SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "S W"/1) | (@(roleclean,performerclean) "S W")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4128 matches on Roles/Actors, 1277 matches on Performance Comments, 260 matches on Event Comments, 32 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Leoni; Justice Woodcock-Wilson; Sir William Meadows-Fearon; Eustace-Robson; Hodge-Doyle; Hawthorn-Reinhold; Lucinda-Mrs Morton; Margery-Mrs Wilson; Aunt Deborah-Mrs Pitt; Rosetta-Mrs Martyr .

Afterpiece Title: The Touchstone

Dance: End of Act II of mainpiece, as17810928

Performances

Mainpiece Title: George Barnwell

Performance Comment: Barnwell-Wroughton; Thorowgood-Hull; Trueman-Whitfield; Uncle-Fearon; Blunt-Thompson; Maria (1st time)-Mrs Whitfield; Lucy-Mrs Pitt; Millwood (1st time)-Mrs Inchbald .

Afterpiece Title: The Touchstone

Song: In Act I of mainpiece song by Leoni

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece The Arcadian Festival, as17811108

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Poor Vulcan

Dance: As17811101

Performances

Mainpiece Title: King Lear

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Touchstone

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Touchstone

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece St. David's Day; or, The Village Revels by Aldridge, Langrish, Jackson, Miss Rowson, Miss Besford

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece a new Ballet, The Double Surprise (composed and executed by Banti; 1st appearance on this stage), Harris, Miss Matthews, Miss Besford

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Choice of Harlequin

Event Comment: [In mainpiece the playbill retains Wilson, but "Last night the Audience of Covent Garden Theatre were detained above Half an Hour waiting for Wilson, who never appeared to play his character in Duplicity. At last an apology was made for his absence, and his Brother was permitted to read his part" (Morning Chronicle, 29 Dec.).] Receipts: #220 4s. (215/0; 5/4)

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Lewis; Aimwell-Wroughton; Gibbet-Fearon; Boniface-Booth; Foigard-Egan; Sir C. Freeman-Robson; Sullen-Clarke; Scrub-Quick; Dorinda-Mrs Lessingham; Cherry-Mrs Wilson; Lady Bountiful-Mrs Poussin; Gipsy-Miss Stuart; Mrs Sullen-Mrs Mattocks .

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: Zara

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Choice of Harlequin

Song: As17811217