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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Royal Theatre at Hampton Court"/1) | (@(roleclean,performerclean) "Royal Theatre at Hampton Court")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4824 results for: Keyword - Royal Theatre at Hampton-Court
We found 3790 matches on Event Comments, 790 matches on Performance Title, 512 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

851
20 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Catherine and Petruchio

852
22 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: All the World's a Stage

853
24 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

854
27 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

855
17 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

856
29 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

857
20 April 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

858
07 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

859
17 May 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Lyar

Dance: End IV: The Devonshire Minuet (1st time)-the Miss Stageldoirs (scholars of LeMercier); End: The Butterfly, as17800921

Song: End I: As17810424

860
17 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Triumph of Mirth

861
01 January 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Fortunatus

862
24 March 1788 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Omai; or, A Trip round the World

863
02 June 1788 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Afterpiece: For that Night only [it had 1st been acted at the Royalty, 1 Jan. 1788]. The Airs and Chorusses composed by Reeve. End of Act I a Grand Representation of Mount Vesuvius at the time of an Eruptionv. [Mrs Gibbs was from the Royalty.] Receipts: #275 10s. (138.15; 26.19; 5.8; tickets: 104.8) (charge: #115 14s. 6d.)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17870922, but Harcourt-Palmer.
Cast
Role: Harcourt Actor: Palmer.

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

Dance: In afterpiece: Hamoir, Miss J. Stageldoir

864
31 October 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Humourist

865
22 May 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

866
30 May 1792 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Irishman in London

Dance: II: a Negro Dance-

Song: In afterpiece: As17920421; End: The Group of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue End IV: Jeu D'Esprit, as17920516; Little Pig lays without any Straw-Fawcett

867
30 December 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: HARLEQUIN PEASANT

868
06 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Performance Comment: Thomas-Munden (1st appearance in that character); Nephew-Macready; Whittle-Powel; Sir Patrick O'Neal-Rock; Bates-Davenport; Servants-Abbot, Blurton, Simmons; Kecksey-Bernard; Widow Brady (for that night only; with Garrick's original Epilogue Song)-Mrs Greville (late of the Theatre Royal, Drury Lane).

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

869
24 May 1798 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 1st piece: Not acted these 2 years. 2nd piece: In one Act. Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 22, Southampton-street, Covent-Garden. Receipts: #127 5s. (31.3.6; 6.2.6; tickets: 89.19.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

870
27 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

871
13 June 1800 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac Mendoza-Quick; Ferdinand-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Don Jerome-Baynes (1st appearance on this stage); Antonio-Hill; Father Paul-Thompson; Lopez-Wilde; Don Carlos-A Lady (1st appearance [Mrs Baster]); The Duenna-Mrs Whitmore; Louisa-Mrs Martyr; Clara-Mrs Atkins (1st appearance in that character).

Afterpiece Title: The Sultan

Performance Comment: Solyman-Barrymore; Osman-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Ismene-Miss Wheatley; (with a) song-Miss Wheatley; accompanied on the Harp-Weippert; Elmira-Mrs Follett; Roxalana (with The Blue Bell of Scotland)-Mrs Jordan [of dl].of dl].

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

872
29 January 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Dance: As17031102

Song: (at the Desire of several Persons of Quality) Singing in Italian- the FamousSigniora Francisca Margarita del'Epine the Musick that accompanies her composed by Signior Giacomo Greber, being the first time of her performing at this Theatre

873
24 April 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches

Dance: A Scaramouch, a Dutch Boor-a Master lately arriv'd from the Theatre at Amsterdam, being the first Time of his Appearance on the English Stage

Song: As17170204

874
23 April 1720 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Theatre

Afterpiece Title: The Emperor of The Moon

Dance:

875
10 October 1720 @ Southwark

Performances

Mainpiece Title: Henry The Fourth, Part I

Afterpiece Title: The Broken Stock-Jobbers; or, Work for the Bailiffs

Dance: Comical Drunken Man-Harper; Also the surprizing and diverting Entertainment of The Italian Shadows which gave such universal Satisfaction last season in the New Theatre-