SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Salomons son"/1) | (@(roleclean,performerclean) "Salomons son")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 414 matches on Performance Title, 153 matches on Event Comments, 118 matches on Performance Comments, 3 matches on Roles/Actors, and 2 matches on Author.
Event Comment: Benefit for Cross, Prompter, Mrs Cross, and Son. N.B. Mr Cross takes the liberty to inform the Ladies and Get&ntlemen who intend to honour him with their company, that his constant Attendance upon the Business of the theatre, will hinder him from applying to them in person, and therefore hopes to receive their commands at his house in Crown Court, Little Russel-Street, Covent Garden, or at the Stage Door of the theatre, where Tickets and Places are to be had for his benefit. Receipts: #156 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Duke and no Duke

Dance: II: A Provincial Dance, as17520314

Event Comment: This day at noon will be published at 6d. A Letter to Mr Henry Woodward, Comedian, occasioned by his letter to the Inspector. by Simon Partridge, the facetious Cobbler of Pall Mall, and son to the late Mr Partridge, famous for his dispute with Isaac Bickerstaff. "Barbarian to attack, a chymist, Critick, Journalist, and Quack" (Anon). Printed for H. Jeffrey in Pope's Head Alley, Cornhill. [Another mock defense of Hill, casting opprobrium on him in the manner of the eightenth-century bully boys of the bathroom. A second edition of Sampson Edwards' Letter to Woodward appeared this day. See Comment, 9 Dec.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Cast
Role: Kate Actor: Mrs Simpson

Dance: TThe Italian Gardeners, as17521221; Le Matelot Basque, as17521005

Event Comment: Benefit for Mr and Mrs Simson Their Son & Daughter (Cross). Receipts: #220 (Cross )

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: Sir Novelty-Woodward; Loveless-Havard; Young Worthy-Palmer; Snap-Yates; Sir William Wisewood-Taswell; Elder Worthy-Simson; Sly-Blakes; Narcissa-Mrs Clive; Hillaria-Mrs Cowper; Flareit-Mrs Bennet; Mrs Ann-Mrs Simson; Amanda-Mrs Pritchard.
Cast
Role: Elder Worthy Actor: Simson
Role: Mrs Ann Actor: Mrs Simson

Afterpiece Title: Lethe

Performance Comment: By the children (Cross). See17560327 but Parts-Mt Simson, Mt Perkins, Mt Wallace, Mt Martin, Mt Cautherley, Mas. Hanyours, Miss Pope, Miss Simson; With a New Occasional Prologue-.

Dance: IV: The Louvre and Minuet-Mas and Miss Simson

Song: I: Hooly and Fairly (by Desire)-Beard

Event Comment: Benefit for increasing the Fund for Support of Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s. Doors open at Five. Gallery at Four, to begin at Half an Hour after Six. None to be admitted without tickets. Tickets delivered to Subscribers to this Charity will admit one person into any part of the House. Subscribers tickets may be had of Richard Dawson at his house near Henry the VII's Chapel, Westminster, who is empower'd by the Society to deliver them, and to receive the subscriptions. The Governors beg leave to inform the Nobility and Gentry to whom this Charity is so much oblig'd, that from June 1756 to June 1757 they have necessarily laid out for decay'd musicians and their families, widows of decay'd musicians, and in maintaining and educating orphans who are left in distress, and in putting them Apprentice, and for Physic, Burials, and other incidental charges #532 13s. 7d. The Books are open and may be inspected by subscribers the first Sunday in every month at a meeting of the Governors, at the Turk's Head in Greek Street, Soho. All expenses attending the meetings of the Governors, Court of Affidavits Committee for managing of this Concert, are defrayed by themselves

Performances

Mainpiece Title: Concert

Performance Comment: Part I: Overture by Dubourg-; Songs Del Cara amabil Volto-Sga Calori; Why does the God of Israel Sleep , by Handel in the Oratorio Sampson-Passagli; Wise Men's Flattery by Handel in the Oratorio Belshazzar-Sga Frasi; Concerto on the Violincello-Pasqualino; Songs Parto da te ben mio by Bertoni-Potenza; Nel Pensar al grnad Cimento-Sga Mattei , Perez; Part II: Concerto on the Bassoon-Miller; Songs He Shall Feed His Flock-Sga Frasi , by Handel in the Messiah; Vero non e che Sia-Sga Calori; He was Despised by Handel in the Messiah-Passagli; Concerto on the Hautboy-Simpson; Songs Mea vita mio bene by Cocchi-Potenza; Questo core amato bene by Abos-Sga Mattei; Part III: Concerto on the violin by Dubourg-; Songs Ye Sacred Priests by Handel in Jephtha-Sga Frasi; Siete barhere amata Stello by Galluppi-Potenza; Deghi che io son fedele by Aurasecchio-Sga Mattei; Coronation Anthem, God save the King by Handel-.
Event Comment: Benefit for Mrs Yates. Farce damn'd & Half-pence thrown. Mrs Cibber's Son dy'd two Days ago & she never came ot play for Holland, Mrs Yates, or me ye old Game at this Season. Receipts: #150 (Cross)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Ratcliffe Actor: Jefferson.

Afterpiece Title: No Matter What

Dance: IV: The Italian Peasants, as17571004

Event Comment: MMr Fleetwood first appear'd--he did Romeo & was receiv'd with great & deserv'd Applause--he is son to our Late Patentee (Cross). Receipts: #200 (Cross); #210 19s. (Winston MS 8)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: To begin each day at twelve noon and end at ten at night during the short time of St Bartholomew Fair at Yates' (from Drury Lane) Great Concert Hall in the Greyhound Inn, Smithfield. There is a commodious way to the Hall opposite the Sheep-Penn. The diverting entertainment contains the distresses of a young lady that was stolen by a French pirate; the gallantry of an English Captain who rescued her; their unfortunate shipwreck, and their being thrown upon a desolate island; their sufferings through famine; the unexpected relief they met with on a part of the island; governed only by women; their being afterwards seized as pirates; the punishment inflicted on them by the Female Goverment; and their amazing delivering by the Queen's finding her husband and her only son, whom she had lost and thought dead upwards of twenty years. Interspersed with the comical and diverting adventures of Lt Fireball, a true English Tar, Noddy a distressed Beau, Snivel Thimble, a tailor; Splitfarthing an Old Userer; and Glisterspite a Finical Surgeon. In which will be introduced a Dialogue between Mynheer Vanflawkin, a Dutchman, and Mynheer-the German

Performances

Mainpiece Title: The Shipwrecked Lovers; Or, Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Related Works
Related Work: Pamela Author(s): Samuel Richardson

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

Event Comment: Benefit for ye Marine Society (Cross). Part of Pit laid into Boxes. Receipts: #200 (Cross). [The Prologue is in Larpent MS 163: @"Ye sons of Freedom view this little Band@They owe their safety to your giving hand@Snatch'd from the paths of vice and branded shame@You ope the door to Honesty and Fame..."@ The Prologue is printed in the British Magazine, Jan., 1760.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Male Coquette

Event Comment: By Particular Desire. Receipts: #86 1s. Paid Mr Stergess & son for attending Mr Saunders on the wire 48 nights #14 14s. 6d.; Advanc'd to Saunders #4 7s

Performances

Afterpiece Title: The Fair

Related Works
Related Work: Bartholomew Fair Author(s): Ben Jonson
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Edward Thompson
Related Work: The Fair Circassian Author(s): Samuel Jackson Pratt
Related Work: Love and Money; or, The Fair Caledonian Author(s): Robert Benson
Event Comment: Did I tell you that the Archbishop tried to hinder the Minor from being played at Drury Lane? For once the Duke of Devonshire was firm, and would only let him correct some passages, & even of those the Duke has restored some. One that the Prelate effaced was 'You snub-nosed son of a bitch.' Foote says he will take out a license to preach Sam Cant against Tom Cant. (Walpole to Montagu, 24 Nov.). [See also Duke of Devonshire's statement to Garrick concerning the alteration of some lines, Private Correspondence, ed. Boaden, I, 120. See Gentlemen's Magazine, p. 502: Extracts from Christian and Critical remarks on a droll or interlude, call'd the Minor, said to be acted by authority; and Mr Foote's answer. Ten columns of alternate attack and justification.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: I: The Colliers, as17601024; II: The Mad Doctor, as17601014

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: MMr W. Palmer, made his first appearance this Night in Hymen. a Tolerable Voice; but Extremely Aukward & the worst Speaker I ever heard (Hopkins). This night Mr W[ingfield] Palmer (son of Mr Palmer who married Miss Pritchard) made his first appearance on this stage in the character of Hymen,--a tolerable voice,--but the most aukward, and the worst speaker I ever heard (Hopkins Diary--MacMillan). Receipts: #174 17s. 6d. (MacMillan)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Havard; Stephano-King; Trinculo-Yates; Caliban-Love; Ariel (songs)-Miss Young; Hymen-Wingfield Palmer; Miranda-Mrs Palmer; Ferdinand (songs)-Vernon; Ceres-Mrs Vincent; With a Grand Dance of Fantastic Spirits, Pastoral Danceproper to the Masque,-Grimaldi, Miss Baker.

Afterpiece Title: The Deuce Is in Him

Dance: TThe Provancalle, as17631014

Event Comment: Jan. 30, 1766, died Mrs Cibber. Was Miss Arne, born 1715. Married Theo Cibber 21 April 1734. Brought to bed of a son 5 April 1736. Left stage 1738 with Mr Sloper, who was charged with damages. Acted Dublin 1741. Returned to Covent Garden and performed till 1747. Joined Garrick till 1750. Returned to cg till 1753. Returned to dl and remained till she died (Winston MS 9 from Burney's Actor's MS)

Performances

Mainpiece Title: None

Event Comment: [From The London Evening Post: Married: Michael Arne, music composer and son of Dr Arne, to Miss Wright, a celebrated singer of Drury Lane Theatre."] Paid Mr Evans on Wardrobe acct #10 10s. (Treasurer's Book). Receipts: #133 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: The Vintage, as17661011

Event Comment: Benefit for Charles Sarjant (book-keeper) and his Son (box-keeper). Tickets sold at doors not admitted. Afterpiece: For last time this season. Charges #89 6d. [Deficit to the Sarjants #11 16s., covered by income from tickets of #142 8s. (Box 346; Pit 260; Gallery 169).] Paid the Billsetters for Black Bills #4 10s. (Account Book). Receipts: #77 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Cast
Role: Clytus Actor: Gibson

Afterpiece Title: The Dragon of Wantly

Dance: III: A New Tambourine(by Desire)-Mas. Blurton, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble (with a Song in Character)-Shuter; Loveit-Gardner; Jasper-Quick; Flash-Davis; Puff-Palmer; Tag-Miss Gardner; Miss Biddy-the young Gentlewoman who performs Lucy.
Event Comment: NNeville MS Diary: He [Foote] does Paragraph, Strap and Slaughter. In the first he took off Faulkner, the printer of the Dublin Journal; am uncertain who in the last two. In the Counsellor, who examines the witness in the affair of El Can...he takes of Willes, son of the late Chief Justice. That examination and other anecdotes are not in the printed copy of the Orators...Mrs Jeffereys could scarce do her part for laughing at Foote

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Taylors

Dance: Miss Froment

Event Comment: Benefit for Mr Sarjant and Son (book and box-keeper). Tickets deliver'd for the 16th will be taken. Charges #81 15s. 6d. Deficit to Sarjant #57 4s. covered by #167 2s. from tickets (Box 450; Pit 272; Gallery 138) (Account Book). Rec'd the 1!2 value of tickets for 28th inst. from Doe, Reed, Robson, Rose, Pilfold, Roberts, Dixon, and Wooley (Account Book). Receipts: #57 4s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17671110, but Manly-Jackson (from Theatre Royal, Dublin); Sir Francis-Shuter; Jenny-Miss Ward, 1st time.
Cast
Role: Manly Actor: Jackson
Role: Mrs Motherly Actor: Mrs Ferguson

Afterpiece Title: Orpheus and Eurydice

Cast
Role: Rhodope Actor: Mrs Thompson

Dance: II: The Highland Reel, as17680307

Event Comment: By Command of their Majesties. K. & Q. Richard-Mr Garrick (Cross Diary). Neville MS Diary: Garrick played Richard III. In attempting to get into the Pit was forced into the 2 shilling gallery Passage & after being squeezed abominably for an hour got into the street. Should not have received much pleasure if I had got in, as that calf headed son of a whore, George etc. was there

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Buckingham Actor: Jefferson

Afterpiece Title: The Padlock

Event Comment: Benefit for Bensley. The Tragedy Altered by Dr Hawkesworth. Part of Pit will be Laid into the Boxes. [Winston MS 10, from O. Smith from the Town & Country Magazine, suggests Oroonoko--Fleetwood, son of the late manager, and brother to the gentleman who appeared about Nine years ago at dl.] Charges #66 19s. Balance to Bensley #51 15s. 6d. plus #113 15s. from tickets (Box 416; Pit 59; Gallery 9). Paid Younger for writing parts #6 3s. 4d. Receipts: #118 4s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Oxonian in Town

Dance: End: The Garland, as17681028

Event Comment: Benefit for Sarjant and son (Book and Box-keeper). Charges #87 6s. Deficit to Sarjant #14 19s. covered by #175 16s. from tickets (Box 477; Pit 293; Galley 126) (Account Book). Deficits and 1!2 values of tickets received from Barrington; Francis; Abbot; Miss Garman; Holtom; and Miss Besford. Receipts: #72 7s. (Account Book)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Oxonian in Town

Dance: End: The Merry Sailors, as17680920

Event Comment: By Authority and Particular Desire. For the Son of an Officer, fifty Years in Commission. Tickets delivered by Smith and Sharpless for the 15th and Monday the 19th will be admitted. N.B. As Regularity, at least, will be attempded, it is hoped no Gentleman will ask admittance behind the Scenes

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Whim; or, The Hospital Fools

Entertainment: I+Interlude. Three Old Women Weatherwise-

Event Comment: Benefit for Sarjant and his Son (Book and Box-keeper). Charges #81 5s. plus extras #3 5s., total #84 10s. Deficit to Sarjant #20 18s., covered by income from tickets #166 14s. (Box 272; Pit 252; Gallery 109), half value of tickets paid up by Ansell, Symonds, Abbott, Furkins, Mrs Trott, Pilfold, Doe and Claridge. Paid half year's Paving tax for theatre #18 15s. (Account Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Sparks. Miss Radley became Mrs Fitzgerald (Winston MS 10). Ld. Townly, Mr Sparks Jun: first Appearance (Cross Diary). Mr Sparks Junr Son of Mr Isaac Sparks made his first Appearance on any Stage in Ld. Townly a fine figure and met with Applause (Hopkins Diary)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Wilson Actor: Palmer

Dance: End: Comic Dance, as17710416

Event Comment: Paid 6 days salary at #82 16s. 5d. per diem--#496 18s. 6d.; Mrs Abington on cloaths account #2; Mr French on acct #2. Mr D. Garrick's Night. Charges #84 (Treasurer's Book). Profit to D. G. for sixth night of Inst of Garter #115 7s. 6d. Mainpiece: Not acted in 4 years. [See 2 Dec. 1767.] Garrick recovered from his illness (Winston MS 10). [Of the mainpiece: "How the managers could think of shoving Mr Cautherly into the part of Captain Plume, is, to us, a matter of surprize....The part requires elegance, vivacity and the easy deportment of an accomplish'd gentleman. We never remember to have seen this character more completely performed, than by Mr Smith at Covent Garden Theatre (who is everything that criticism can wish) nor much worse, than by Mr Cautherly, who does not possess one requisite for the character, and is the effeminate and insipid School-boy throughout the whole. To this we may add, that he was not perfect, and made a great mistake, by coming in where he should not which oblig'd him to retire again. This was an unpardonable fault, though it was the first time of his appearing in this character."--Theatrical Review, 2 Nov. Of the afterpiece: "We were not a little pleased to observe this evening, that Mr King, in the character of Sir Dingle, omitted the parody on the lines with which the third act of Otway's Orphan concludes. But we think the introducing a chine of roast beef, decorated with a flag, to be carried off in triumph by the rabble, accompanied, from the orchestra with music of the old song of that title is a pitiful addition to the performance, and intended only as a sacrifice to the caprice of the riotous inhabitants of the upper gallery. Had this Entertainment been exhibited at a French theatre it would have had some claim to merit. This seems to be a piece of stage policy, arising from a consciousness, that the whole performance is too contemptible to meet with countenance from any but the sons of riot, for which reason they are brib'd to support it, by this notable trick."--Theatrical Review, 2 Nov.] Receipts: #199 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Cautherly, 1st time; Justice Balance-Packer; Brazen-King; Worthy-Davies; Kite-Bransby; Second Recruit-Weston; Bullock-Moody; 1st Recruit-Parsons; Melinda-Mrs Reddish; Rose-Miss Rogers; Lucy-Mrs Love; Sylvia-Mrs Barry.
Cast
Role: 1st Recruit Actor: Parsons

Afterpiece Title: The Institution of the Garter

Dance: II: Comic Dance, as17710921