh; Mrs Caddy-Mrs Booth; Caroline-Sga Storace.
Cast
Role: Caroline Actor: Sga Storace.
Related Works
Related Work: The Prize; or, 2.5.3.8 Author(s): Stephen Storace

Song: In III: an Epithalamium-. Vocal Parts Miss Leak, Master Welsh

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Dr Bartholo-Suett (1st appearance in that character); Basil-Aickin; Notary-Maddocks; Alcade-Cooke; Lazarillo-Bannister Jun.; Argus-Wewitzer; Tallboy-Caulfield; Rosina-Sga Storace (1st appearance in that character).
Cast
Role: Rosina Actor: Sga Storace

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.
Cast
Role: Clara Actor: Sga Storace.

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Performances

Mainpiece Title: The Beggar's Opera

Dance: I: The French Peasants, as17420116; II: A Dutch Dance, as17411114; III: The Swiss, as17420119; In III: a Hornpipe-Phillips

Performances

Mainpiece Title: Adriano In Siria

Dance: End of Opera:

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Harlequin Ranger

Dance: Mad Auretti

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Triumphs of Hibernia

Dance: I: Grand Comic Ballet, as17511216; III: Venetian Gardeners-Grandchamps, Madem Camargo; End of Play: Louvre, Minuet-Grandchamps, Madem Camargo