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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg Badini"/1) | (@(roleclean,performerclean) "Sg Badini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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361 results for: Keyword - Sg Badini
We found 175 matches on Performance Title, 95 matches on Performance Comments, 74 matches on Event Comments, 37 matches on Author, and 0 matches on Roles/Actors.

226
14 January 1775 @ King's Theatre

Performances

Mainpiece Title: Armida

Dance: As17750107

227
29 March 1781 @ King's Theatre

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: a new Ballet Anacreontique (composed by Vestris Sen.) Les Caprices de Galatee-Vestris Jun., Mlle Baccelli, Traffieri, Sga Tantini [Galatee-Mlle Baccelli ($Lynham, 166)]

Ballet: End Opera: a new Ballet Tragique (composed by Vestris Sen.) Medee et Jason. -Mme Simonet, Vestris Sen., Mlle Baccelli, Vestris Jun., Simonet, Traffieri, Slingsby, Sg and Sga Zuchelli, Henry, Sga Jason Cast from libretto of Piramo e Tisbe: Medea-Mme Simonet; Jason-Vestris Sen.; Creusa-Mlle Baccelli; A young Prince-Vestris Jun.; Creon-Simonet; Furies-Traffieri, Slingsby, Sg and Sga Zuchelli, Henry, Sga Tantini; 2 children of Medea-

228
19 May 1770 @ King's Theatre

Event Comment: A new comic opera...written by Mr C. F. Badini. Music entirely new composed by Guglielmi, with new Dances and Decorations

Performances

Mainpiece Title: Il Disertore

229
23 February 1771 @ King's Theatre

Event Comment: A new Comic Opera. Poetry by Badini; Music entirely New, composed by Guglielmi

Performances

Mainpiece Title: Le Pazzie Dorlando

230
23 November 1771 @ King's Theatre

Event Comment: A New comic Opera Written by Sig Badini; The Music entirely new composed by Guglielmi. With New Dances and Decorations

Performances

Mainpiece Title: Il Disertore

231
14 January 1772 @ King's Theatre

Event Comment: New Comic Opera by Badini. The Music entirely new by Guglielmi. New Scenes painted by Bigari

Performances

Mainpiece Title: Carnovale Di Venezia

Dance: I: New DancesMlle Heinel, as17720111; II: A Venetian Dance-adapted to the Opera by Galliotti, Sga Guidi, and four other principal dancers; End Last Act: Grand Ballet, as17720111Mlle Heinel three Entrees

232
29 February 1776 @ King's Theatre

Event Comment: Benefit for Rauzzini. A New Opera, written by Badini; Music entirely New by Rauzzini

Performances

Mainpiece Title: Le Ali Damore

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End Opera: Pigmalion Amoureuse de La Statue, as17751031

233
09 April 1782 @ King's Theatre

Event Comment: A new Comic Opera in 2 acts [1st time, by Carlo Francesco Badini]; the music composed by [Tommaso] Giordani

Performances

Mainpiece Title: Il Bacio

Dance: As17820402 throughout

234
19 December 1782 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2, by Carlo Francesco Badini]. The Music entirely new, composed by Anfossi

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; added: Pas de Deux, as17821210 End of Act II Apelles and Campaspe, as17821102

235
20 May 1786 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2], written by Charles Francis Badini, and set to music by Pasquale Anfossi. "The Author has . . . struck out ideas fit to excite the utmost powers of harmony. We do not think that he has been sufficiently seconded by Signor Anfossi. The music evidently labours under a tedious monotony" (General Advertiser, 22 May)

Performances

Mainpiece Title: Linglese In Italia

Dance: As17860516 throughout

236
23 December 1786 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

237
01 May 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; by Carlo Francesco Badini]; the music entirely new by Venanzio Rauzzini. Receipts: #178 16s. 6d. [non-subscription]

Performances

Mainpiece Title: La Vestale O Sia Lamore Protetto Dal Cielo

Dance: End I: Divertissement, as17870428; End Opera: Sylvie, as17870322but Mlle _Mozon

238
17 June 1791 @ King's Theatre

Event Comment: Benefit for Badini. Gazetteer, 18 June: The novelty of the evening was what was called the singing of a Tulip and a Rose; that is, of two performers concealed in pedestals, upon which were placed pots of flowers

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertissement, as17910523

Ballet: End II: L'Amadriade. As17910517, but The Minuet de la Cour-Vestris Sen. as17910505

239
06 January 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee

Dance: LLes Matelotes, as17411110

Ballet: New Dance (never perform'd before) call'd% Les Satires Puny. Peasants-Sg and Sga Fausan; Satyrs-Delamain, Dumont, Leviez, Baudoin; Shepherds-LeCroix, Desse, Constantini, Rayner; Shepherdesses-Mrs Walter, Mrs Thompson, Miss Story, Mrs Rayner

240
29 December 1746 @ Drury Lane Theatre

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Dance: New Grand Dance call'd The Turkish Pirate; or a descent on the Grecian Coast-Salomon, Mlle Violette, Sig Padouana, M. Mechel, Salomon's Son; Also a New Entertainment call'd the Laundress's Visiting Day-Sg Salomon, Mlle Violette, Sga Padouana, M. Mechel, Salomon's Son

241
22 January 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Anatomist

Song: III: Lowe

242
28 March 1748 @ Covent Garden

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Authors Farce

Song: I: Go lovely Rose-Beard; II: Tis Liberty-Mrs Storer; III: Sper il Fostore-Miss Faulkner; IV: Smiling Liberty-Miss Faulkner

Dance: V: Drunken Peasant-Philips

243
16 April 1751 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

244
19 November 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Shepherds Lottery

245
27 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

246
31 January 1752 @ Castle Tavern

Performances

Mainpiece Title: The Old Womans Oratory 1

Afterpiece Title: Old Womans Oratory 2

Afterpiece Title: Old Womans Oratory 3

247
05 February 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Dance: IV: A Comic Dance introduc'd-Harvey, Sga Piettro

248
30 March 1754 @ Covent Garden

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The What Dye Call It

Dance: new Dance never performed before, Le Matelot-Maranesi, Sga Bugiani; Les Sabotiers-Maranesi, Sga Bugiani; being the first time of its being performed this season. By Particular Desire Minuet-Sga Bugiani, Sg Bugiani

249
03 September 1754 @ Bartholomew Fair

Performances

Mainpiece Title: Mrs Midnights New Carnival Concert Of Vocal And Instrumental Musick

Afterpiece Title: Gli Amanti Gelosi or The Birth of Harlequin

Afterpiece Title: The Triumph of Love in the Temple of Apollo

250
18 November 1754 @ Covent Garden

Performances

Mainpiece Title: Larcadia In Brenta