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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Salomons son"/1) | (@(roleclean,performerclean) "Salomons son")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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662 results for: Keyword - Salomon's son
We found 414 matches on Performance Title, 153 matches on Event Comments, 118 matches on Performance Comments, 3 matches on Roles/Actors, and 2 matches on Author.

426
26 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Cast
Role: Ernesto Actor: Thompson

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

427
19 January 1763 @ Drury Lane Theatre

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Cast
Role: Ruffle Actor: Parsons
Role: Mrs Dotterel Actor: Mrs Parsons

428
19 May 1670 @ Dover, England

Performances

429
09 April 1795 @ Covent Garden

Event Comment: The Overture to the Drama selected from Pleyel. The Overture to the Masque composed expressly for the occasion by Haydn, as is the rest of the Music by Salomon, except the Glee and Song, May the Prince and his Bride, which composed by Spofforth. [Rest of COMMENT as 6 Apr.]. Receipts: #236 10s. 6d. (220.5.0; 16.5.6)

Performances

Mainpiece Title: Life's Vagaries

Cast
Role: Coachman Actor: Thompson
Role: Tradesmen Actor: Davenport, Follett, Cross, Williamson
Role: Robinson Actor: Abbot

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

430
15 January 1798 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

431
09 April 1798 @ Covent Garden

Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: The Pantomime commences with a Sea View Actor: the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: whom they conceive lost at Sea Actor: a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor

432
17 June 1715 @ Drury Lane Theatre

Event Comment: Benefit the Young Persons that perform the Play. Written by Mr Otway

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Performance Comment: King-Bowman's Son; Don Carlos-Mills' Son; Don John-Young Ray; Roi Gomez-Young Frisbe; Queen-Miss Younger; Eboli-Miss Willis; And the Original Epilogue-the Child that Acted Princess Elizabeth in Anna Bullen.
Cast
Role: King Actor: Bowman's Son
Role: Don Carlos Actor: Mills' Son

Song: Miss Booth

433
16 February 1728 @ Haymarket Theatre

Performances

Mainpiece Title: Julius Caesar

Performance Comment: The young Noblemen of the Westminster School. Julius Caesar-Lord Danby; Mark Anthony-Roberts; Brutus-Master Hay; Cassius-Lord Middlesex; Portia-Lord Dorset's son; Octavius-another of Lord Dorset's sons.
Cast
Role: Portia Actor: Lord Dorset's son
Role: Octavius Actor: another of Lord Dorset's sons.

434
22 August 1735 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Caius Marius

Performance Comment: Caius Marius-Lacy; Marius Jr-Mrs Charke; Metellus-Aston; Cinna-Turner; Sylla-Walker; Ancharius-Williams; Clodio-Lowder; Antonius-Gerum; Ambassador-Pearson; Son of Ancharius-Miss Brett; Granius-Boothby; Sulpitius-Machen; Quintus-Richardson; Priest-Smith; Catalus-Rymos; Apothecary-Whitaker; Old Man-Perkins; Son of Pompeius-Master Littleton; Lavinia-Mrs Mullart; Nurse-Mrs Talbot .
Cast
Role: Ambassador Actor: Pearson
Role: Son of Ancharius Actor: Miss Brett
Role: Quintus Actor: Richardson
Role: Son of Pompeius Actor: Master Littleton

Afterpiece Title: Squire Basinghall

Song: End Afterpiece: The Roast Beef Song by Mr Bishop of Russel Street

435
21 March 1737 @ Haymarket Theatre

Event Comment: By the Great Mogul's Company of Comedians. Mainpiece: Written by the Author of George Barnwell. Afterpiece: A new Dramatick Satire: With freshest Advices Foreign and Domestick. Written by the Author of Pasquin [Henry Fielding]. These Characters will all be seen cheap; 1n the Boxes at 5s.; in the Pit at 3s.; in the Gallery at 2s. Note, None will be admitted after the House is full; for which Reason, the sooner you come, or secure your Places, the better. All Persons are desir'd to cry at the Tragedy, and laugh at the Comedy, being quite contrary to the present general Practice. Mr Hen gives Notice, that if any Joke is both Hiss'd and Clapp'd, such Division will be consider'd an Encore, and the said Joke be put up again. Daily Advertiser, 22 March: Last Night the two new Performances at the Hay-Market...were receiv'd with the greatest Applause ever shown at the Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performance Comment: Containing a Pack of Politicians; a Pack of Patriots; a Pack of Ladies; a Pack of Beaus; Mr Medley, and Author; Mr Sourwit, a learned Critick; Lord Dapper, a great Critick; Apollo's Bastard Son; Quidam Anglicae, a certain Person; Mr Hen, an Auctioneer; Mr Ground Ivy, a Laureat; Mr Pistol; Polly Smart; Polly Soft; Com multis allis quos nunc prescribere longum est; but edition of 1737 lists: Medley-Roberts; Sourwit-Lacey; Lord Dapper-Ward; Ground Ivy-Jones; Hen-Mrs Charke; Apollo's Bastard Son-Blakes; Pistol-Davis; Quidam-Smith; Politicians-Jones, Topping, Woodburn, Smith, Machen; Patriots-Topping, Machen, Pullen, Woodburn; Banter-Smith; Dangle-Lowther; Mrs Screen-Mrs Haywood; Mrs Barter-Miss Kawer; Ladies-Mrs Charke, Mrs Haywood, Mrs Lacey, Miss Jones.
Cast
Role: Apollo's Bastard Son Actor: Blakes

436
10 April 1750 @ King's Theatre

Event Comment: For the Benefit and Increase of a Fund established for the support of Decay's Musicians, or their Families. Pit and Boxes put together at Half a Guinea. Tickets delivered to the subscribers of this Charity will admit one Person to any Part of the House (General Advertiser, 31 March, advance notice)

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: A New Overture by Chiampi-; Jo Son quell Pellegrino (Terradellas)-Sga Giacomazzi; Dille che d'altra Face (Cocchi)-Laschi; Questo core amato bene (Ariaja)-Sga Galli; Concerto-Pasqualino; Le Dolcezze dell' Amor (Chiampi)-Guadagni; Infelice Van milagno (Chiampi)-Sga Frasi; Part II: Concerto-Dubourg; Qual Nocchiero (Chiampi)-Sga Mellini; Dal Labro (Chiampi)-Sga Giacomazzi; Oh dio mancar mi Sento (Chiampi)-Sga Frasi; Concerto-Miller; Son sventurato (Chiampi)-Guadagni; Fair and Comely is my Love (Handel)-Sga Galli; Part III: Concerto-Vincent; Crudo Amore (Fini)-Laschi; Alla selva al prato (Fini)-Mellini; Se torna il gelo usato (Pulli)-Sga Giacomazzi; So che per Gioco (Pulli)-Sga Galli; Duet O Fairest of Ten Thousand Fair (Handel)-Sga Frasi, Guadagni; A Grand Concerto by Handel-.
Cast
Role: Jo Son quell Pellegrino Actor: Sga Giacomazzi
Role: Son sventurato Actor: Guadagni

437
24 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: PART I. Overture (Samson)-; Awake the trumpet's lofty sound-Chorus [Samson]; Nasce al Bosco-Reinhold [Ezio]; Ye men of Gaza-Mrs Crouch [Samson]; He chose a mournful muse-; He sung Darius great and good-Sga Storace [Alexander's Feast]; With down@cast looks-; Behold! Darius great and good-Chorus [Alexander's Feast]; Concerto hautboy-W. Parke; Verdi Prati-Sga Storace [Alcina]; He gave them hail@stones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Ye sons of Israel-Chorus [Joshua]; The Prince unable-Sga Storace [Alexander's Feast]; Concerto violin-Master Bridgtower[, Son of the African Prince; Pleasure my former ways resigning-Cizo [Time and Truth]; For unto us a Child is born-Chorus [The Messiah]; O! had I Jubal's lyre-Miss Romanzini [Joshua]; Softly sweet in Lydian measure-Mrs Crouch; accompanied on the violoncello-Mason; The many rend the skies-Chorus [Alexander's Feast].Alexander's Feast].
Cast
Role: Ye sons of Israel Actor: Chorus
Role: accompanied on the violoncello Actor: Mason

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Overture and Dead March (Saul)-; Blest be the man-Chorus [Joseph]; Gentle airs-Cizo [Athalia]; Concerto bassoon-Parkinson; How excellent thy name-Chorus [Saul]; Cease ah! cease thou gentle youth-Miss Romanzini; The flocks shall leave the mountains-Reinhold, Dignum, Miss Romanzini [Acis and Galatea]; Now heaven in all her glory shone-; Lord what is man?-Mrs Crouch [Semele]; Hallelujah! For the Lord God omnipotent reigneth-Grand Chorus [The Messiah].The Messiah].
Cast
Role: Concerto bassoon Actor: Parkinson

438
20 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo [i

Performance Comment: e. The Sons of Anacreon]. President-R. Palmer; In which (for that night only) The Anacreontic Song-Sedgwick; [following glees: Now is the Month of Maying (Morley), Could a Man be Secure (Goodwin)-Dignum, Sedgwick; Sigh no more Ladies (Stevens), Poor Jack (Dibdin)-Dignum; Welcome the Covert (Mellish), Here's a Health to all good Lasses, Wake Sons of Odin (Stevens)-Sedgwick; Sing Old Rose and Burn the Bellows-.
Cast
Role: The Anacreontic Song Actor: Sedgwick
Role: Wake Sons of Odin Actor: Sedgwick

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Benson, Banks

439
24 March 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: Characters-Kemble, Barrymore, Palmer, Wewitzer, Suett, R. Palmer; Aickin, Webb, Evans, Fisher, Mrs Siddons, Mrs Goodall, Miss Stuart. Cast from text (T. N. Longman and O. Rees, 1802): The Stranger-Kemble; +Count Wintersen-Barrymore; +Baron Steinfort-Palmer; +Mr Solomon-Wewitzer; +Peter-Suett; +Francis-R. Palmer; +Tobias-Aickin; +George-Webb; +Count's Son-$Master Wells; Stranger's Son-$Master Tokely; Mrs Haller-Mrs Siddons; +Countess Wintersen-Mrs Goodall; +Charlotte-Miss Stuart; +Annette-$Mrs Bland; Savoyard-$Miss Leak; Maid-$Mrs Jones; Stranger's Daughter-$Miss Beton; unassigned-Evans, Fisher; Prologee-Barrymore; Epilogue-Suett. [These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]
Cast
Role: Count's Son Actor: Master Wells
Role: Stranger's Son Actor: Master Tokely
Related Works
Related Work: The Stranger Author(s): Benjamin Thompson

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

440
29 April 1700 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Alphonso Actor: Johnson
Role: Governor Actor: Simson
Role: Parson Actor: Haynes

441
15 May 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Villain

Performance Comment: Villain-Cibber; Beaupres-Wilks; Clairmont-Mills; Brisac-Thurmond; Boutfeau-Bowen; Host-Johnson; Scrivener's Son-Bullock; Belmont-Mrs Rogers; Charlot-Mrs Porter; Mariana-Mrs Bicknel.
Cast
Role: Host Actor: Johnson
Role: Scrivener's Son Actor: Bullock

442
13 November 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Villain; Or, The Officers In Winter Quarters

Performance Comment: Villain-Cibber; Beaupres-Wilks; Clairmont-Mills; Brisac-Thurmond; Boutefeu-Bowen; Host-Johnson; Scrivener's Son-Bullock; Governor-Husband; Bellmont-Mrs Rogers; Charlot-Mrs Porter; Franchitel-Mrs Bicknell.
Cast
Role: Host Actor: Johnson
Role: Scrivener's Son Actor: Bullock

443
21 May 1712 @ St Martin's Lane

Event Comment: Benefit Miss Younger. At the Desire of several Persons of Quality. Boxes 2s. 6d. Pit 1s. 6d. At 6 p.m

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: As17120411 but Southampton-Mills' son; Burleigh-Young Powell; Sir Walter-Young Norris; Queen-Miss Porter; Rutland-Miss Younger; With a new Prologue-Miss Younger.
Cast
Role: Southampton Actor: Mills' son

Song: Italian songs from Hydaspes-Young Boman

444
11 June 1712 @ St Martin's Lane

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Young Pervil; Aimwell-Young Boman; Scrub-Young Norris; Sullen-Young Ray; Bonniface-youngest Bullock son; Mrs Sullen-Miss Porter; Cherry-Miss Younger; Dorinda-Miss Lydell.
Cast
Role: Bonniface Actor: youngest Bullock son

445
21 December 1719 @ Lincoln's Inn Fields

Event Comment: For the Entertainment of Oakecharinga Tiggwamtubby Tocholoohy Ynca, Son to the Emperor of the Nawcheys; and Tuskeestannagee Whosly Powov Micco, Son to the King of the Istowlawleys, two American Princes, Lately arriv'd from the Continent lying on the Coast of the Mississippi River. Weekly Journal or Saturday's Post, 26 Dec.: The House was very full; there were present two American Princes...[who] seemed wonderfully delighted with the Performance and the fine Company

Performances

Mainpiece Title: The Taming Of The Shrew; Or, Sawney The Scot

Dance:

446
07 April 1731 @ York Buildings

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Performance Comment: Lilliputians; Prologue, Epilogue-Son and Daughter of two Magistrates of the City and Liberty of Westminster.
Cast
Role: Epilogue Actor: Son and Daughter of two Magistrates of the City and Liberty of Westminster.
Related Works
Related Work: Sophonisba Author(s): James Thomson

447
15 November 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Torrismond-Rosco; Queen-Mrs Roberts; Bertran-Bardin; Raymond-Huddy; Alphonso-Williams; Pedro-Havard; Lorenzo-Giffard; Elvira-Mrs Giffard; Fryar-W. Giffard; Gomez-Norris, from Dublin, Son of the late famous Comedian of that Name, alias Jubilee Dicky.
Cast
Role: Gomez Actor: Norris, from Dublin, Son of the late famous Comedian of that Name, alias Jubilee Dicky.

Afterpiece Title: The Lovers Opera

Dance: As17311104

448
16 March 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Dione

Afterpiece Title: Love Runs All Dangers

Performance Comment: Harlequin-Mons Lefronde, the first time of his appearing on any stage in England; Colombine-Miss Palmes; Country Squire (Guardian to Colombine)-Mynit; His Son-Hicks.
Cast
Role: His Son Actor: Hicks.

Dance: Between the Acts: Dancing-Jones Sr, Jones Jr; Concluding With a Grand Dance-

449
20 March 1733 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Done from Moliere. 5s., 3s., 2s., 6:30 p.m

Performances

Mainpiece Title: The Mock Doctor

Performance Comment: Sir Jasper-Pullen; Leander-Mynitt; Gregory-Hallam; Hellebore-Machen; James-Brown; Harry-Simpson; Welshman-Hicks; Dorcas-Mrs Strange; Charlot-Mrs Morse; Maid-Miss Palmes.
Cast
Role: Harry Actor: Simpson

Afterpiece Title: Love Runs All Dangers

Performance Comment: As17330316 but Squire-Hallum; Son-Jevon; Park Keeper-Pullen; Drawer-Jones.
Cast
Role: Son Actor: Jevon
Role: His Son Actor: Hicks.

Dance: End Mainpiece: Dutch Skipper-T. Jones, R. Jones; Concluding with a Hornpipe-Jones

450
26 March 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Love Runs All Dangers

Performance Comment: See17330322 but Harlequin-Lefrond; Colombine-Miss Palmes; Squire-Hallam; Son-Jevon; Drawer-Jones; Park Keeper-Pullen; Pedlar-Brown.
Cast
Role: Son Actor: Jevon

Dance: DDutch Skipper-Jones Sr, Jones Jr; Hornpipe-Jones Sr