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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Samuel Berkeley"/1) | (@(roleclean,performerclean) "Samuel Berkeley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3563 results for: Keyword - Samuel Berkeley
We found 3476 matches on Author, 94 matches on Event Comments, 28 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Roles/Actors.

3476
02 November 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

Afterpiece Title: The Loves of Mars and Venus

3477
12 November 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

Dance: Dame Ragonde And Her Eight Children- (new)

3478
09 October 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

3479
August 1675 @ Drury Lane Theatre

Event Comment: The date of the premiere is not known, but Robert Hooke, attended play on 27 Aug. 1675 which might well refer not to Psyche but to Duffett's travesty of it. In addition, John Harold Wilson has argued that the reference in the Prologue to "The new-come Elephant" probably concerns the elephant imported by Lord George Berkeley and sold by 12 Aug. 1675 (see The Diary of Robert Hooke, p. 174). The cast also contains a number of "young actors" who might well have had an opportunity to act in a play in the summer vacation

Performances

Mainpiece Title: Psyche Debauched

3480
April 1695 @ Dorset Garden Theatre

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

3481
14 April 1713 @ Drury Lane Theatre

Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): Samuel Humphreys

3482
07 May 1713 @ Drury Lane Theatre

Event Comment: G. Berkeley to Sir John Percival: Mr Addison's play has taken wonderfully, they have acted it now almost a month, and would I belive act it a month longer were it not that Mrs Oldfield cannot hold out any longer, having had for several nights past, as I am informed, a midwife behind the scenes (Rand, p. 115)

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): Samuel Humphreys

3483
08 May 1765 @ Drury Lane Theatre

Event Comment: Benefit for Philips and Mrs Lee. Tickets deliver'd by Miss Williams and Miss Berkeley will be admitted. Mainpiece: By Particular Desire, and Dress'd in the Habits of the Times

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: High Life below Stairs

Dance: End: The Medley, as17641120

3484
27 May 1771 @ Drury Lane Theatre

Event Comment: Benefit for Kear, Booth, Jacobs. Tickets deliver'd by Watkins, Costin, Miss Berkeley, and Mrs Hayward will be taken

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Trip to Scotland

Dance: II: The Allemande-Miss Ross, Miss Armstrong

Song: End of Play: A Song-Kear

3485
18 May 1779 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Public Advertiser, 8 May: Tickets to be had of Green, the corner of Norris-street, St. James's, Haymarket; of Ansell, Davies-street, Berkeley-square

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas

3486
19 May 1780 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for Know Your Own Mind (which is unavoidably obliged to be set aside) will be admitted this Evening. Public Advertiser, 11 May: Tickets to be had of Green, the corner of Norris-street, No. 55, Hay-market; of Ansell, Davies-street, Berkeley-square. Receipts: #277 9s. 6d. (29.12.6; tickets: 247.17.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deaf Lover

Ballet: End: The Humours of New-Market. As17800518

3487
24 April 1787 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; O 1, by John Wolcot. Larpent MS 770; not published]: Being a Translation from the French Opera of that name [Nina; ou, La Folle par Amour, by Benoit Joseph Marsollier des Vivetieres], now performing at Paris with universal applause. With the original Music [by Nicolas Dalayrac, adapted by William Shield and William Thomas Parke. Two other versions of this opera, both unacted, were published this year: one anonymous, and one by George Monck Berkeley]. Receipts: #300 8s. 6d. (150.0.0; 2.18.0; tickets: 147.10.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

3488
01 May 1787 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham. Larpent MS 772; not published; synopsis of plot in Public Advertiser, 3 May. Prologue by George Monck Berkeley (European Magazine, June 1787, p. 411)]. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Receipts: #257 3s. 6d. (160.4.6; 5.7.0; tickets: 91.12.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Dance: As17870217

3489
28 May 1789 @ King's Theatre

Event Comment: Benefit for Sga Sestini. A Comic Opera, not acted these 7 years [acted 28 Apr. 1785]; the Music by Piccinni, under the direction of Mazzinghi. Tickets, 10s. 6d., to be had of Sga Sestini, No. 15, Mount-street, Berkeley-square

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: New Divertissement-[See17890110]; in which the Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428; End Opera: Les Caprices de Galatee, as17890523

3490
26 May 1790 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Henry. [As afterpiece the playbill announces Arthur and Emmeline, but it was not acted. Kemble Mem. lists the substitute play.] Diary, 24 May: Tickets to be had of Mrs Henry, Bruton-street, Berkeley-square. Receipts: #153 12s. (38.6; 21.2; 0.19; tickets: 93.5) (charge: #111 13s. 9d.)

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Island of St

Dance: End II: As17900308

3491
22 February 1799 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea; Grand Selection 0

Music: End I: Ode on St. Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley

Performance Comment: Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley.
Cast
Role: 's 3rd organ concerto Actor: Samuel Wesley.

3492
14 October 1668 @ Whitehall or St. James's

Event Comment: The Duke's Company. The Prologue to the Queen of Arragon Acted before the Duke of York, Upon his Birthday, and Epilogue to the Same To the Duchess, by Samuel Butler, are in The Poetical Works of Samuel Butler, ed. R. B. Johnson (London, 1893), II, 175-77. Newsletter, 12 Oct. 1668: The Duke of York's birthday will be celebrated with the usual solemnities, a play being prepared for the entertainment of the ladies. The piece chosen is The Queen of Arragon. It will be acted in the Guard Chamber at St James's (HMC, Fleming MSS., 12th Report, Appendix, Part VII, p. 59). Pepys, Diary: But the Duke of York being gone out, and to-night being a play there, and a great festival, we would not stay

Performances

Mainpiece Title: The Queen Of Arragon

3493
25 May 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Virtuoso

Performance Comment: Edition of 1676: Prologue-; Epilogue-; A copy in the William Andrews Clark Jr Memorial Library, Los Angeles, has the following manuscript cast, which may well be the original cast. (The trimming of the page has sometimes cut off the first letter or two of a name, and these have been supplied.) Sir NicholasGimcrack-Percivall; Sir Formal Trifle-Anthony Leigh; Sir Samuel Hearty-Underhill; Longvill-Betterton; Bruce-Smythe; Hazard-Jevon; Lady Gimcrack-Mrs Shadwell; Clarinda-Mrs Currer; Miranda-Mrs Betterton; unassigned-Mrs Price.
Cast
Role: Sir Samuel Hearty Actor: Underhill

3494
May 1699 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

3495
09 April 1705 @ Queen's Theatre

Performances

Mainpiece Title: The Loves Of Ergasto

Performance Comment: A new set of Singers, arriv'd from Italy [Downes, p. 48]; Prologue [written by Sir Samuel Garth-Mrs Bracegirdle; Epilogue [written by William Congreve-Mrs Bracegirdle.
Cast
Role: Sir Samuel Garth Actor: Mrs Bracegirdle

3496
11 January 1709 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Fools; Or, Wit At Several Weapons

Performance Comment: Edition of 1709 lists: Sir Oliver Outwit-Pinkethman; Young Outwit-Wilks; Cunningham-Booth; Sir Gregory Goose-Bullock; Samuel Simple-Cibber; Sir Threadbare-Pack; Priscian-Keene; Lucinda-Mrs Oldfield; Mirabel-Mrs Porter; Governess-Mrs Willis; Lady Gentry-Mrs Finch; Prologue-Cibber; Epilogue-Penkethman, Bullock.
Cast
Role: Samuel Simple Actor: Cibber

3497
05 January 1722 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Fools

Performance Comment: Sir Oliver-Penkethman; Young Outwit-Oates; Cunningham-Watson; Sir Gregory-Miller; Samuel Singple-Cibber; Sir Threadbare-Williams; Lucinda-Mrs Horton; Mirabel-Mrs Bret; Governess-Mrs Willis; Lady Gentry-Miss Tenoe.
Cast
Role: Samuel Singple Actor: Cibber

3498
20 January 1731 @ Haymarket Theatre

Performances

Mainpiece Title: The Spendthrift

Performance Comment: Parts-Mullart, Lacy, Jones, Furnival, Reynolds, Hallam, Ayres, Mrs Lacy, Mrs Mullart, Mrs Nokes, Miss Price; edition of 1731 gives no cast, but Prologue by Samuel Humphreys-; Epilogue by Joseph Thurston-Mrs Lacy.
Cast
Role: Samuel Humphreys Actor:

3499
23 February 1732 @ Crown and Anchor Tavern

Performances

Mainpiece Title: Esther

Performance Comment: Esther-John Randall; Assuerus-James Butler; Haman-John Moore; Mordecai-John Brown; Priest of the Israelites-John Beard; Harbonach-Price Cleavely; Persian Officer-James Allen; First Israelite-James Butler; Second Israelite-James Allen; Israelite Boy-John Brown; Israelites and Officers-Samuel Howard, ThomasBarrow, Robert Denham (Dean, Handel's Dramatic Oratorios, p. 204).
Cast
Role: Israelites and Officers Actor: Samuel Howard, ThomasBarrow, Robert Denham

3500
16 January 1739 @ King's Theatre

Performances

Mainpiece Title: Saul

Performance Comment: Deutsch, Handel, p. 473, lists: Saul-Waltz; Jonathan-Beard; David-Russell; Merab-Mrs Arne Miss Cecilia Young; Michael-Signora Francesina; Doeg-Butler; Witch of Endor-Signora Lucchesina?, or Mrs Arne?-Young; Apparition of Samuel-Hussey; An Amalekite-Stoppelaer; High Priest-Kelly.
Cast
Role: Apparition of Samuel Actor: Hussey