SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "SSignora Paganini"/1) | (@(roleclean,performerclean) "SSignora Paganini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7 matches on Performance Comments, 7 matches on Event Comments, 4 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: SSignora Paganini being much indisposed with a cold, is the reason of the above opera being performed instead of Il Filosofo di Campagna, as advertized

Performances

Mainpiece Title: Arianna E Teseo

Event Comment: A new Comic Opera--Music by Galuppi. [Text--Goldoni. First performance in England. The text notes music originally by Baldassar Galuppi called Buranello, and perfected by Gioacchino Cocchi. Burney (History of Music, II, 860) notes the extreme popularity of this piece, and the success of the Paganinis as singers in it.

Performances

Mainpiece Title: Il Filosofo Di Campagna

Performance Comment: Eugenia-Signora Angiola Calori; Rinaldo-Pietro Sorbellini; Nardo-Carlo Paganini; Lesbina-Signora Angiola Paganini; Capocchio-Christiano Tedeschini; Mezzi Caratteri Don Tritemio-Gaetano Quilici; Lena-Signora Teresa Eberardi (Libretto, 1761).

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

Event Comment: Benefit for Sg and Signora Paganini. A new Comic Opera. Purely Comic without any serious part in it. To begin at Six, Vivat Rex

Performances

Mainpiece Title: I Tre Gobbi Rivali

Performance Comment: Madama Vezzosa-Sga Angiola Paganini; Il Conte Bella Vita-Carlo Paganini; Il Marchese Parpagnacco-Gaetano Quilici; Il Barone Macacco Tartaglia-Cristiano Tedeschini-Edition of 1761.

Dance: Gerhardi, Mlle Asselin, Giorgio Binety, Anna Binety, Miss Polly Capitani, Mr Tariot

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Performance Comment: As17611214, but the Songs of the Paganinis will be all new.

Performances

Mainpiece Title: Acis And Galetea And Dryden's Ode

Music: Solo on the Violin-Sg Paganini

Performances

Mainpiece Title: Joshua

Music: Concerto on Violin-Paganini

Performances

Mainpiece Title: Israel In Egypt

Music: Concerto on Violin-Paganini

Performances

Mainpiece Title: The Messiah

Music: Serenata Geminiane, Third Opera,-Sg Paganini

Performances

Mainpiece Title: Il Mondo Nella Luna

Performance Comment: Ernesto-Peter Sorbelloni; Sir Credulous-Carlo Paganini; Lisetta-Signora Angiola Paganini; Cecco-Christiano Tedeschini; Flaminia-Signora Angiola Calori; Ecclypticus-Gaetano Quilici; Clarice-Signora Teresa Eberardi; Director-G. Cocchi Libretto, 1760.

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

Performances

Mainpiece Title: La Pescatrici

Performance Comment: Lindoro-Pietro Sarbelloni; Eurilda-Sga Angiola Caroli; Lesbina-Sga Angiola Paganini; Nerina-Sga Teresa Eberardi; Frissellino-Carlo Paganini; Burlatto-Gaetano Quilici; Mastricco-Cristiano Tedeschini; Dancers-Gerhardi, Mlle Asselin, Binetti, Sga BinettiEdition of 1761.

Performances

Mainpiece Title: Il Mercato Di Malmantile

Performance Comment: Conte della Rocca-Sga Rosa Curioni; Marchioness Giacinta-Sga Angiola Sartori; Lampridio-Carlo Paganini; Lena-Sga Angiola Paganini; Rubicone-Giambatista Zonca; Brigida-Sga Teresa Eberardi; Berto-Pietro Leonardi (Libretto of 1761).
Cast
Role: Lampridio Actor: Carlo Paganini
Role: Lena Actor: Sga Angiola Paganini

Dance: Director of Dances-Gallini; Dancers-Gallini, Mlle Asselin, Binetti, Sga Binetti

Music: Domenico Fischetti

Event Comment: [Sga Mattei announced her undertaking direction of Italian Serious Operas and Burlettas for the ensuing winter, promised the performance of them for the best advantage of the public, and listed the members of the company she had engaged: For Serious Operas: herself, Philippo Elisi (the first singer in Italy), Gaetano Quilice (tenor), Angiola Calori (second woman), Giovanni Sorbelloni (second man), and a new singer for the lowest character. For the Burlettas: Sga Paganini (the first female character and the foremost in Italy), Gaetano Quilice (the first man), Sga Eleardi (second woman), Paganini (second man), Signor N. N. (third man), Angiola Calori and Sorbelloni (to perform the serious parts in the Burlettas). Dancers: Mlle Asselin (first woman dancer), Gheradi (first dancer of the men, and ballet master), famed both in the serious and comic as well as for his invention as for exercises in dancing. There will also be other comic dancers, and figures both for the serious operas and burlettas.

Performances

Event Comment: By Particular Desire. Sga Paganini is recovered of her cold

Performances

Mainpiece Title: Il Mercato

Cast
Role: Lampridio Actor: Carlo Paganini
Role: Lena Actor: Sga Angiola Paganini

Performances

Mainpiece Title: Gideon

Performance Comment: Parts for five characters and a Chorus; Gideon-; Joash-; Eliakim-; a Priest of Baal-; Oreb-; Chorus of Israelites-.*m1769 2 10 cg The First Violin, a Concerto-Sga Paganini; a Concerto on the Hautboy-Fischer.*c1769 2 10 cg By Command of their Majesties. Pit and Boxes to be put together. Tickets will be deliver'd this day in the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. The doors to be opened at Five o'clock. To begin at Half an Hour after Six. A New ORATORIO, the Music by Handel. Composed by Dr Morrell (Biographia Dramatica). We cannot commend this piece, it being altogether a very tedious and heavy performance (Theatrical Register). Charges: #35.
Event Comment: N.B. Sg Paganini being taken very ill is the reason of the above Opera being performed this evening instead of the new Comic Opera

Performances

Mainpiece Title: Tolomeo