SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "SSg and Sga Sabatini"/1) | (@(roleclean,performerclean) "SSg and Sga Sabatini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 903 matches on Performance Comments, 656 matches on Performance Title, 220 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer; Ferdinand (with songs)-Vernon; Stephano-Love; Trincalo-Baddeley; Caliban-Sparks; Sebastian-Keen; Antonio-Hurst; Alonzo-Bransby; Gonzalo-J. Aickin; Francisco-Wright; Master of Ship-Ackman; Boatswain-Booth; Hyman-Kear; Ceres-Mrs Dorman; Ariel (with songs)-Mrs Scott; Miranda-Miss Rogers, first time; With a Grand Dance of Fantastic Spirits-; The Other Dances-Daigueville.

Afterpiece Title: The Jubilee

Performance Comment: As17701112, but Parts-Mrs Dorman, Mrs _Bradshaw; Dances-Sga +Giorgi, Sga _Vidini.
Cast
Role: Dances Actor: Sga +Giorgi, Sga _Vidini.
Role: Dances Actor: Daigueville, Mrs King, Sga Giorgi, Miss Rogers
Role: The Dances Actor: Sga Giorgi, Sga _Vidini.

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17700922, but Belarius-J. Aickin; Imogen-Mrs Barry, first time; dancing-Sga Daigville, Sga _Giorgi.

Afterpiece Title: The Elopement

Dance: III: Comic Dance, as17701025

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Jubilee

Performance Comment: As17701205, but Dances-Sga Dagueville, Sga _Giorgi.
Cast
Role: Dances Actor: Sga Dagueville, Sga _Giorgi.
Role: Dances Actor: Sga +Giorgi, Sga _Vidini.
Role: The Dances Actor: Sga Giorgi, Sga _Vidini.
Event Comment: New Scenes, Dresses and Decorations for Mainpiece (playbill). This Masque was got up in a Superb manner the Scenery exquisitely fine & greatly applauded--. Miss Hayward play'd Emmeline very bad (Hopkins Diary). Mainpiece: Altered from Dryden by Garrick. First time performed. Music Purcell and Arne. New Overture by Arne

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performance Comment: Arthur-Reddish; Oswald-Jefferson; Canon-Packer; Albanacht-Bransby; Aurelius-Keen; Guillamar-Wheeler; Merlin-Aickin; Osmond-Palmer; Grimbald-Bannister; Philadel-Mrs Baddeley; Cupid-Miss Rogers; Matilda-Miss Platt; Emmeline-Miss Hayward; Vocal parts-Vernon, Champnes, Kear, Fawcett, Miss Radley, Mrs Scott, Mrs Wrighten, Mrs Dorman; The Dances-Daigville, Sga Giorgi, Atkins, Mrs King, Sga Daigville.

Afterpiece Title: The Miller of Mansfield

Event Comment: By Particular Desire. [During this year appeared Miscellanies in Prose and Verse by Catherine Jemmat containing numerous tributes in verse to various actors--Woodward, Sowdon, Mrs Woffington, Barry--when they were in Ireland.

Performances

Mainpiece Title: 'tis Well It's No Worse

Cast
Role: Aurora Actor: Mrs Morland.
Role: Don Ferdinand Actor: Brereton

Afterpiece Title: The Jubilee

Performance Comment: As17701205, but Parts-Mrs Bradshaw, Mrs _Dorman; Dances-Sga +Vidini, Sga _Giorgi.
Cast
Role: Dances Actor: Sga +Vidini, Sga _Giorgi.
Role: Dances Actor: Daigueville, Mrs King, Sga Giorgi, Miss Rogers
Role: The Dances Actor: Sga Giorgi, Sga _Vidini.

Performances

Mainpiece Title: La Passione

Performance Comment: Parts-Tenducci, Savoi, Morigi, Sga Grassi, Sga Guglielmi, Mrs Barthelemon.

Music: End Said Part [i.e., La Passione]: A Concerto on Violin-Sga Sirmen; in which will be performed a Stabat Mater (composed by Pergolesi)-Sga Sirmen; End I: Concerto on Bassoon-Baumgarten; End II: Solo on Violin-Sga Sirmen; [to finish with a Grand Chorus [by Guglielmi-

Performance Comment: e., La Passione]: A Concerto on Violin-Sga Sirmen; in which will be performed a Stabat Mater (composed by Pergolesi)-Sga Sirmen; End I: Concerto on Bassoon-Baumgarten; End II: Solo on Violin-Sga Sirmen; [to finish with a Grand Chorus [by Guglielmi-.
Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.
Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Afterpiece Title: The Musical Lady

Event Comment: Alterations and additions to the afterpiece in form of a Trip to Naplesv. Includes two views of the eruption of Vesuviusv [a display used afterwards in Harlequin's Invasionv 19 March]. Theatrical Review, 26 Dec.: The Witches; or a Trip to Naples,...one of those Mummeries, in which the carpenters, painters and taylors belong1ng to the theatre are the principal projectors; who torture dull brains to furnish out most contemptible pieces of entertainment...the disgrace of the English stage. This what-shall-we-call-it...now reviv'd with alterations and the addition of two new scenes, viz. two views of Mount Vesuviusv: the first of which represents a Vulcano burning at a distance, and is reflected by the water in the bay of Naplesv. The second is a nearer land view of the Mounts, and represents the manner in which the Lava is thrown out whenever an eruption happens; the torrents of the lava, like a river of liquid fire, falling into a cascade from a rock. As far as carpenters and painters are concerned, these additional scenes seem to be well executed, but whether the resemblance is exact, we cannot pretend to say; though we suppose it is. Be this as it may we cannot help thinking, the terrific ideas these scenes naturally raise in the mind, must defeat every intention of giving pleasure, and consequently afford less satisfaction to curiosity than a written account of that Vulcano, or any descriptive drawing of it. Paid Printer's Bill #9 6d. Receipts: #235 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Witches; or, A Trip to Naples

Performance Comment: Harlequin-Rooker; Witches-Vernon, Johnston; Miser's Servant-Messink; Old Miser-Parsons; Pantaloon-Grimaldi; Clown-Ackman; Fryars-Kear, Griffith, Lings, Mortimer; Fidler-J. Burton; Bridemaids-Mrs Scott, Mrs Dorman; Colombine-Mrs King; The Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Event Comment: Benefit for Wendling. A serenata written by Metastasio, set by Bach, with Grand Chorusses. Pit and Boxes half a Guinea. First Gallery 5s. Second Gallery 3s. To begin at 7:00 p.m

Performances

Mainpiece Title: Endimione

Performance Comment: Vocal Parts-Sga Grassi, Sga Carara, Savoi, Lovatini, accompanied by Fischer, Ponta and Wendling.
Event Comment: Afterpiece: With alterations and additions, particularly Two Views of the Eruption of Mt Vesuviusv. [See 26 Dec. 1771.] Garrick has withdrawn his motion, King's Bench (Winston MS 10). [See 2 July 1772.] Paid Mrs Abington's cloaths, 2 weeks, #2; Paid Messrs Baddeley, Jacobs, Lings & Mrs Egerton, salary short-paid last week, 18s. 6d.; Paid Mr Weston's note to Mr Spencer #10 10s. [Mrs Abington's contract seems to have included #60 for clothes which she provided for herself. The amount was paid to her in 26 weekly payments of #2 each and 10 payments of #1 each throughout the season. No further listing of this expenditure will be made.] Paid 3 days salary list at #80 16s. 1d. per diem, #242 8s. 3d.; Mr S. French, 6 days, #1 10s. (Treasurer's Book). Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches; or, A Trip to Naples

Performance Comment: Harlequin-Rooker; Pantaloon-Grimaldi; Old Miser-Jacob; Colombine-Miss Watkins; Clown-Ackman; Miser's Servant-Messink; First Witch-Vernon; Second Witch-Johnston; Bridemaids-Mrs Scott, Mrs Wrighten; The Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Event Comment: A New Pantomime of Mr Messinks went off with great Applause (Hopkins Diary). Music By Dibdin. New Scenes, Habits, and Machines. Nothing under Full Prices will be taken. [Repeated.] Paid 4 days salary list at #85 12s. 11d., #342 11s. 8d.; Miss Mansell on acct #5 5s.; Mr Clinch ditto, #6 6s.; Dr Arne for Mrs Bradley 2 nights per order #5 5s.; Stopages nil (Treasurer's Book). [Full description of the New Pantomime is given in the Westminster Magazine (January 1773): Harlequin born to the Pigmies comes to manhood, gets a job from the Register Office in a Nobleman's family where he meets Colombine. They love, and elope, a chase ensues through several noted places in London, which are detailed in the review. The union of the lovers is finally consended to, and all closes with dancing. "Some of the paintings in the scenery are well executed; and the generality of Mr Dibdin's music deserves equal praise." In it Mrs Wrighten gives a ludicrous imitation of Miss Catley's manner of singing. The reviewer's general thesis about the London stage of this period, given first in the preliminary number, 1 Jan. 1773 continues: "The Stage seems now buried in universal darkness...The Publick for several weeks, has been fed with the lean carcass of two villainous pantomimes."] Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Pigmy Revels; or, Harlequin Foundling

Performance Comment: Harlequin-Rooker; Colombine-Mrs Sutton; Others-Messink, Grimaldi, Ackman, Keen, Wright, Burton, Kear, Waldron, W. Palmer, Wrighten, Jacobs, Griffith, Jones, Master Cape, Lings, Watkins, Mrs Wrighten, Mrs Bradshaw, Miss Lings, Miss Platt, Mrs Millidge, Miss Collett, Mrs S. Smith; Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Event Comment: Mainpiece: Not acted these 16 years. [See 19 April 1751.] New Scenes, Machines, Decorations &c. The Characters dress'd in The Habits of the times. This Masque is very well got up with New Scenes & Decorations particularly a Representation of the Grand Naval Review design'd by Mons DeLoutherberg & vastly well Executed had great Applause the piece is very dull (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid five day's salary at #86 13s. 10d. per diem, #433 9s. 2d.; Miss Younge 6 days not on the list #1; Mr Courtney 3 days not on list 7s. 6d.; Mr J. French on Act #10 (Treasurer's Book). The Songs, Chorusses, &c. in the Masque (in the order they are now performed) to be had at the Theatre. The Music by Dr Arne and other masters (playbill). Receipts: #158 12s. (Treasurer's Book)

Performances

Mainpiece Title: Alfred

Performance Comment: Alfred-Reddish; Earl of Devon-Jefferson; Hermit-J. Aickin; Corin-Bannister; Danish King-Palmer; 1st Dane-Brereton; 2nd Dane-J. Bannister; Eltruda-Miss Younge; Edwin-Wright; Attendant-Miss Platt; Vocal Parts-Vernon, Bannister, Champness, Fawcett, Kear, Mrs Wrighten, Mrs Scott, Mrs Hunt, Mrs Smith; The Dances-Como, Grimaldi, Giorgi, Atkins, Mrs Sutton, Sga Giorgi, Sga Crespi; To conclude with a Grand Occasional Scene-; Edition of 1773 adds Emma-Mrs Smith; Edith-Mrs Wrighten.

Afterpiece Title: Miss in Her Teens

Event Comment: For Mainpiece New Scenes, Dresses, Music, Machinery, and Decorations (playbill). This piece was written by Mr G. which he wrote in a hurry & on purpose to Shew Some fine Scenes which were design'd by Mons DeLoutherberg particularly a Burning Palace &c. which was extremely fine & Novel. Mr Weston Play'd very well, The Music by Mr Dibdin. the worst he ever Compos'd. The Piece was very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid for supernumary soldiers #1 12s. (Treasurer's Book). [The afterpiece reviewed, but not well liked by the Westminster Magazine.] Receipts: #219 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Performance Comment: Parts by: Vernon, Bannister, Parsons, Hurst, W. Palmer, Wright, Griffith, Mas. Blanchard, Kear, Mrs Wrighten, Mrs Hunt, Miss Platt, Weston, Champness, Dimond, Ackman, Burton, Wrighten, Fawcett, Blanchard, Scott, Mrs Johnston, and Mrs Smith. Dances-Como, Grimaldi, Atkins, Giorgi, Sga Crespi, Mrs Sutton, Sga Giorgi; With a Prologue, after which a New Overture=-; Tycho-Weston; Floridor-Vernon; Bonoro-Bannister; Faladel-Parsons; Nigromant-Champness; Radel-Dimond; Camilla-Mrs Smith; Robinette-Mrs Wrighten; Messengers-Griffith, Mas. Blanchard; Good and Evil spirits in various characters-Hurst, Ackman, W. Palmer, Wright, Wrighten, Courtney, Miss Platt, Mrs Johnston, Mrs Bradshaw, Mrs Millidge, Mrs Scott, Fawcett, Mrs Hunt, Mrs Smith, Kear, Burton; Prologue-Palmer in character of Christmas; unassigned-Blanchard, Scott (Edition of 1774).

Afterpiece Title: Miss in Her Teens

Event Comment: A new Serious Opera. Music by Giordani and other eminent composers

Performances

Mainpiece Title: Antigono

Performance Comment: Parts-Millico, Sga Galli, Michelli, Schiroli, Sga Marchetti, Miss Davies.

Dance: I: A Grand Serious Ballet, never performed-Mariottini, Nina Favier; II: Pastoral Ballet, as17740222

Ballet: End of Opera: Orfeo e Eurydice. Orfeo-Pitrot; Eurydice-Mlle Mimi Favier

Event Comment: A new Serious Opera. The Music by Giordani and other eminent composers. With alterations and new songs for Miss Davies

Performances

Mainpiece Title: Artaserse

Performance Comment: Parts-Millico, Schiroli, Sga Galli, Sga Marchetti, Cecilia Davies.
Related Works
Related Work: Artaserse Author(s): Ferdinando Bertoni

Dance: I: New Serious Ballet-; in which aChaconne composed by Jomelli-Fierville; II: La Bagatelle, as17740505; III: L'Embarass du choix, as17740505

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17750228, but The Dances-Sga _Crespi, Sga Comoin +Fete.
Cast
Role: The Dances Actor: Sga _Crespi, Sga Comoin +Fete.
Role: Shepherds and Shepherdesses Actor: _Messink.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Performances

Mainpiece Title: La Difesa D'amore

Performance Comment: As17750506, but Parts-Sga _Vallouis, Sga Schindlerin.

Afterpiece Title: Pyramo E Tisbe

Dance: As17750516

Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: Harlequin-Lee Lewes; Orpheus-DuBellamy; Pantaloon-Banks; Squire Gawky-Wewitzer; Clown-Cushing; Witch-Thompson; Fish Woman-Walters; Drawer-Jones; Eurydice-Miss Brown; Rhodope-Miss Dayes; Dwarf-Mas. Jones; Nymph-Mrs Masters; Maid-Mrs Lawr; Colombine-Miss Matthews; first time. The Dances-Sg and Sga Zuchelli, Daguville, Sga Vidini; the Whole to conclude with Two Additional Scenes-. See17751016 .
Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Le Ali D'amore

Performance Comment: Parts-Rauzzini, Trebbi, Savoi, Perretti, Sga F. Gabrielli, Sga Gabrielli.

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End Opera: Pigmalion Amoureuse de La Statue, as17751031

Performances

Mainpiece Title: L'isola D'amore

Performance Comment: Parts-Trebbi, Fochetti, Sga Cardarelli, Sga Sestini.

Dance: I: Diane et Endymion Endymion-Fierville, Diane Mlle Baccelli; Une Bergere-Mlle Sophie; II: La Fete du Village, as17760224

Ballet: End Opera: Astolphedans L'ile de Alcine. Astolphe-Fierville; Alcine-Mlle Baccelli; Helm; Mlle Sophie

Performances

Mainpiece Title: Alcina

Performance Comment: Parts-Trebbi, Fochetti, Savoi, Sga Carderelli, Sga Sestini.

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral-S. Vallouy, Mme Vallouy, Helm, Mlle Sophie; Pigmalion, as17760307

Performances

Mainpiece Title: La Serva Padrona

Afterpiece Title: L'Isola D'Amore

Performance Comment: Parts-Trebbi, Fochetti, Sga Cardarelli, Sga Sestini.

Dance: After the Intermezzo: Le Retour des Matelotes, as17760319 End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

Event Comment: Benefit for Wild (prompter) and Mahon. Mainpiece: Acted there but once. [See 20 March 1773.] Afterpiece: For the last time this season. Doors open half past 5. To begin half past 6 o'clock. [The Recruiting Serjeant interlude a Musical Entertainment by Isaac Bickerstaffe.

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Performance Comment: Jupiter-Lewis; Amphitryon-Wroughton; Mercury-Lee Lewes; Gripus-Quick , being their first Appearance in those characters; Sosia-Woodward; Phaedra-Mrs Mattocks; Alcmena-Mrs Hartley; in Act IV, an Interlude between Plutus and Wit, and a Masque of Singing and Dancing: Plutus-Reinhold; Wit-Miss Dayes; Dances-Sg Zuchelli, Sga Zuchelli, Dagueville, Sga Vidini.

Afterpiece Title: Midas

Monologue: Interlude. End: A Favourite Interlude (never perform'd there) call'd The Recruiting Serjeant. Serjeant-Mahon; Countryman-Wilson; Wife-Miss Dayes; Mother-Mrs Willems

Performances

Mainpiece Title: Antigono

Performance Comment: Parts-Rauzzini, Trebbi, Savoi, Sga Gabrielli, Sga F. Gabrielli.

Dance: La Fete du Village, as17760504; Diane et Endymion, as17760504; Le Minuet de la Cour, as17760504