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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Seaton"/1) | (@(roleclean,performerclean) "Seaton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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33 results for: Keyword - Seaton
We found 18 matches on Event Comments, 17 matches on Roles/Actors, 7 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Author.

26
28 April 1662 @ The Red Bull Theatre

Event Comment: On this day Jacques Thierry and Will Schellinks saw fencing on the stage at this theatre (Seaton, Literary Relationships, pp. 334, 336)

Performances

27
21 October 1662 @ The Cockpit in Drury Lane

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 334, 336). The company may have been Jolly's, but it may also have been the King's temporarily acting there. See Sprague, Beaumont and Fletcher, p. 22, and Hotson, Commonwealth and Restoration Stage, pp. 178-79

Performances

Mainpiece Title: Friar Bacon And Friar Bungay

28
09 March 1663 @ Lincoln's Inn Fields

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 334, 336), but no theatre is named. The most recent dated performance was given by the Duke's Company, 5 Dec. 1661

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

29
16 March 1663 @ no theater listed

Event Comment: Jacques Thierry and Will Schellinks saw a ballet somewhere in London (Seaton, Literary Relationships, pp. 334, 336)

Performances

30
30 July 1663 @ The (first) Drury Lane Theatre

Event Comment: This play was seen by Olaus Borrichius (Seaton, Literary Relationships, p. 337). As its later performances were given by the King's Company, it was probably acted at Bridges St on this occasion. The play was not printed until 1674, and the date of the premiere is not known

Performances

Mainpiece Title: The English Monsieur

31
04 February 1668 @ Whitehall or St. James's

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

32
05 September 1694 @ Bartholomew Fair

Event Comment: Thura, a Danish student, saw this droll. See Seaton, Literary Relationships, p. 339

Performances

Mainpiece Title: The Unhappy Marriage

33
12 September 1694 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance was witnessed by Thura, a Danish student in London. See Seaton, Literary Relations of England and Scandinavia, pp. 339-40

Performances

Mainpiece Title: The London Cuckolds