SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Salomons Son"/1) | (@(roleclean,performerclean) "Salomons Son")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 414 matches on Performance Title, 153 matches on Event Comments, 118 matches on Performance Comments, 3 matches on Roles/Actors, and 2 matches on Author.

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Contr1vances

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Dutchman and Frow by Le Brun and Miss Brett. IV: A Grand Ballet (revived): The Fat Farmer and his Family, with Fat Farmer-Harper; Sons-Thurmond, Pelling, Davenport; Daughters-Mrs Walter, Mrs Pelling, Miss Brett. V: Revellers by Essex, Mrs Walter, &c. End Afterpiece: Harper's Drunken Man

Performance Comment: III: Dutchman and Frow by Le Brun and Miss Brett. IV: A Grand Ballet (revived): The Fat Farmer and his Family, with Fat Farmer-Harper; Sons-Thurmond, Pelling, Davenport; Daughters-Mrs Walter, Mrs Pelling, Miss Brett. V: Revellers by Essex, Mrs Walter, &c. End Afterpiece: Harper's Drunken Man .
Cast
Role: Sons Actor: Thurmond, Pelling, Davenport

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): Joseph Addison

Afterpiece Title: An Hospital for Fools

Performance Comment: Edition of 1739 lists: Aesculapius-Berry; Mercury-Macklin; Father-Penkethman; Daughter-Mrs Clive; Son-Cashell; Rake-Ridout; 1 Husband-Woodburn; 2 Husband-Raftor; Wife-Mrs Marshall; Friend-Green; Beau-Yates; Poet-Woodward; Statesman-Turbut; 1 Man-Gray; 2 Man-Cole; 3 Man-Marshall; Wiseman-Taswell.
Cast
Role: Son Actor: Cashell
Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Cast
Role: Johnson Actor: Mills.

Afterpiece Title: The Devil to Pay

Cast
Role: Jobson Actor: Turbutt

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard

Performances

Mainpiece Title: Henry Iv

Performance Comment: Falstaff-Paget; Falstaff's Page-Paget's son first time on any stage.

Afterpiece Title: The Tragedy of Tragedies; or, The Life an Death of Tom Thumb the Great

Performance Comment: Tom Thumb-Paget's/other/son first time on any stage.

Dance: As17461126, but Hornpipe-Williams

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: Cato

Performance Comment: Portius-Prince George; Juba-Prince Edward; Cato-Master Nugent; Sempronius-Master Evelyn; Lucius-Master Montague; Decius-Viscount Milsintown; Syphax-Lord North's son; Marcus-Master Madden; Marcia-Princess Augusta; Lucia-Princess Elizabeth; King George III (then Prince George) spoke the Prologue-Prince George.
Cast
Role: Syphax Actor: Lord North's son
Related Works
Related Work: Cato Author(s): Joseph Addison

Performances

Mainpiece Title: La Famiglia De Bertholdi, Alla Corte Del Re Alboino

Performance Comment: The Larpent MS 116 copy, (Amsterdam, 1754) lists the parts: Alboino (King)-; Ipsicratea (Queen)-; Erminio (Confidant of the King)-; Bertoldo-; Bertoldino (his son)-; Menghina (Son's wife and mother of)-; Cacasemo-.

Dance: [Unspecified.]

Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Performance Comment: Pharnaces-Vernon; Arthridates-Reinhold; Pompy-Giustinelli; Gilades-Mrs Dorman; Son to Pharneses-Miss Rogers; Selinda-Miss Slack; Tamiris-Mrs Vincent.
Cast
Role: Son to Pharneses Actor: Miss Rogers

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Performances

Mainpiece Title: The Fall Of Egypt

Performance Comment: Parts were: Pharaoh King of Egypt-; Sephres his son-; Menytis, Sister to Pharoah-; Officers of Court-; Chorus of Egyptians-; Chorus of Israelites-; Moses-; 1st Israelite-; 2nd Israelite- (Larpent MS).
Cast
Role: Sephres his son Actor:

Music: As17740218

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]
Cast
Role: Sir Fretful Plagiary Actor: Parsons
Role: Son Actor: Lamash
Event Comment: Paid Mist & Sons, Ironmongers, for last season #150 2s. Receipts: #194 10s. (147.1; 45.11; 1.18)

Performances

Mainpiece Title: Mahomet

Performance Comment: Zaphna-Bannister Jun.; Mahomet-Palmer; Pharon-Packer; Mirvan-Hurst; Ali-Chaplin; Alcanor-Bensley; Palmira-Mrs Robinson.
Cast
Role: Palmira Actor: Mrs Robinson.
Related Works
Related Work: Mahomet and Irene Author(s): Samuel Johnson

Afterpiece Title: The Critic

Cast
Role: Sir Fretful Plagiary Actor: Parsons
Role: Son Actor: Lamash

Performances

Mainpiece Title: The Winter's Tale

Cast
Role: Perdita Actor: Mrs Robinson

Afterpiece Title: The Critic

Performance Comment: Principal Characters-Palmer, Dodd, Brereton, Parsons, Baddeley, Mrs Hopkins; Principal Tragedians-Farren, Waldron, Burton, Packer, Lamash, Bannister Jun., Mrs Davenett, Mrs Bradshaw, Miss Pope. Cast adjusted from text (T. Becket, 1781): Puff-Palmer; Dangle-Dodd; Sneer-Brereton; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Mrs Dangle-Mrs Hopkins; Tragedians: Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Sir Walter Raleigh-Burton; Justice-Packer; Son-Lamash; Don Ferolo Whiskerandos-Bannister Jun.; Justice's Lady-Mrs Davenett; Confidante-Mrs Bradshaw; Tilburina-Miss Pope.

Dance: As17791126

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Fete The Fete Anticipated

Performance Comment: Consisting of the following compiled Entertainments: Scene I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word dismount-Doyle; Foresters' Dance-; Scene II. The Cave of Echo. Echo rebuked in a duett, Idle Nymph-; the music by Dr Arne. Scene III; Mount Ida. Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Miss Brown; Scene IV. A Landscape. Dance of Warriors-; Scene V. A. Moonlight. Witches. When shall we three meet again?-; Scene VI. The Cavern of Despair. Mad Tom-Reinhold; the music by Purcell. Scene VII. A Palace and Banquet. Come honest Friends and jovial Fellows-; Attendant Genius-Miss Morris.

Afterpiece Title: The Flitch Of Bacon

Cast
Role: Captain Wilson Actor: Reinhold
Role: Major Benbow Actor: Wilson
Role: Kilderkin Actor: Thompson
Event Comment: Benefit for Baddeley. Mainpiece: With the Grand Triumphal Entry. 2nd piece [1st time; INT I, probably by Robert Baddeley]: Baddeley, in the character of Moses in The School For Scandal, will present the Audience with a specimen of Jewish Education in a series of Instructions to his son Shadrach. Public Advertiser, 13 Apr.: Tickets to be had of Baddeley, No. 4, Little Russel Street, Covent Garden. Receipts: #246 13s. (178.10; 30.11; 0.17; tickets: 36.15) (charge: #79 4s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-Smith; Cassander-Aickin; Lysimachus-Brereton; Hephestian-Davies; Polypercon-Philimore; Clytus-Hurst; Roxana-Miss Sherry; Parisatis-Mrs Sharp; Sisigambis-Mrs Davenett; Statira-Mrs Robinson.
Cast
Role: Statira Actor: Mrs Robinson.

Afterpiece Title: Jewish Education

Afterpiece Title: The Critic

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King (1st appearance this season); Orlando-Brereton; Amiens (with songs)-Vernon; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Corin-Waldron; Jaques de Bois-Lamash; Silvius-R. Palmer; Le Beau-Phillimore; Charles-Wrighten; Jaques-Palmer; Caelia (with the Cuckow song)-Mrs Baddeley; Phoebe-Miss Kirby; Audrey (1st time)-Mrs Wrighten; Rosalind-Mrs Crawford (1st appearance on this stage these 6 years).

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley, Mrs Hopkins. Principal Tragedians by Farren, Waldron, Burton, Packer, Lamash, Bannister Sen., Miss Pope. Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Mrs Dangle-Mrs Hopkins; Tragedians: Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Sir Walter Raleigh-Burton; Justice-Packer; Son-Lamash; Don Ferolo Whiskerandos-Bannister Sen.; Tilburina-Miss Pope.
Cast
Role: Sir Fretful Plagiary Actor: Parsons
Role: Son Actor: Lamash

Dance: End I: The Butterfly, as17800921

Song: V: song-Miss Field

Performances

Mainpiece Title: The Belle's Stratagem

Cast
Role: Courtall Actor: Robson

Afterpiece Title: A Fete

Performance Comment: SCENE I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word-Doyle; Foresters' Dance-; SCENE II. The Cave of Echo; The Vauxhall Echo Catch, They say there is an echo here-Davies, Robson, J. Wilson, Doyle; SCENE III. Mount Ida; Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Mrs Morton; The music by Dr Fisher-; SCENE IV. A Camp Scene, and Dance of Warriors-; SCENE V. A Cottage. Auld Robin Grey-Mrs Kennedy; SCENE VI. The Cavern of Despair. Mad Tom-Reinhold; The music by Purcell-; SCENE VII. A Palace and Banquet. Come honest Friends and jovial Souls-; To conclude Chorus-; Dance-; Attendant Genius-Miss Langrish.

Afterpiece Title: Tom Thumb

Cast
Role: Noodle Actor: Robson

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Critic

Performance Comment: Putf-King; Dangle-Dodd; Sir Fretful Plagiary-Parsons; Signor Pasticcio Ritorncllo-Delpini; Interpreter-Baddeley; Under Prompter-Phillimore; Sneer-Palmer; Mrs Dangle-Mrs Hopkins; Italians-Miss Field, the Miss Stageldoirs. Characters of the Tragedy: Lord Burleigh-Chaplin; Gov. of Tilbury Fort-Wrighten; Earl of Leicester-Farrcn; Sir Walter Raleigh-Burton; Sir Christ. Hatton-Waldron; Master of the Horse-Griffiths; Beefeater-Wright; Justice-Packer; Son-Lamash; Constable-Fawcett; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Collett, Miss Simson; Justice's Lady-Mrs Booth; Confidant-Mrs Love; Tilburina-Miss Pope .
Cast
Role: Sir Fretful Plagiary Actor: Parsons
Role: Son Actor: Lamash
Role: Nieces Actor: Miss Collett, Miss Simson
Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Smith; Count Baldwin-Packer; Carlos-Farren; Belford-R. Palmer; Child-Master Siddons; Sampson-Wrighten; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Siddons (from the Theatre Royal, Bath) .
Cast
Role: Sampson Actor: Wrighten

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Cupid (with a song in character)-Miss Field; Sotherton-Norris; Chamberlain-Burton; Jemmy Twinkle-Lamash; Fillagree-Mrs Hopkins; Landlady-Mrs Love; Chambermaid-Miss Simson; Miss Flack-Miss Wright; Miss Griskin-Mrs Brereton .
Cast
Role: Griskin Actor: Parsons
Role: Chambermaid Actor: Miss Simson

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .

Performances

Mainpiece Title: As You Like It

Performance Comment: As17881002, but the Cuckoo Song-Rosalind.
Cast
Role: the Cuckoo Song Actor: Rosalind.
Role: Silvius Actor: Benson
Role: Caelia Actor: Mrs Wilson

Afterpiece Title: The Critic

Performance Comment: Puff-Palmer; Sneer-Barrymore; Dangle-R. Palmer; Interpreter-Baddeley; Sir Fretful Plagiary-Parsons; Mrs Dangle-Mrs Hopkins; Principal Tragedians-Whitfield, Packer, Waldron, Lamash, Burton, Phillimore, Fawcett, Wilson, Chaplin, Bannister Jun., Miss Pope. [Assignments adjusted from playbill of 27 Oct. 1790: Earl of Leicester-Whitfield; Justice-Packer; Sir Chris. Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Lord Burleigh-Phillimore; Constable-Fawcett; Beef@eater-Wilson; Governor-Chaplin; Don Ferolo Whiskerandos-Bannister Jun.; Tilburina-Miss Pope.]

Dance: As17881002

Song: As17881002

Performances

Mainpiece Title: A Grand Selection 0 [of Sacred Music From The Works Of handel, Chiefly Performed At westminster-abbey At The handel Commemoration, 26 May 1784]; Messiah

Afterpiece Title: The Coronation Anthem, God save the King

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Occasional Oratorio); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus; O had I Jubal's Lyre-Miss Mahon; Ye Sons of Israel-Chorus (Joshua); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Angels ever bright and fair-Sga Storace (Theodora); He gave them Hailstones-Chorus (Israel in Egypt).
Cast
Role: Ye Sons of Israel Actor: Chorus
Role: Total Eclipse Actor: Harrison

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned=-Pearson, Chorus (Esther); He was Eyes unto the Blind-Miss Cantelo (Siroe); Second Hautboy Concerto-; Praise the Lord-Miss Mahon (Esther); Gird on thy Sword-Chorus (Saul); O come let us worship-Harrison (Coronation? Anthems); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harrison; The Horse and his Rider-Sga Storace, Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-(Saul); Funeral Anthem-; What Passion cannot Music raise or quell-Miss Cantelo (Dryden's Ode); Glory to God-Harrison, Chorus (Joshua); Where'er you walk-Sga Storace (Semele); Gloria Partri-full chorus (Jubilate).
Cast
Role: Glory to God Actor: Harrison, Chorus

Music: End II: concerto on the violin-Mme Gautherot

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O first created beam-Chorus (Samson); Nasce al bosco-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious Orgies-Mrs Ambrose (Judas Maccabaeus); He gave them Hailstones-Double Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Mrs Ambrose; The horse and his rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; O had I Jubal's Lyre-Mrs Ambrose (Joshua); Jehovah crowned-Miss Lockhart; He comes!-Chorus (Esther); Angels ever bright and fair-Mrs Ambrose (Theodora); Welcome mighty King-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Ye Sons of Israel Actor: Chorus

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was eyes unto the blind-Kelly (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Ambrose (Rodelinda); Glory be to the Father-Chorus (Jubilate); God save Great George our King-.

Music: As17890311

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Performance Comment: [From the Performances in Westminster Abbey [on 26 May 1784.] As17900219, but Principal Singers-_Griffiths, _Champness, _Gore, _Webb, _Reynoldson, _Choristers.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's Fertile plain-Sale; For all these Mercies-Chorus (Joshua); This new Creation-; Vain your Triumph-Miss Poole (Israel in Egypt); When his loud Voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created beam-Chorus (Samson); Where e'er you walk-Miss Poole (Semele); He gave them Hailstones-Chorus (Israel in Egypt).
Cast
Role: Total Eclipse Actor: Harrison

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Praise the Lord-Miss Dall (Esther); In sweetest Harmony-Miss Cantelo; O fatal Day-Chorus; O filial Piety, No cruel Father-Saville (Saul); Tyrants would-Miss Mahon, Chorus (Athalia); Every Day will I give thanks-Harrison (Chandos Anthems); The mighty Power-Chorus (Athalia); O worse than Death, Angels ever bright and fair-Miss Cantelo (Theodora); Gird on thy Sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye Sons of Israel-Chorus (Joshua); Thou shalt bring them in-Saville (Israel in Egypt); O God@like Youth-Miss Dall; Sinfonia on Carrillons-; Welcome welcome mighty King-Chorus (Saul); Rendi il sereno al ciglio-Harrison (Sosarme); From the censer-Chorus (Solomon); O had I Jubal's lyre-Miss Mahon (Joshua); Ye sacred Priests, Farewell ye limpid springs-Miss Cantelo (Jephtha); The Horse and his Rider-Double Chorus (Israel in Egypt).

Music: End II: concerto on the Piano Forte-Clementi

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Performance Comment: Overture (Occasional Oratorio)-; Oh! first created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Sga Storace (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; Oh! Had I Jubal's lyre-Miss Hagley (Joshua); Jehovah crowned-Reinhold; He comes!-Chorus (Esther); Angels ever bright and fair-Sga Storace (Theodora); Welcome mighty King-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest harmony-Mrs Crouch (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Kelly (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Ye Sons of Israel Actor: Chorus

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was Eyes unto the Blind-Sga Storace (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: As17900219

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Sanchio Actor: Thompson

Afterpiece Title: The Padlock

Dance: End: The Wapping Landlady; or, The Sailor in Distress-

Entertainment: Monologue. After Dancing: fable, The Old Man Son and Ass-Ryder; End afterpiece: Bucks have at ye All-Ryder

Performance Comment: After Dancing: fable, The Old Man Son and Ass-Ryder; End afterpiece: Bucks have at ye All-Ryder.