Event Comment: Never perform'd before. All the Characters new dressed. [By James Dance, adapted from Richardson's novel.

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews and William Augustus Miles; Larpent MS 485; not published; Synopsis of plot in London Magazine, July 1779, pp. 306-7]: The Airs partly selected from Dibdin, Giordani, Dr Arne, &c. The Overture and New Music composed by Dr Arnold. With New Dresses and Decorations. The Scenes painted by Rooker. Songs of the Opera to be had at the Theatre

Event Comment: Music by Handel; libretto by James Miller. See Earl of Egmont's Diary, III, 290, where he speaks of attending on 1 March, probably a rehearsal

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Event Comment: By Permission of the Lord Chamberlain. [Author of Address unknown.] 1st piece: By the Author of Love in a Village, &c. [Isaac Bickerstaffe]; not acted these 16 years [1st acted at DL, 24 Nov. 1770], by Veterans of the Stage. 2nd piece: By the late Samuel Foote, Esq. 3rd piece: By Garrick; not acted these 12 years. The Doors to be opened at 6:00. To begin at 7:00

Event Comment: Afterpiece: Written by Samuel Foote, Esq

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Event Comment: Mainpiece: Not acted these 6 years [acted 17 Apr. 1790. The playbill assigns Theodosia to Mrs Clendining, but "The absence of Mrs Clendining from the theatre on Friday last is due to...accident by which her shoulder and collar-bone were dislocated and she now lies dangerously ill" (Morning Herald, 5 Jan.). On 14 Jan. the part was acted by Mrs Arnold]. Receipts: #164 15s. 6d. (158.16.6; 5.19.0)

Event Comment: Tickets delivered for King Richard the Third [Account-Book: by Brandon, Arnold, Little, Brice, Blurton, Bonsor, Hay, Haseler, Lloyd, Berecloth, Savory, Noble, Linton, Castelle, Atkins] will be admitted. Receipts: #484 14s. 6d. (51.0.6; 3.14.0; tickets: 430.0.0)

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Event Comment: Benefit Boaman, James, Mrs James.Mainpiece: Written by Shakespear

Event Comment: Benefit James and Dupre

Event Comment: Benefit James, Mrs James, Goodall. Afterpiece: By Desire

Event Comment: 2 Benefit James and Rosco

Event Comment: Benefit for James and Mathews. No tickets bought at the door will be admitted. Receipts: #190 (Cross); house charges, #63. (Powel)

Event Comment: Benefit for James, Winstone and Burton, Tickets of James, at Mr Dale's Watchmaker in Little Wild St.; or Winstone at the Queen's Head, in Duke's Court, near Bow St., Covent Garden; and of Burton at the Lock and Key, in Brownlow St. near Long-Acre, and at the Stage Door. As Mr Burton is confin'd with a violent cold, he hopes his friends will excuse his not having waited on them and be so kind as to send for tickets to his lodgings as above. Receipts: #190 (Cross)

Event Comment: Benefit Woolley and Mrs James. Mainpiece: Written by the late Mr Gay. Afterpiece: By particular Desire

Event Comment: Benefit Jenkins and James. At the Particular Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve

Event Comment: Benefit James. At the particular Desire of several Persons of Quality

Event Comment: Benefit Marshall and James

Event Comment: Benefit James. Mainpiece: Written by Colley Cibber, Esq. [Tickets for Thompson and Haddock taken.] Receipts: money #18 16s.; tickets #126 18s