SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Royal Garden at Richmond"/1) | (@(roleclean,performerclean) "Royal Garden at Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2152 matches on Event Comments, 763 matches on Performance Title, 587 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa Or Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

Event Comment: No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.]*c1765 11 01 cg No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: II: The Garland?-as17651003

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I Overture-; The Anthem perform'd at the Chapel Royal for the Victory obtained at Dettingen-; Solo on Violin-Agus Jr; Part II Miserere Me Deus (the 51st Psalm) compos'd for the Duke of Chandos-; Concerto on Clarinet-Mahoon; Part III Anthem perform'd at the Chapel Royal for the nuptials of their late Royal Highnesses the Prince and Princess of Wales-.

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The English Merchant

Performance Comment: Spatter-Williamson; Sir William Douglas-Gardner; La France-Gaudry (all of the Theatre Royal, Hay-market); Lord Falbridge-Smith; Owen-Hunter; Frecport-Calvert (from the Theatre-Royal [Smock Alley], Dublin; 1st appearance in London); Amelia-Mrs Cuyler; Molly-Mrs Lefevre; Lady Alton-Mrs Lloyd (all of the Theatre Royal, Hay-market); Mrs Goodman-Mrs Bolton .
Cast
Role: from the Theatre Actor: Royal

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Performances

Mainpiece Title: Music In Four Acts

Performance Comment: Favourite songs. A good Choir disposed over the orchestra, and some extraordinary hands. End Act II, Handel's Grand Chorus from the Messiah-; [End Act IV, Handel's Coronation Anthem-. [After the music is over, in the Portico opposite the Octagone in the Garden, will be exhibited the Theatre of Shados [sic] representing several beautiful views of Italy, and moving figures...Between the acts the French Horns-; [and Clarinets- [will play favourite pieces- [in the Garden. The whole to conclude with a Ball..in the Garden. The whole to conclude with a Ball..
Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Gnome or Harlequin Underground

Performance Comment: Harlequin-Milbourn; Clown-Burton; Miser-Johnson; Squeezum-Barrett; Stone Eater (with a song)-Moss; Beadle-Usher; Blacksmith-Phillimore; 1st Sailor (with a song)-Bannister; Gnome-Miss DeCamp; Colombine-Mrs Goodwin; The other Characters-Mathews, Chapman, Painter, Lyons, Abbot, Farley, Ledger, Rowson, Stannard, Clarke, Sands, Hobler, Aylmer, Mrs Love, Miss Francis, Mrs Lefevre, Miss Palmer, Mrs Invill, Miss Rowson, Mrs Gaudry A MS list of cast in Enthoven assigns the Clown-$Degville; Blacksmith, Covent Garden Doctor-Swords; It specifies: Recruiting Serjeant-Mathews; Cobler-Chapman; Peace Officers-Painter, Lyons; Gnome-Abbot; Cook-Farley; Barber-Ledger; Covent Garden Doctor's Man-Rowson Sen.; Porter-Rowson Sen.; Slaves and Recruits-Stannard, Clarke, Sands, Hobler, Aylmer; Nuns-Miss Francis, Mrs Invill, the 2 Miss Simonets; Cobler's Wife-Mrs Gaudry; Taylor's Wife-Miss Rowson; It adds: 2nd Harlequin-Byrne; Miser's Servant-Besford Sen.; Mule Driver-Besford Jun.; Taylor-Appleby; Jew Boy-Master Sestini; unassigned-Abbot, Mrs Love, Mrs Lefevre, Miss Palmer.

Dance: End 1st piece: January and May-[see17880627

Performances

Mainpiece Title: Venice Preservd

Performance Comment: See16820209, but Prologue To His Royal Highness Upon His first appearance at the Duke's Theatre since his Return from Scotland. Written by Mr Dryden-Mr Smith; The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-. The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-.
Event Comment: DDaily Journal, 23 Oct,: Yesterday being the Anniversary of the Princess Royal's Birth-Day, a Masque was prepared at His Royal Highness's Command, on that Occasion, by Mr Rich, and perform'd by his Company in His Royal Highness's@Gardens at Cue, which were illuminated with above a thousand Lamps

Performances

Mainpiece Title: A Masque

Event Comment: Mainpiece: By Desire. His Royal Highness the Duke of Cumberland was at the Theatre Royal in Drury Lane, to see the tragedy of The Orphan; being the first time of his Royal Highness's being at either of the Theatres since his indisposition (General Advertiser, 4 Jan.). Receipts: #180 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Detection Or A Sketch Of The Times

Performance Comment: Alderman Increase-Beesley (from the Theatre Royal, Norwich); George Increase-Williams; Sprightly-Mason (1st appearance); Landlord Blacklegs, Carmine-Welldon; Brass-Johnstone; Dr M'Drugg, Powell-Swords; Rushlight-Stannard; Marrowbone-Whittaker; Sam. Baldpate-Parker; Putty-Hedges; Snip-Phillips; Flint-Freeman; Tom Blunt-Robinson; Boy-Master Charles; M'Intosh-Brown (from the Theatre Royal, Edinburgh); Sir Petulant Poundage-Barrett; Clara-Miss Frederick (1st time); Gauze-Miss Watkins; Mrs Tripe-Miss Jackson; Mrs Increase-Mrs Baker (from the Theatre Royal, York); With a new Prologue-; Epilogue-.

Afterpiece Title: The City Association or The National Spirit Rousd

Song: End I: song-Phillips

Entertainment: Monologue.End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh)

Performance Comment: End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh).

Performances

Mainpiece Title: A Wife To Be Lett

Performance Comment: Graspall-Barrett (of hay); Captain Gaylove-Turner; Fairman-Stannard; Sneaksby-Digby; Sir Harry Beaumont-Lyon (from the Theatre Royal, Edinburgh); Shamble-Williams; Courtly-Johnson; Tim-Benson; Toywell-Russell (from the Theatre Royal, Norwich); Mrs Graspall-Mrs Harley (1st appearance); Dogwood-Mrs Gardner; Marilla (with a song)-Miss Green (1st appearance); Celemena-Miss Harrison; Widow Stately-Mrs Russell (from the Theatre Royal, Norwich); Amadea (with songs)-Miss Hemet.

Afterpiece Title: The Sharpers Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

Performances

Mainpiece Title: Cheapside Or All In The City

Performance Comment: Principal Characters by Benson, Johnson (from the Theatre Royal, Dublin), Pressly, Robson, Bailey (from the Theatre Royal, York), Jacobs (from the Theatre Royal, Edinburgh); Miss Hemet, Miss Dudley, Miss Dancer, Mrs Hyam. Cast not known. With a new Prologue and Epilogue .

Afterpiece Title: The Sailors Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

Event Comment: Ode: In two Parts. Principal Instrumental Performers as 20 Feb., but omitted: Bridgtower, Archer, Mahon, Lavenu, Napier, Simpson. Mr Ashley is exceedingly concerned that he is under the necessity of informing the Public that the Anthem [The Anthem that will be performed at the Chapel Royal, St. James's, on the Nuptials oF his Royal Highness the Prince of Wales and the Princess Caroline of Brunswick, composed by Handel, to conclude with the Hallelujah Chorus from The Messiah (advance playbill of 25 Feb.)] advertised for this Evening is necessarihy postponed until the Royal Marriage shall have taken place

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes Or The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby (for that night only)-Thornton (of the Theatre-Royal Windsor; 1st appearance in London); Canton-Everard (late of the Theatre-Royal Drury-Lane); Miss Sterling-A Young Lady (1st appearance on any stage [unidentified]); Mrs Heidelberg-Mrs Gardner (1st appearance since her return from the West Indies).

Afterpiece Title: The Author

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: In an edition of Covent Garden Drollery, M. Summers, p. 67, prints an Epilogue, Spoken by the Lady Mary Mordant, before the King and Queen, at court, to the faithfull Shepherdess; Summers includes a letter (p. 121) from Gerrard to Lord Strafford, 9 Jan. 1662@3, concerning a performance of The Faithfull Shepherdess at Court. In another edition of the Covent Garden Drollery (London, 1928), G. Thorn-Drury argues that the performance belongs to Twelfth Night, 1633@4 (pp. 146-47)

Performances

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The King's Company. This play is one of a series represented by Prologues and Epilogues in Covent Garden Drollery, 1672, all of which may have been acted by the actress only. Langbaine (English Dramatick Poets, p. 213) states: This Play was One of those that were represented at the old Theatre in Lincolns-Inn-Fields, when the Women acted alone. The Prologue and Epilogue were spoken by Mrs Marshall, and printed in Covent-garden Drollery, pag. 18. About this Time there was a Prologue written on purpose for the Women by Mr Dryden, and is printed in his Miscellany Poems in octavo, p. 285

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Event Comment: The King's Company. This is another in the series of plays acted entirely by actresses and probably Performed in the early summer of 1672. The Prologue and Epilogue are in Covent Garden Drollery, 1672. Langbaine (English Dramatick Poets, p. 313): This play was reviv'd at the Old Theatre, in little Lincolns-Inn-fields, and acted all by Women, a new Prologue and Epilogue being spoken by Mrs Marshall in Man's Cloaths, which Reader may find printed in Covent-Garden Drollery, 80, pag. 3. &c

Performances

Mainpiece Title: The Parsons Wedding

Event Comment: DDaily Advertiser, 30 Nov,: On Sunday Morning died at her House in Bow Street, Covent-Garden, Mrs Buchanan, a famous Tragedian of Covent-Garden Playhouse

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit for Phillips and Mrs Walter. Tickets to be had at Phillips, Lodgings in Little Wild St., near Lincoln's Inn Fields; at the Bedford Coffee House, Covent Garden; of Mrs Walter, at the Three Queens, a Hosier, in New St., Covent Garden; and at Bradshaws. Afterpiece: a New Pantomimic Entertainment. Receipts: #170

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Cooper Outwitted or Harlequin Happy

Song: I: Bumper Squire Jones-Beard; III: The Early Horn-Lowe

Dance: II: Le Boufon, as17420325 IV: The Drunken Peasant-Phillips

Event Comment: This day is publish'd Judas Macchabaeus: a Sacred Drama as it is performed at Covent Garden. Set by Mr Handel. Printed for J. Watts. This day Publish'd The Oracle, a Comedy of one act as it is perform'd at Covent Garden, at 1s. By Mrs Cibber printed for R. Dosdley in Pall Mall, &c

Performances

Mainpiece Title: Judas Macchabaeus