SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Several"/1) | (@(roleclean,performerclean) "Several")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4159 matches on Event Comments, 341 matches on Performance Title, 195 matches on Roles/Actors, 171 matches on Performance Comments, and 0 matches on Author.
Event Comment: DDaily Advertiser [see Woodward's mimicry of Foote, 22 Jan.]: We hear from Drury Lane that on Monday night Harry the Smuggler, who was tried and convicted last summer in the Haymarket, was found hanging in one of the cells of that prison: It seems he has long had a Design to make way with himself and at several times procured poison from Foppington, Harry Wildair, Tom Thimble, &c. but the Quantity, though it made him exceeding sick, not being sufficient to dispatch him, he at last tuck'd himself up in his own Tit for Tat. When he was cut down he look'd very ghastly, and great groanings were heard in the prison before, at, and after his committing the Fact....It is very remarkable that he had on the very coat, which, in Conjunction with one Abel Drugger, not yet taken, he stole from Sammy the Auctioneer; but from the diligent search made after Drugger, it is believed he will soon be brought to Justice. Receipts: #60 (Cross); #67 8s. (Treasurer's Book)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: A Duke and no Duke

Dance: SSwedish Gardeners, as17491219

Ballet: SSavoyard Travellers. As17500118, but Principal Savoyards-Miss Baker, Mrs _Addison

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. Receipts: #175 14s. 6d

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Perseus and Andromeda

Dance: TTambourine-DeJardins; Grand Scotch Ballet-Cooke, Miss Hilliard her 1st time of appearing on that stage

Event Comment: By particular Desire of several Persons of Quality. Paid Blandford (Tallow Chandler) #19 6s. 5d. Mrs Barlace for a blue cloath coat with gold embroider'd loops, and a scarlet cloath waistcoat embroider'd with gold #11 11s.; 4 Chorus to Mr Norton #1. (Treasurer's Book). Receipts: #160 (Cross); #143 18s. (Treasurer's Book)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Chaplet

Event Comment: An Earthquake (Cross). Paid Knight (Tinman) #10 14s.; Wax & Brick dust 3s.11d.; Paid Heath for several things fix'd as per bill in the House late Winsor's #7 2s. 6d.; Norton 6 chorus #1 10s. (Treasurer's Book). Receipts: #170 (Cross); #160 8s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Event Comment: At the desire of several Persons of Quality

Performances

Mainpiece Title: L'opera Du Gueux

Afterpiece Title: Les Precieuse Redicul

Dance: As17500306 Hornpipe-Master Greniere

Event Comment: By Desire of Several Persons of Quality. [Scheduled performance of 17 March, cancelled because of "The Indisposition of Sig Laschi."

Performances

Mainpiece Title: Il Negligente

Event Comment: At the Desire of several Persons of Quality (Daily Advertiser)

Performances

Mainpiece Title: Il Negligente

Event Comment: Benefit for Mrs Elmy. Ladies are desired to send Servants to keep Places at 3 o'clock. Tickets and places to be had of Mrs Elmy at the corner of Tavistock St., in Southampton St., and of Hobson at the stage door. Cash receipts #63 6s., plus #74 6s. from tickets. Total #137 12s. 6d. (Treasurer's Book). Mr Delane dy'd Sun: ye 1st of Ap. (Cross). The Masque of Comus, design'd to be perform'd at Drury Lane Wednesday next, the 4th of Apl, for the Benefit of Mrs Foster, Granddaughter of Milton, and his only surviving descendant, is, by particular desire of several persons of Quality, on account of Handel's Oratorio deferr'd till Thursday the 5th instant (General Advertiser). Receipts. #150 (Cross); charges #63 (Treasurer's Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: The Intriguing Chambermaid

Song: III: Miss Norris

Dance: VVenetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: Benefit for Villeneuve. Charges #30. Deficiency to Villeneuve #4 12s. 6d., covered by #111 11s. from tickets. N.B. Mr Villeneuve has been robb'd of a number of tickets, therefore none sold at the Doors of the theatre will be taken. By desire of several Ladies of Quality. Receipts: #26 7s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Dance: II: Tambourine-Jardin; III: Dutch Dance-Cooke, Miss Hillyard; V: Grand Scots Dance-Cooke, Miss Hillyard

Song: IV: Go Rose-Miss Falkner

Event Comment: Benefit for Messrs Desse and Froment. Charges #60. Deficit to the dancers, #19 16s. 3d. each, covered by income from tickets: Desse #47 14s.; Froment #35 2s. Mainpiece: At the desire of several Persons of Quality. Tickets sold at doors will not be admitted. Receipts: #20 7s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Miss in Her Teens

Dance: II: The Scotch Measure, the Highland Reel-Froment; IV: Tambourine-Jardin; V: Louvre, Minuet-Froment, Mrs Delagarde

Song: III: A Song-Lowe

Event Comment: Mainpiece: By Particular Desire of several Persons of Quality. Garrick's New Occasional Prologue publish'd this day in the papers, ending with "Sacred to Shakespeare was this spot designed,@ To pierce the Heart and humanize the mind. But if an empty house...&c." Receipts: #15O (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Chaplet

Dance: IV: By desire a Hornpipe-Mathews

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: At the particular Desire of Several persons of Quality. Afterpiece: By Desire. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Duke and no Duke

Dance: Devisse, Mad Auretti

Event Comment: Whereas several Ungenerous aspersions have been cast on me, with respect to an Advertisement published in the London Gazetteer of Tuesday last, directed to the Friends of the Manager of Covent Garden Theatre, I declare that I was in no way consenting, or privy to the said Advertisement. John Rich (General Advertiser)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: By Desire. Tickets deliver'd out by Mr Oswald will be taken (General Advertiser). Mr Oswald ye Music had some Tickets (Cross). [Queen Mab played thirty-two times consecutively at full prices.] A. Betson, Miscellaneous Dissertations: Historical, Critical, and Moral, on the Origin and Antiquity of Masquerades, Plays, Poetry, and several other heathenish customs. Printed. (Register of Books, Gentleman's Magazine, Feb. 1751, p. 95). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Event Comment: A great deal of Hissing by some Gentlemen in the Pit--at ye beginning of the 4th Act an apple thrown at Mrs Pritchard, Mr Garrick call'd for by ye pit--one Gent: got up, & said they insisted upon another play for Monday--Mr Garrick said as they had met with no obstruction since ye first Night, the Author's property was concern'd & desir'd it might be play'd Monday and Tuesday, the last being ye Author's night, & wou'd give out another play for Wednesday--Several in ye House approving this--they consented & at ye end of ye play, Mr Garrick gave out Gil Blas for Monday & Tuesday & Romeo & Juliet for Wed.:--before this at ye end of ye 1st Act, & beginning of ye Second the performance, that Night had been interrupted with Groans, Hisses etc. from ye Pit (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: Benefit for Mrs Pritchard. By desire of Several Ladies of Quality. Part of the Pit and Boxes will be laid together, and servants will be admitted to keep Places on the Stage. N.B. The building on the stage is rais'd on a new plan, much more convenient than any ever yet erected, the Area of the being kept entirely clear, and the Building enclos'd so as to form distinct Boxes, like those in the Front of the House. Tickets and Places to be had of Mrs Pritchard, next the Chapel in Great Queen St., Lincoln's Inn Fields, and of Mr Hobson at the stage Door. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Chaplet

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Macklin. At the desire of Several Persons of Quality. Tickets deliver'd for the 25th of March will be taken

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: Hob in the Well

Dance: As17500926

Event Comment: Benefit for Palmer and Shuter. Last time of acting mainpiece this season. Tickets of Hobson at the stage Door. At Sadler's Wells near Islington will this day be opened a Concert of Vocal and Instrumental Music, divided into two parts; the vocal parts to be perform'd by Hemskirk, Bell, Mrs Yates, and Mrs Hooper. Between the two parts of the concert will be introduced several curious Performances, among which will be a fine representation of the Italian Shadows, which have not been performed in England these 30 years. The whole to conclude with a Grand piece of Fireworks, decorated with machinery and paintings entirely new, Each person to be admitted for a pint of Wine. To begin at 5 o'clock (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: Mathews, Mad Camargo, the Little Swiss

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: Mainpiece: At the particular desire of Several Ladies of Quality. Being the last time of performing it this season

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Tom Thumb

Dance: TThe Characters of Dancing, as17510426 Grand Scots Ballet, as17500926

Event Comment: Mainpiece: At the particular desire of several Persons of Quality. Being positively the last time of the company's performing this season

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Farmer Deceiv'd

Dance: As17500926

Event Comment: Benefit for Mrs Hallam. At the New Wells, Lemon St., Goodman's Fields. For one Night only. A Concert &c. By Desire of Several Persons of Distinction. Boxes 3s. Pit or Gallery 2s. (London Daily Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Anatomist

Event Comment: A Concert, etc. At the Desire of several Gentlemen and Ladies. For One Night Only. For the Benefit of Mr Phillips. At the New Playhouse, Bowling Green, Southwark. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. Sylvius went to see Hamlet but was distracted by a beautiful woman nearby (Daily Advertiser and Literary Gazette, 20 Sept.)

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Dance: Phillips

Song: Platt, Master Phillips

Event Comment: Mainpiece: By Desire of several Foreign Ministers. [A last minute substitution made in the cast for Romeo and Juliet this night. See the notice in the General Advertiser, 13 Nov.: We hear that Mr Barry had the misfortune of being suddenly taken so extremely ill, as to be incapable of appearing in the character of Romeo, and that Mr Dyer, at a very short warning, performed the part to the general satisfaction of the Audience."

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lottery