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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Royal Theatre at Hampton Court"/1) | (@(roleclean,performerclean) "Royal Theatre at Hampton Court")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4824 results for: Keyword - Royal Theatre at Hampton-Court
We found 3790 matches on Event Comments, 790 matches on Performance Title, 512 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

876
04 October 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Stratagem

Dance: Vallois and Mlle Vallois, from the Theatre in Paris, Mrs Bullock from lif

877
14 May 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: I: Scotch Dance-Young Weeks, Scholar to Dupre; III: Masquerade Dance-; IV: Shepherd's Dance-Young Weeks

Song: a G Gentleman for his Diversion; A song, called Goodman's Fields Theatre address'd to the Merchants of the City of London-Excell , written by the Author of Bacchus one day gaily striding

878
21 May 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Venus, Cupid, and Hymen

Music: Between the Acts: Trumpets, Kettle Drums, French Horns-; With a new Overture (to the Masque) for two Vox Humanes- , a new invented Instrument

Song: II: Mrs Seedo, who never appeared on the stage before; III: (At the particular Request of Seedo's Friends) Signora Margherita (who has not performed on any theatre these 14 years)

Dance: I: Drunken Peasant-LeBrun; IV: The Watteau-Miss Robinson; End Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

879
21 April 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Contrivances

Dance: II: La Follette c'est Ravize by Tench and Mrs Woodward. V: A new Dance by Delagarde and Mrs Bullock

Song: III: A Song, called Goodman's Fields Theatre, addressed to the City, sung by Excell. IV: In Italian by Miss Jones

880
03 December 1736 @ Haymarket Theatre

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: A Hint to the Theatres

881
08 December 1736 @ Haymarket Theatre

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: A Hint to the Theatres

882
30 May 1737 @ New Wells, Lemon Street

Performances

Mainpiece Title: The Beggar's Wedding

Performance Comment: By a Company of Comedians from the Theatres.

Afterpiece Title: A Hint to the Theatres

883
20 March 1738 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Toy Shop

Dance: I: Two Pierrots-Nivelon, Lalauze; II: Le Badinage de Provence-Poitier (his first appearance since his accident at the other theatre), Mlle Roland Elder (the first time of her appearance on that stage); III: Les Amours de Polichinelle and Dame Ragonde-Lalauze, Nivelon (in wooden Shoes); IV: The Miller's Jealousy-Poitier, Mlle Roland, Nivelon, Mrs LeBrun; V: Grecian Sailor-Glover

884
20 April 1741 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Barber

Dance: I: Concerto-Mlle Mechel; II: Minuet, French Rigadoon-Mechel the Father, who never appeared in any theatre in England, Mlle Mechel the Daughter; Minuet-Mechel the Son, Miss Polly Woffington, the first time of her appearing on the stage; IV: The Metamorphoses of the Windmills-Mechel, Mlle Mechel, Miss Woffington, Master Ferg, a little French Boy; lately come from France. End Afterpiece: A Wooden Shoe dance called Les Sabotiers de Piemont-Mechel Sr, Mechel Jr., Mlle Mechel, little French Boy

885
31 January 1756 @ Lecture Room, Robin Hood Tavern, near the Temple Bar

Performances

Mainpiece Title: A Dissertation On Various Theatrical Subjects On Theatres

886
18 March 1765 @ Covent Garden

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Thomasand Sally

Entertainment: After: Lecture upon Heads-Shuter (as originally given at the Theatre in the Hay-Market by G. A. Stevens)

887
21 April 1766 @ Covent Garden

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Upholsterer

Dance: II: The Drunken Peasant-Miles (Peasant), Bennet (Clown); IV: A Comic Dance-Master King, Miss Pitt; End: The Village Romps, as17651019; Between acts of Farce: A Double Hornpipe (for this Night Only)-Walker (From Drury Lane Theatre), Miss Pitt, his scholar

Entertainment: End: The Cries of London-Shuter

888
07 September 1767 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mayor of Garratt

Dance: SSerious Dance-; The Gallant Peasant, as17670904

Entertainment: By Desire, Occasional Prologue on opening the Theatre-Mr Foote; in which will be introduced Through the Wood Laddie-the real Blackamoor Lady (Neville)

889
11 May 1772 @ Covent Garden

Performances

Mainpiece Title: Cato

Afterpiece Title: The Cheats of Scapin

Entertainment: End: Interlude taken from Foote's Comedy of Taste: Lady Pentweazle-The Young Gentleman (who performed it last year at Drury Lane Theatre)

Ballet: II: The Wapping Landlady. As17720424[Sixfold Hornpipe, as17720424

890
29 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128, to conclude with The Emperor's Cossac (composed for the Masqued Ball [held at this theatre, 24 Jan.] by Noverre) by Nivelon and Mlle Theodore; End of Act II Divertisement Dance, as17811117; End of Act III Les Petits Riens, as17811211

891
02 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

892
28 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: GRETNA GREEN

Music: Books of the Songs to be had at the Theatre

Song: As17830613

893
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

894
12 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Performance Comment: In which Meadows (from the Theatre Royal [Crow Street], Dublin) will make his 1st appearance in this Kingdom [he probably acted Lubin (see CG, 24 May 1786)]; Solomon-Decastro; the Quaker-Dighton (1st appearance in that character); Floretta-Mrs Benson; Gillian-A Young Lady (1st appearance on any stage [unidentified]) .unidentified]) .

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

895
08 April 1790 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Little Hunchback

Dance: End II: As17891013; End: The Guardian Outwitted (1st time at this theatre)-Byrne, Boyce, Ratchford, the two Miss Simonets. [This was 1st performed at the king's, 11 Jan. 1783, as Le Tuteur Trompe.

896
19 May 1791 @ Covent Garden

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Love in a Camp

Song: End IV: The Group of Lovers; or, Beauty at her Levee (1st time at this theatre)-Munden; End: The Pleasures of the Chace-Incledon; after which Say Bonny Lass will you lie in a Garrat-, being a Parody on Say Bonny Lass, will you lie in a Barrack; Timothy Staytape-Munden; Miss Tippet-Mrs Martyr

897
26 December 1791 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Performance Comment: King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-Rundell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker; Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the Theatre Royal, York).

Afterpiece Title: The Humours of Sir John Brute

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

898
15 October 1793 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Irishman in London

Dance: End: The Drunken Swiss (1st time; composed by West)-West (1st appearance at this theatre), Mlle St.Amand (1st appearance these 2 years)

899
16 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Frolics of an Hour

Afterpiece Title: Harlequin and Faustus

Cast
Role: A Representation of the Scaffoldingv prepar Actor: Royal Drury Lane, as it appeared in July

Song: In the course of the EveningOld Towler-Incledon

Entertainment: In the course of the Performances: Imitations of the principal Performers of both Theatres-Townsend

900
25 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace