Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg Pergolesi"/1) | (@(roleclean,performerclean) "Sg Pergolesi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
590 results for: Keyword - Sg Pergolesi
We found 262 matches on Author, 177 matches on Performance Title, 104 matches on Performance Comments, 71 matches on Event Comments, and 0 matches on Roles/Actors.

526
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

527
02 November 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Camp

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in both subsequent performances.] V: Grand Dance-Sg and Sga Zuchelli, Henry, Sga Crespi

528
24 November 1778 @ King's Theatre

Performances

Mainpiece Title: L'avaro Deluso

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

529
25 March 1779 @ King's Theatre

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

530
22 April 1780 @ King's Theatre

Performances

Mainpiece Title: Rinaldo

Dance: Three new Ballets composed by Favre Guiardele. End I: The Rural Sports-Sg and Sga Zuchelli, Henry, Miss Andreas, Miss Simonet, Sga Crespi; End II: La Fete Pastorale-Favre Guiardele, Mme Simonet, Sga Tantini; with a Pas Seul-Mlle Baccelli; accompanied on the guitar-Noferi; End Opera: Serious Ballet, as17800122, but Mme Simonet, Sga +Tantini; +Grand Chaconne by Floquet-

531
23 January 1781 @ King's Theatre

Performances

Mainpiece Title: Mitridate

Dance: End I: The Pert Country Maid, as17810113; End II: a new serious Ballet (composed by Simonet) The Nymphs of Diana-Vestris? Jun., Mlle Baccelli, Sg and Sga Zuchelli, Henry, Sga Crespi, Miss Simonet, Mme Simonet; End Opera: a new grand Ballet half-character (composed by Simonet) The Rural Sports-Vestris? Jun., Mlle Baccelli, Henry, Sga Crespi, Traffieri, Slingsby, Sga Tantini

532
25 April 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A Fete

Afterpiece Title: Bon Ton

533
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

534
30 April 1753 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: Overture by Chabran-; Sei si trove in Lacci stretto (Teradellas)-Sga Galli; Return O God of Hosts (Handel)-Guadagno; Concerto on violincello-Pasqualino; Sherno delli astri egioco (Conforti)-Frasi; Beneath that Shade (Dr Green)-Wass; Part II: Concerto on violin-Chabran; Sol ti chiedo O spero amato (Galluppi)-Frasi; O Lovely Fair and Faithful Youth (Dr Green)-Beard; Concerto on bassoon-Miller; No non sai (Pergolesi)-Galli; Il Pasto (Ciampi)-Guadagnio; Part III: Concerto on oboe-Vincent; Resarrena (Gluck)-Galli; Quella fiamma (Handel)-Frasi; Song-Guadagnio; Trio The Flocks shall leave the Mountains (Handel)-Frasi, Beard, Wass; Grand Concerto-Handel.

535
17 March 1755 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: New Overture by DuBourg-; Non Pensi (Latilles)-Mondini; Cantata (Arne)-Beard; Voglio Amor-Sga Curioni; Concerto on violincello-Pasqualino; Pensa che amante (Cocchi)-Guadagni; S'e spoze (Hasse)-Mingotti; Part II: Concerto on Bassoon-Miller; Per lei fra l'armi-Ciprandi; Sorge nell' alma mia (Perez)-Sga Mattei; Concerto on Violin-Dubourg; Tremende oscuri atroci (Pergolesi)-Sga Frasi; Fra quest Ombra (Hasse)-Ricciarelli; Part III: Concerto on oboe-Vincent; Non via Piaque (Conforto)-Sga Mingotti; Destrir che all' armi usato (Ciampi)-Guadagni; Return O God of Hosts (Handel)-Sga Frasi; Uniti a Lupi (Hasse)-Ricciarelli; Grand Concerto-Handel.

536
10 March 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I Overture-Hasse; Air-Ricciarelli; Concerto on German Flute-Tacet; Air-Sga Mingotti; Concerto on Hautboys-Vincent; Part II The Stabt Mater of Pergolesi, with some of the parts made into chorusses-Signor DeGiardini; Part III Concerto on the Organ-Stanley; Air-Sga Mingotti; Air-Ricciarelli; Solo on Violin-De Giardini; Duetto-Ricciarelli, Sga Mingotti; Chorus of Hasse-.

537
08 June 1758 @ Mary-le-Bone Gardens

Event Comment: At Marybone Gardens. Translated into English. The Music by Pergolesi. Admittance 2s. 6d., tea and coffee included. [Daily Advertiser, 15 May, notice: Only 26 Tickets for ball room will be sold each night. Admittance one shilling; Ballroom five shillings to admit one gentleman and two ladies.

Performances

Mainpiece Title: La Serva Padrona; Or, The Servant Mistress

Related Works
Related Work: La Serva Padrona Author(s): Giovanbattista Pergolesi

538
26 July 1759 @ Mary-le-Bone Gardens

Event Comment: Benefit Signora Saratina. A new tragicomical Burletta, Musick composed by Pergolesi. Scenes and Cloaths entirely new. Tickets at Mr Oswald's Music Shop. 2s. 6d

Performances

Mainpiece Title: La Strattaggemma; Or, The Stratagem

Related Works
Related Work: La Strataggemma; or, the Stratagem Author(s): Giovanni Battista Pergolesi

Song: Before the Burletta: Singing-; several songs, a duetto-Signora Saratina, Reinhold

539
28 February 1771 @ King's Theatre

Performances

Mainpiece Title: La Passione

Music: End Said Part [i.e., La Passione]: A Concerto on Violin-Sga Sirmen; in which will be performed a Stabat Mater (composed by Pergolesi)-Sga Sirmen; End I: Concerto on Bassoon-Baumgarten; End II: Solo on Violin-Sga Sirmen; [to finish with a Grand Chorus [by Guglielmi-

Performance Comment: e., La Passione]: A Concerto on Violin-Sga Sirmen; in which will be performed a Stabat Mater (composed by Pergolesi)-Sga Sirmen; End I: Concerto on Bassoon-Baumgarten; End II: Solo on Violin-Sga Sirmen; [to finish with a Grand Chorus [by Guglielmi-.

540
27 March 1772 @ Covent Garden

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

541
14 February 1783 @ Covent Garden

Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maid's the Mistress

Related Works
Related Work: La Serva Padrona Author(s): Giovanbattista Pergolesi

542
17 February 1783 @ Covent Garden

Event Comment: Afterpiece: The Music chiefly the Original of Pergolesi. Receipts: #238 19s. (23 3/4/6; 5/14/6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Maid's the Mistress

Related Works
Related Work: La Serva Padrona Author(s): Giovanbattista Pergolesi

543
20 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture from Berenice-; The Captive King-Incledon, Chorus; Dead is the dream, Adieu thou partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; Jehovah crown'd-Incledon; He comes-Chorus [Esther]; Have mercy upon me-Mrs Crouch, Kelly, Bartleman (Pergolesi); Together let us range-Kelly, Mrs Crouch (Boyce); Mad Bess-Mrs Crouch (Purcell); Gloria Patri-; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

544
05 November 1796 @ Covent Garden

Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

545
23 January 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Dance: I: The French Peasants, as17420116; II: A Dutch Dance, as17411114; III: The Swiss, as17420119; In III: a Hornpipe-Phillips

546
20 February 1750 @ King's Theatre

Performances

Mainpiece Title: Adriano In Siria

Dance: End of Opera:

547
01 May 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

548
18 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Harlequin Ranger

Dance: Mad Auretti

549
05 March 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Harlequin Ranger

550
17 March 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory