SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Roger Boyle Earl of Orrery"/1) | (@(roleclean,performerclean) "Roger Boyle Earl of Orrery")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1097 matches on Performance Comments, 579 matches on Performance Title, 216 matches on Event Comments, 187 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Patie And Roger

Dance: Middlemist

Performances

Mainpiece Title: Patie And Roger Or The Gentle Shepherd

Dance: Middlemist

Performances

Mainpiece Title: Patie And Roger

Song: TThe Last Time I cam o'er the Moor-

Dance: Middlemist

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Catharine and Petruchio

Dance: II: Comic Dance-Miss Rogers. *uõdl End: The Farmer's Return from London. As17620320

Performances

Mainpiece Title: The Funeral

Afterpiece Title: High Life below Stairs

Dance: II: Comic Dance-Miss Rogers; III: The Camp Alarm'd, as17610926. *uõdl End: The Farmer's Return from London. As17620320

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Duke of York Actor: Miss Rogers

Afterpiece Title: Love a la Mode

Song: III: Miss Young

Dance: A Comic Dance-Miss Rogers

Performances

Mainpiece Title: Rule A Wife

Dance: A Comic Dance-Miss Rogers

Performances

Mainpiece Title: Patie And Roger Or The Gentle Shepherd

Dance: Middlemist

Performances

Mainpiece Title: The Ladys Last Stake

Afterpiece Title: The Witches

Dance: IV: A Comic Dance-Miss Rogers

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Witches

Dance: I: A Comic Dance-Miss Rogers, as17621210

Performances

Mainpiece Title: Patie And Roger Or The Gentle Shepherd

Dance: Middlemist

Performances

Mainpiece Title: Patie And Roger

Entertainment: CCries of Edinburgh-Lauder, by Desire

Dance: Middlemist

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: False Concord

Dance: II: A New Grand Ballet-Gallini, Miss Wilford, Sga Manesiere; End: A Grand Dance, call'd Hymen's Triumph-Gallini, Duquesney, Master Rogers, Miss Valois, Miss Wilford, Sga Manesiere

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Musical Lady

Dance: IV: The Provencalle-Miss Rogers

Performances

Mainpiece Title: Patie And Roger

Dance: Middlemist

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Devil to Pay

Dance: End: New Comic Dance-Tassoni, Sga Giorgi; End Farce: A Minuet-Rogier, Miss Rogers (scholar to Noverre)

Performances

Mainpiece Title: Patie And Roger Or The Gentle Shepherd

Dance: Middlemist

Performances

Mainpiece Title: Pattie And Roger Or The Gentle Shepherd

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Sultan

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

Performances

Mainpiece Title: Arrived At Portsmouth

Afterpiece Title: The Days of Yore

Performance Comment: Principal Characters by Pope, Middleton, Harley, Macready, Hull, Toms, Richardson, Davenport, Claremont, Thompson, Williamson, Mrs Clendining, Mrs Pope. Cast from text (C. Dilly, 1796): Voltimar-Pope; King Alfred-Middleton; Oddune, Earl of Devonshire-Harley; Sibald-Macready; Roger de Malvern-Hull; Alric, Earl of Northumberland-Toms; Gothrun-Richardson; Redwald-Davenport; Egbert-Claremont; Mollo-Thompson; Messenger-Williamson; Lothaire-Mrs Clendining; Swithun-Blurton; Dane-Abbot; Oswena-Miss Morris [see17960114]; Adela-Mrs Pope; Prologue-Toms.
Event Comment: Rich's Company. The date of the premiere is not knwon, but the Dedication is dated February 1699@1700, the play was entered in the Term Catalogues in February 1699@1700, and advertised in the Flying Post, 16 March 1699@1700. The latest likely date for the first production is January 1700, but the play may have appeared in late December as a rival to lif's production of I Henry IV early in January 1700. Cibber, Apology, I, 275: But the Master of the Revels, who then licens'd all Plays for the Stage, assisted this Reformation [of the morality of the stage] with a more zealous Severity than ever. He would strike out whole Scenes of a vicious or immoral Character, tho' it were visibly shewn to be reform'd or punish'd; a severe Instance of this kind falling upon my self may be an Excuse for my relating it: When Richard the Third (as I alter'd it from Shakespear) came from his Hands to the Stage, he expung'd the whole first Act without sparing a Line of it. This extraordinary Stroke of a Sic volo occasion'd my applying to him for the small Indulgence of a Speech or two, that the other four Acts might limp on with a little less Absurdity! no! he had no leisure to consider what might be separately inoffensive. [Cibber continues with an explanation of the censor's argument for cutting the act.] Preface to Cibber's Ximena, 1719: Richard the Third, which I alter'd from Shakespear, did not raise me Five Pounds on Third Day

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: Edition of 1700: King Henry the Sixth-Wilks; Edward Prince of Wales-Miss Allison; Richard Duke of York-Miss Chock; Richard Duke of Gloucester-Cibber; Duke of Buckingham-Powel; Lord Stanley-Mills; Duke of Norfolk-Simpson; Ratcliff-Kent; Catesby-Thomas; Henry Earl of Richmond-Evans; Oxford-Fairbank; Elizabeth-Mrs Knight; Ann-Mrs Rogers; Cicely-Mrs Powel.
Cast
Role: Henry Earl of Richmond Actor: Evans
Role: Ann Actor: Mrs Rogers

Performances

Mainpiece Title: The Ancient History Of Caradoc The Great Or The Valiant Welshman

Performance Comment: Caradoc-Walker; Cartismandua-Mrs Berriman; Octavian-Hulet; Gald-Milward; Codigunc-Ogden; Claudius Caesar-Huddy; Ostorius Scapula-Berriman; Cunedag-Lacy; Morgan Earl of Anglesey-Hippisley; Roger the Quest Man-Morgan; With a New Prologue-.

Song: TThe Genius of England-Salway

Dance: TTwo Pierrots-Nivelon, Salle; Peasant-Poitier, Mrs Bullock; French Sailor and his Wife-Salle, Mlle Salle

Event Comment: In afterpiece, added, following Lord Mayor's Show: A New Historical Procession of the Several Companies, with their respective Pageants, and the Chief Magistrates belonging to the City of London, from its Foundation. The Scenes, Machinery and Decorations, both of the Pantomime and Procession, invented and designed by Richards, and executed by Him, Smirk, Hodgins, Catton, and others. Book of the Songs, with an Explanation of the Procession [reprinted in Public Advertiser, 21 Jan.], to be had at the Theatre. Public Advertiser, 21 Jan.: The glee is the composition of the late [Benjamin] Rogers (who lived in 1600); the other airs are by Handel, [the Earl of] Kelly, Abel, Stamitz, and Shield . . . More than 200 supernumeraries are employed to walk in the Procession. Receipts: #236 4s. 6d. (231/4/0; 5/0/6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Lord Mayors Day

Event Comment: Betterton's Company. The date of the premiere is not known, but Dryden's letter (see 11 April 1700) places its expected presentation between 11 and 25 April. The fact that the play was advertised in the London Gazette, 29 April 1700, suggests a premiere early in April

Performances

Mainpiece Title: The Fate Of Capua

Performance Comment: Edition of 1700: Prologue by Charles Boyle-; Epilogue by Coll. Codrington-Mrs Barry; Pacuvius Calavius-Hodgson; Virginius-Betterton; Marius Blosius-Berry; Vibius Virius-Bayly; Decius Magius-Boman; Perolla-Scudamore; Junius-Verbruggen; Favonia-Mrs Barry.
Cast
Role: Charles Boyle Actor: