Event Comment: By Command of their Majesties

Event Comment: By Command of their Majesties. In Artaserse will be introduced the celebrated duet composed by Vinci

Event Comment: Benefit for Mrs Abington. Part of Pit laid into Boxes. Send Servants by 4 o'clock. Paid 4 days salary list #348 5s.; Tallow chandler's 7th bill, #24 12s. 6d.; Mr Davies's draft on Managers #37 (Treasurer's Book). Receipts: #268 5s. Charges: #65 1s. Profits to Mrs Abington: #203 4s. (Treasurer's Book)

Event Comment: Benefit for Messrs Grimaldi and Hurst. Receipts: #254. Charges: #68 2s. Profits to beneficiaries: #185 18s

Event Comment: Music by Sacchini and other celebrated composers. The Dances under the direction of Pitrot. With New Cloaths, Scenes and other Decorations. Pit and Boxes Half a Guinea; Gallery 5s.; Second Gallery 3s. Doors to open at 5:30. To begin at 7:00 p.m. N.B. Fierville having unfortunately sprained his ankle by a fall at the rehearsal yesterday...Mariottini, who never appeared in England before, has kindly undertaken to supply his place. The Managers beg leave to acquaint the Nobility and Gentry that Mesdames Favier having arrived from Florence, but being indisposed from the great fatigue of the journey are incapable of dancing this day

Event Comment: A new Serious opera with Grand Choruses, Music entirely new composed by Sacchini. The Dances composed by Pitrot

Event Comment: Benefit for Daguville (ballet master) and Helme (principal dancer). The Englishman in Paris deferr'd on account of Woodward's Indisposition

Event Comment: Mainpiece: A New Comic Opera [by R. B. Sheridan] never perform'd. The Music partly New and partly selected from the most eminent composers. With a New Overture, Scenes, Dresses, and Other Decorations. Books of the songs in the Opera to be had at the Theatre. [This note repeated on subsequent bills.] Afterpiece: Not acted these 10 years. [See 19 May 1767.] [Reviewed in the Westminster Magazine for Nov. which commented on the witty dialogue and effectiveness of the music. It was "puffed" gently in the Public Advertiser 22 Nov.: "Receiv'd with every mark of approbation that could be given. It will be repeated tomorrow evening with the Farce of the Apprentice."

Event Comment: A new Comic Opera; the Music by Paisiello [and "other eminent Composers" (libretto)]; under the Direction of Giordani. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office, Union Court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Coffee Room will be open with Tea, Coffee, Lemonade, Orgeat, Ice, Creams, &c. which will be furished by Weltje, of St. James's Street. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are respectfully intreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. [Public Advertiser, 13 Feb. 1778, prints a letter outlining a scheme-never realized-of having occasional plays at king's on non-opera nights acted by performers from both dl and cg, and by "the young Nobility of both Sexes."

Event Comment: A new Comic Opera [1st time; com 3]; both the Poetry, by Goldoni, and the Music, by Piccinni, entirely new

Event Comment: Benefit for Peile. Mainpiece: Not acted these 6 years. Tickets delivered by Dagueville will be taken. Public Advertiser, 1 May and 27 Apr.: Tickets to be had of Peile at his house in North-street, Westminster; of Dagueville, Bow-street, Covent Garden. Receipts: #149 2s. 6d. (56.14.6; tickets: 92.8.0) (charge: #105)

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by Bertoni and other eminent Masters [Myslivecek, Monza, Sarti]. 'Pacchierotti, who on this night made his 1st appearance in London, was] conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos...As an actor, with many disadvantages of person, for he was tall and awkward in his figure, and his features were plain, he was nevertheless forcible and impressive: for he felt warmly, had excellent judgment, and was an enthusiast in his profession. His recitative was inimitably fine, so that even those who did not understand the language could not fail to comprehend, from his countenance, voice, and action, every sentiment he expressed" (Mount-Edgcumbe, pp.24-25)