Search

26
21 December 1795 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Cast

27
12 May 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Langbaine, English Dramatick Poets, p. 509: [It] was alter'd (as I have heard by Mr Carthwright) by Mr Betterton. Downes, p. 30: [Done] by the same Author [Betterton]...and all the other Parts Exactly perform'd, it lasted Successively 8 Days, and very frequently Acted afterwards. Pepys, Diary: To the Duke of York's playhouse, and there, in the side balcony, over against the musick, did hear, but not see, a new play, the first day acted, The Roman Virgin, and old play, and but ordinary, I thought; but the trouble of my eyes with the light of the candles did almost kill me

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

28
24 February 1750 @ Drury Lane Theatre

Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

29
26 February 1750 @ Drury Lane Theatre

Event Comment: No money returned after the curtain is up. No admittance behind scenes. This day is published The Story on which the New Tragedy call'd The Roman Father is founded, with some account of the Author and his writings. Sold by W. Reeves, in Fleet St.; and A. Dodd opposite St Clement's Church in the Strand (General Advertiser). Paid Norton 6 chorus #1 10s. (Treasurer's Book). Receipts: #170 (Cross); #164 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

30
27 February 1750 @ Drury Lane Theatre

Event Comment: Benefit for the Author. Tickets for the Roman Father on the Author's Nights are to be had at Mr Dodsley's, at Tully's Head in Pall Mall (General Advertiser). Paid Blandford (Tallow Chandler) #18 17s.; Norton 6 Chorus #1 10s. (Treasurer's Book). Receipts: #170 (Cross); Charges #63 (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

31
01 March 1750 @ Drury Lane Theatre

Event Comment: Paid to Mr Franklin [the printer?] #8 2s.; To Mr Norton 5 chorus 9s. (Treasurer's Book). Those Gentlemen who borrow'd gold laced hats to go to Drury Lane in order to damn the new play are desir'd to return them to the owners, or their names will be publish'd at full length (Winston MS 7, from No 5 of The Midwife). This month was publish'd Corneille's Horace and the Roman Father Compared (Gentleman's Magazine, Register of Books). Receipts: #190 (Cross); #175 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

32
05 March 1750 @ Drury Lane Theatre

Event Comment: Benefit for Author. Tickets at the Stage Door. This Day is Published at 1s. 6d. The Roman Father, a Tragedy, as it is now acting at Drury Lane. Written by Mr W. Whitehead. Printed for R. Dodsley in Pall Mall, and sold by M. Cooper in Paternoster Row (General Advertiser). Paid Cross a bill #1 8s. 7d. Norton 4 chorus #1. Paid for a brown coat with gold holes, a scarlet waistcoat with gold lace, scarlet shag breeches for Mr Sowdon #8 (Treasurer's Book). [Probably Sowdon's costume in the part of Tullius Hcstilius.] Receipts: #190 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

33
06 March 1750 @ Drury Lane Theatre

Event Comment: Paid Norton 6 Chorus #1 10s. (Treasurer's Book). This Day is Publish'd at 6d. Remarks on the New Tragedy call'd The Roman Father, with a word to the Author. "When authors write such lively strains so sad,@They needs must make the honest Critic mad." By a Spectator. Sold by W. Reeve at Shakespeare's Head in Fleet St.; and A. Dodd at the Peacock opposite St. Clement's Church in the Strand. Receipts: #180 (Cross); #159 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

34
10 December 1754 @ Covent Garden

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Performance Comment: Coriolanus-Sheridan; Cominius-Ridout; Menenius-Shuter; Sicinius-Bennet; Brutus-Stevens; Plebians-Barrington, Dunstall, Collins, Stoppelaer, Costollo; Tullus-Ryan; Volusius-Sparks; Galesus-Gibson; Minucius-Anderson; First Senator-Redman; Second Senator-Wignell; Aedile-Hurst; Officer-Holtom; Titus-Cushing; Herald-White; Gentlewoman-Miss Helme; Volumnia-Mrs Bellamy; Veturia-Mrs Woffington; In the First Act will be introduced a Military Entry after the Manner of a Roman Ovation- (playbill and $Hogan, p. 160).

35
18 December 1777 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by William Shirley. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 19 Dec. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Richard Cumberland (Collection...of English Prologues and Epilogues, IV, 194]: With New Scenes and Dresses. "I have been at another new play, The Roman Sacrifice. It is the old story of Junius Brutus, without a tolerable line. I went to see it, as I had never seen Henderson, and thought I could Judge him better in a new part; but either the part was so bad, or he wants to copy, that I should not have found out he was at all superior to all other actors" (Walpole [23 Dec. 1777], X 170). Receipts: #2223s. 6d. (207.8.0; 13.13.6; 1.2.0)

Performances

Mainpiece Title: The Roman Sacrifice

Afterpiece Title: Daphne and Amintor

36
18 April 1796 @ Drury Lane Theatre

Event Comment: Benefit for Kemble. Mainpiece: In Act II an Ovation; or, Entry of Coriolanus into Rome. In Act V A Procession of Roman Matrons to the Volscian Camp. Oracle, 4 Apr.: Tickets to be had of Kemble, No. 13, Caroline-street, Bedford Square. Receipts: #475 4s. (277.10.6; 60.15.0; 5.16.6; tickets: 131.2.0) (charge: #229 14s. 6d.)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Citizen

37
23 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Roman Actor

Performance Comment: The Emperor Domitian-Palmer; Lamia-Aickin; Aretinus-Caulfield; Rusticus-Maddocks; Sura-Webb; Parthenius-C. Kemble?; Cornellius-Trueman; Paris, the Roman Actor-Kemble; Aesopus-Whitfield; Latinus-Packer; Domitia-Mrs Powell; Julia-Miss DeCamp; Domitilla-Miss Heard; Galeria-Miss Miller.

Cast

Role: the Roman Actor Actor: Kemble

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

38
03 October 1796 @ Drury Lane Theatre

Event Comment: Mainpiece: In II Ovation; or, Entry of Coriolanus into Romev; In V Procession of Roman Matrons to the Volscian Campv. "The business of the stage was extremely incorrect, and some of the performers imperfect. These sometimes fretted [Kemble], and the actor became a manager...and directed the scene" (Oracle. 4 Oct.).] Receipts: #390 17s. 6d. (317.19.0; 69.1.0; 3.17.6)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Virgin Unmask'd

Ballet: The Triumph of Love. As17961001

39
February 1678 @ Drury Lane Theatre

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.

Cast

Role: Another Roman Officer Actor: Wiltshire

40
25 February 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Concert

Music: The Performers are to be in the following Characters. The Harpsichord-Colombine; Violoncello-Harlequin; Bassoon-Scaramouch; Double Bass-Pierot; Singing-Diana, an Indian King; Violins-a Spaniard, a Roman, an Hungarian, a Persian, a Turk, a Polander, an Arabian, a Muscovite; the Tenor-a Highlander; the German Flute-a Satyr; French Horns-Foresters; Hautboys-two Shepherds; others. The Concert of Performers will consist of between 40 and 50 of the best Hands

Performance Comment: The Harpsichord-Colombine; Violoncello-Harlequin; Bassoon-Scaramouch; Double Bass-Pierot; Singing-Diana, an Indian King; Violins-a Spaniard, a Roman, an Hungarian, a Persian, a Turk, a Polander, an Arabian, a Muscovite; the Tenor-a Highlander; the German Flute-a Satyr; French Horns-Foresters; Hautboys-two Shepherds; others. The Concert of Performers will consist of between 40 and 50 of the best Hands. others. The Concert of Performers will consist of between 40 and 50 of the best Hands.

Cast

Role: Violins Actor: a Spaniard, a Roman, an Hungarian, a Persian, a Turk, a Polander, an Arabian, a Muscovite

41
14 March 1758 @ Covent Garden

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Ryan; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-White; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo; Volumnia-Miss Condill; Veturia-Mrs Hamilton. In which will be introduc'd a Roman Ovation after the manner of the Antients.

Cast

Role: Veturia Actor: Mrs Hamilton. In which will be introduc'd a Roman Ovation after the manner of the Antients.

Afterpiece Title: The Sheep Shearing

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

42
18 April 1760 @ Covent Garden

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Tullus-Clarke; Volusius-Sparks; Menenius-Shuter; Cominius-Ridout; Galesus-Gibson; Brutus-Davis; Sicinius-Bennet; Plebeians-Dunstall, Barrington, Collins, Costollo, Stoppelaer; Volumnia-Mrs Vincent; Veturia-Mrs Hamilton. In which will be introduc'd a Roman Ovation, after the manner of the ancients.

Cast

Role: Veturia Actor: Mrs Hamilton. In which will be introduc'd a Roman Ovation, after the manner of the ancients.

Afterpiece Title: Lethe

Dance: III: Fingalian Dance-Miss Hilliard; End: The Threshers-Leppie, Granier, Mlle Capdeville

43
18 February 1765 @ Covent Garden

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Menenius-Shuter; Cominius-Gibson; Minucius-Anderson; Sicinius-Bennet; Brutus-Davis; Plebeians-Barrington; Dunstall, Cushing, Costollo, Lewis; Tullus-Clarke; Volusius-Walker; Galesus-Hull; Titus-White; Volumnia-Miss Macklin; Veturia-Mrs Bellamy. In which will be introduc'd a Roman Ovation after the manner of the ancients.

Cast

Role: Veturia Actor: Mrs Bellamy. In which will be introduc'd a Roman Ovation after the manner of the ancients.

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

44
16 May 1775 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The What D'Ye Call It

Dance: I: The Country Macaroni Assembly, as17750512; With Minuet, as17750512; End Opera: The British Bacchanalian, as17750512; with Wooden Shoe Dance, as17750512

Ballet: II: Boadicea Queen of Britain. As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans

Performance Comment: As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans.

Cast

Role: in addition are Twenty@three Combatants Actor: , dressed after the manner of the ancient Britons and Romans.

45
06 January 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Cast

Role: Priuli Actor: Roman

Afterpiece Title: An Old Man Taught Wisdom; or, The Virgin Unmask'd

46
03 March 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Cast

Role: Priuli Actor: Roman

Afterpiece Title: Harlequin Orpheus; or, The Magical Pipe

Music: Select Pieces on the Violin by a Youth of 13 Years of Age, who never performed in public before, a Scholar of Signior Catanio

Entertainment: [Apparently not published. Author not known. For Poitier, see Daily Journal, 3 March.]

47
17 May 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Cast

Role: Priuli Actor: Roman

Afterpiece Title: An Old Man Taught Wisdom

Music: I: The last new Medley Overture, Composed by Charke

Dance: II: The Happy Shepherd and Shepherdess by Davenport and Miss Brett. III: Pierots by Davenport and Pelling. IV: Scot's Dance by Davenport and Mrs Davenport. V: By Desire, The Prince of Wales's Saraband, with a Minuet by Davenport and Miss Brett

48
09 June 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Cast

Role: Priuli Actor: Roman

Afterpiece Title: An Old Man Taught Wisdom

Dance: By Command: II: French Peasants by Poirier and Mlle Roland. III: Pierots by Nivelon and Lalauze. V: Harlequin and Harlequine by Poirier and Mlle Roland

49
10 April 1746 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Cast

Role: Roman Captain Actor: Bencraft

Afterpiece Title: The Royal Chace

Dance: BBird Catchers, as17460322

50
03 December 1753 @ Drury Lane Theatre

Performances

Mainpiece Title: Boadicia

Cast

Role: Roman Ambassador Icenians and Trinobanitans Actor: Bransby, Davies, Jefferson

Result Options

Search Filters

Event

Performance

Cast

Keyword

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Cast

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Performances

Mainpiece Title: The Roman Sacrifice

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Roman Actor

Cast

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Virgin Unmask'd

Ballet: The Triumph of Love. As17961001

Performances

Mainpiece Title: Mithridates, King Of Pontus

Cast

Performances

Mainpiece Title: Concert

Cast

Performances

Mainpiece Title: Coriolanus

Cast

Afterpiece Title: The Sheep Shearing

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Performances

Mainpiece Title: Coriolanus

Cast

Afterpiece Title: Lethe

Dance: III: Fingalian Dance-Miss Hilliard; End: The Threshers-Leppie, Granier, Mlle Capdeville

Performances

Mainpiece Title: Coriolanus

Cast

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The What D'Ye Call It

Dance: I: The Country Macaroni Assembly, as17750512; With Minuet, as17750512; End Opera: The British Bacchanalian, as17750512; with Wooden Shoe Dance, as17750512

Ballet: II: Boadicea Queen of Britain. As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans

Cast

Performances

Mainpiece Title: Venice Preserv'd

Cast

Afterpiece Title: An Old Man Taught Wisdom; or, The Virgin Unmask'd

Performances

Mainpiece Title: Venice Preserv'd

Cast

Afterpiece Title: Harlequin Orpheus; or, The Magical Pipe

Music: Select Pieces on the Violin by a Youth of 13 Years of Age, who never performed in public before, a Scholar of Signior Catanio

Entertainment: [Apparently not published. Author not known. For Poitier, see Daily Journal, 3 March.]