SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Smith"/1) | (@(roleclean,performerclean) "Robert Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Performance Comments, 937 matches on Author, 624 matches on Event Comments, 324 matches on Performance Title, and 182 matches on Roles/Actors.
Event Comment: Benefit for Gardner and R. Smith. Mrs Gardner's Indisposition preventing her from performing this evening, she hopes she shall be excused by her friends. [She was to have played Catherine in Afterpiece according to advance notice of 4 May.] Charges #64 10s. Deficit to each benefiticiary #15 6s. 6d., cover'd by income from tickets: Gardner, #61 1s. (Box 118; Pit 101; Gallery 164); Smith, #64 19s. (Box 35; Pit 264; Gallery 166). Paid half year's Land Tax for the Theatre due Lady day last, #61 5s.; paid ditto for window lights, #6 10s. 6d.; Paid ditto for House in Bow Passage #2 3s. 9d. and for its window lights 15s. Receipts: #33 17s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17711031, but Shylock-Gardner, 2nd time; Duke-Thompson; Salarino-R. Smith; Salanio-Owenson; Launcelot-Quick.
Cast
Role: Salarino Actor: R. Smith

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17711217, but Pedro-R. Smith.
Cast
Role: Pedro Actor: R. Smith.

Dance: III: Comic Dance, as17711031; IV: A Tambourine, as17720501

Event Comment: Benefit for Mrs Smith. Paid one year's Watch Rate, St Martin's to 14 Feb. last #10 13s.; Chorus 2 nights (this incl.) #5 1s. (Treasurer's Book). Receipts: #217 19s.6d. Charges: #70 9s. Profits to Mrs Smith: #147 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Padlock

Performance Comment: As17720926, but Leonora-Mrs Smith, for that night only.
Event Comment: Benefit for Smith. Mainpiece: Not acted these 16 years. Part of Pit will be laid into the Boxes. Tragedy by Samuel Pordage. Charges #64 12s. Profit to Smith #62 19s. 6d., plus #110 from tickets (Box 380; Pit 68; Gallery 48) Receipts: #127 11s. 6d. (Account Book)

Performances

Mainpiece Title: Herod And Mariamne

Performance Comment: Herod-Smith; Sohemus-Bensley; Narbal-Clarke; Pheroas-Gardner; High Priest-Hull; Sameas-Davis; Flaminius-Wroughton; Arsinoe-Mattocks; Salome-Miss Sherman; Mariamne-Mrs Hartley.
Cast
Role: Herod Actor: Smith

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17740205; with an Allemande, as17740205

Event Comment: Mr Smith from Covent Garden Theatre made his first appearance upon this Stage in K. Richd the 3d & was receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. Kemble also refers to borrowing Smith from cg 29 May 1759, which was actually his first appearance at dl.] Paid a Tow Bill 10s. (Treasurer's Book). [This is the customary monthly charge for tow for wicks. It came to #4 10s. for the whole season. No further itemizing of it will be made.] Receipts: #239 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith, first appearance there; King Henry VI-J. Aickin; Richmond-Palmer; Buckingham-Jefferson; Lord Mayor-Ackman; Prince Edward-Master Blanchard; Duke of York-Master Pulley; Tressel-Cautherly; Lord Stanly-Bransby; Norfolk-Hurst; Ratcliff-Wright; Lieutenant-Fawcett; Catesby-Packer; Lady Anne-Miss Younge; Duchess of York-Mrs Johnston; Queen-Mrs Hopkins.

Afterpiece Title: The Meeting of the Company

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorne-Bannister; Justice Woodcock-Parsons; Young Meadows-Dodd; Sir Wm. Meadows-J. Aickin; Eustace-Davies; Hodge-King; Margery-Miss Pope; Deborah-Mrs Love; Rosetta-Mrs Smith; Lucinda-Miss Jarratt, first time.
Cast
Role: Rosetta Actor: Mrs Smith

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

Event Comment: Mr Smith Leon very la! la! (Hopkins Diary). [Macmillan's note from Kemble: Mr Smith Leon-So-So-."] Given to 2 Fire Engines #1 1s. Receipts: #163 19s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Cacafogo-Moody; Duke-Aickin; Copper Capt.-King; Alonzo-Usher; Juan-Packer; Sanchio-Hurst; Clara-Mrs Whitfield; Altea-Mrs Love; Margaretta-Miss Sherry; Old Woman-Baddeley; Maid-Waldron; Estifania-Mrs Abington.
Cast
Role: Leon Actor: Smith

Afterpiece Title: The Theatrical Candidates

Cast
Role: Tragedy Actor: Mrs Smith

Afterpiece Title: Harlequin's Jacket; or, The New Year's Gift

Event Comment: Hamlet -Smith as usual (Hopkins Diary). Paid half year's Watch, St Martins #32 9s. 6d.; Housekeeper's 4 Bills #50 7s. 10d.; Music Books to Mr Stayner, #6 18s. (Treasurer's Book). [The housekeeper's weekly bill averaged #10, for a total of #380 the season. No further itemization of it will be made.] Receipts: #183 3s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Jefferson; Ghost-Bransby; Horatio-Packer; Polonius-Baddeley; Laertes-Aickin; Rosencranz-Davies; Guildenstern-Fawcett; Marcellus-Wrighten; Player King-Usher; Lucianus-Parsons; Messenger-Wright; Bernardo-Griffiths; Francisco-Norris; Queen-Mrs Hopkins; Player Queen-Mrs Johnson; Ophelia-Mrs Smith.
Cast
Role: Hamlet Actor: Smith
Role: Ophelia Actor: Mrs Smith.

Afterpiece Title: The Theatrical Candidates

Cast
Role: Tragedy Actor: Mrs Smith

Afterpiece Title: Bon Ton

Cast
Role: Tragedy Actor: Mrs Smith
Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Cyrus-A Gentleman [Lacy]; Cambyses-Smith; Mithranes-Bensley; Harpagus-Packer; Astyages-Palmer; Mirza-Whitfield; Officer-Norris; Aspatia-Miss Hopkins; Mandane-Mrs Yates.
Cast
Role: Cambyses Actor: Smith

Afterpiece Title: A Peep behind the Curtain

Entertainment: End: (for the last time) Comic Paraphrase on Shakespeare's Seven Ages-King

Dance: End Entertainment: The Irish Fair, as17751003

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Smith; Richmond-Palmer; Buckingham-Jefferson; Tressel-Davies; Lord Stanley-Bransby; Norfolk-Hurst; Catesby-Packer; Prince Edward-Miss P. Hopkins; Duke of York-Master Pulley; Lord Mayor-Griffiths; Ratcliffe-Wright; Lieutenant-Fawcett; King Henry-Reddish; Lady Anne-Mrs Greville; Dutchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: King Richard Actor: Smith

Afterpiece Title: The Elopement

Cast
Role: George Hargrave Actor: Smith
Event Comment: Benefit for Lewis, Dancer & J. Smith. Tickets to be had of Lewis at the Europa; of Smith at the Ship, Seven Houses

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Captain Plume-Comerford; Worthy-Johnson; Captain Brazen-Russell; Justice Ballance-Lewis; Bullock-Newton; ThomasAppletree-Kenny; Costar Pearmain-Dancer; Serjeant Kite-Smith; Sylvia-Miss Reynolds; Melinda-Mrs West; Lucy-Miss Taylor; Rose-A Young Lady of Rotherhithe (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Serjeant Kite Actor: Smith

Afterpiece Title: The Life and Death of Tom Thumb the Great

Cast
Role: Glumdalca Actor: Mr Smith

Dance: End: The Wapping Landlady; or, Jack in Distress-; [with a Hornpipe [in character,-a Lady from London [unidentified]

Song: As17760925

Entertainment: Imitations. As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick

Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Principal Characters by King, Yates, Dodd, Palmer, Parsons, Baddeley, Aickin, Packer, Farren, Lamash, Gaudry, R. Palmer, Norris, Chaplin, Smith, Miss Pope,Miss P. Hopkins, Miss Sherry, Mrs Abington. [Cast from Public Advertiser, 9 May: Sir Peter Teazle-King; Sir Oliver Surface-Yates; Sir Benjamin Backbite-Dodd; Joseph Surface-Palmer; Crabtree-Parsons; Moses-Baddeley; Rowley-Aickin; Snake-Packer; Careless-Farren; Trip-Lamash; Sir Harry Bumper-Gaudry; Gentlemen-R. Palmer, Norris, Chaplin; Charles Surface-Smith; Mrs Candour-Miss Pope; Maria-Miss P. Hopkins; Lady Sneerwell-Miss Sherry; Lady Teazle-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Charles Surface Actor: Smith

Afterpiece Title: The Mayor of Garratt

Cast
Role: Edwin Actor: Smith
Event Comment: Benefit for Smith. Mainpiece: Not acted these 4 years [acted 31 Mar. 1777]. Public Advertiser, 2 Mar.: Tickets to be had of Smith at his house, Beaufort Buildings, Strand. Receipts: #243 17s. 6d. (129.3.0; 18.17.6; 2.9.0; tickets: 93.8.0) (charge: #74 15s. 6d.)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Philimore; Sir Bashful Constant-Yates; Mrs Lovemore-Miss Younge; Muslin-Miss Pope; Lady Constant (1st time)-Mrs Brereton; Mignionet-Mrs Bradshaw; Widow Belmour (with a song in character)-Mrs Abington.
Cast
Role: Lovemore Actor: Smith

Afterpiece Title: The Camp

Event Comment: The Duke's Company. See also 15 and 23 Dec. 1662. Pepys, Diary: There being the famous new play acted the first time to-day, which is called The Adventures of Five Hours, at the Duke's house, being, they say, made or translated by Colonel Tuke, I did long to see it; and so made my wife to get her ready, though we were forced to send for a smith, to break open her trunk...and though early, were forced to sit almost out of sight, at the end of one of the lower forms, so full was the house. And the play, in one word, is the best, for the variety and the most excellent continuance of the plot to the very end, that ever I saw, or think ever shall, and all possible, not only to be done in the time, but in most other respects very admittable, and without one word of ribaldry; and the house, by its frequent plaudits, did show their sufficient approbation. Evelyn, Diary: I went to see Sir S: Tuke (my kinsmans) Comedy acted at the Dukes Theater, which so universaly tooke as it was acted for some weekes every day, & was belived would be worth the Comedians 4 or 5000 pounds: Indeede the plot was incomparable but the language stiffe & formall. Downes (pp 22-23): Wrote by the Earl of Bristol, and Sir Samuel Tuke: This Play being Cloath'd so Excellently Fine in proper Habits, and Acted so justly well....It took Successively 13 Days together, no other Play Intervening. Lady Anglesey to her husband, 10 Jan. 1663: Lord Bristol has made a play which is much commended (CSPD 1663-64, p. 8)

Performances

Mainpiece Title: The Adventures Of Five Hours

Performance Comment: Downes (Roscius Anglicanus, pp. 22-23): Don Henriq-Betterton; Antonio-Harris; Octavio-Young; Diego-Underhill; Ernesto-Sandford; Corrigidor-Smith; Silvio-Price; Camilla-Mrs Davenport; Portia-Mrs Betterton; Flora-Mrs Long; Edition of 1663: No actors' names. The Prologue-; The Prologue at Court-; The Epilogue-; The Epilogue at Court-.
Cast
Role: Corrigidor Actor: Smith
Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Sir John Swallow Actor: Smith
Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse; but there Betterton not being yet well, we would not stay, though since I hear that Smith do act his part in The Villaine, which was then acted, as well or better than he, which I do not believe

Performances

Mainpiece Title: The Villain

Performance Comment: Monsieur Brisac-Smith. See also 18 Oct. 1662.
Event Comment: The Duke's Company. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), states that he saw a revival of this play in 1668. Pepys, Diary: Sent my wife and Deb. to see Mustapha acted...and so to the Duke of York's playhouse, and there saw the last act for nothing. Where I never saw such good acting of any creature as Smith's part of Zanger; and I do also, though it was excellently acted by [...], do yet want Betterton mightily

Performances

Mainpiece Title: Mustapha

Performance Comment: Zanger-Smith. See also 4 Sept. 1667.
Event Comment: The Duke's Company. The date of the first performance is not certain, but it was probably this day. A letter dated 26 Jan. 1681@2 speaks of the preceding day's performance as the "poet's day," presumably the third day; it is likely, therefore, that the premiere fell on Monday, 23 Jan. 1681@2. The Prologue and Epilogue, were printed separately in 1682 and reprinted in Wiley, Rare Prologues and Epilogues, pp. 50-51. Luttrell's copy (Huntington Library) bears his acquisition date of 14 Feb. 1681@2. A note on the Library of Congress copy indicated that Smith spoke the Prologue. A song, Great Augustus like the glorious sun, with music by John Blow, is in A New Collection of Poems and Songs, 1683. Another, Now the Tones all must droop, sung by Bowman, is in the same collection, but without indication of the composer, and a third, Twa bonny lads were Sawney and Jockey, without singer or composer, is in the same collection

Performances

Mainpiece Title: The Royalist

Performance Comment: Edition of 1682: The Prologue-; Sir Charles Kinglove-Smith; Heartall-Williams; Broom-Bowman; Sir Oliver Oldcut-Lee; Sir Paul Eitherside-Jevan; Captain Jonas-Persival; Copyhold-Underhill; Slouch-Bright; Camilla-Mrs Betterton; Aurelia-Mrs Twyford; Philipa-Mrs Petty; The Epilogue-Mr Underhill.
Cast
Role: Sir Charles Kinglove Actor: Smith
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Event Comment: Benefit Smith. Written by Beaumont and Fletcher

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Copper Captain-Giffard; Estifania-Mrs Giffard; Duke-W. Williams; Leon-Huddy; Juan-Bardin; Alonzo-Lacy; Sanchio-Bullock; Old Woman-Collet; Cacafogo-Penkethman; Margaretta-Mrs Haughton; Altea-Mrs Seal; Clara-Mrs Thomas; With a New Prologue to the Town-Smith.

Dance: TTurk's Dance-Burny, Miss Sandham; Scaramouch-Sandham; Pierrots-Burny, Eaton

Event Comment: Benefit for Smith. Part of Pit laid into Boxes

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: As17521209; but Abudah-Smith.
Cast
Role: Abudah Actor: Smith.

Afterpiece Title: The Devil to Pay

Dance: GGrand Scots Ballet, as17521216

Event Comment: Benefit for Smith

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Barry; Sir John-Bridgwater; Sealand-Sparks; Tom-Dyer; Phillis-Mrs Vincent; Cimberton-Arthur; Mrs Sealand-Mrs Bambridge; Lucinda-Mrs Baker; Humphrey-Anderson; Isabella-Miss Ferguson; Daniel-Collins; Myrtle-Smith, 1st time; Indiana-Miss Bellamy; Singing-Lowe.
Cast
Role: Myrtle Actor: Smith, 1st time

Afterpiece Title: The Lying Valet

Dance: Maranesi, Sga Bugiani

Event Comment: Benefit for Bennett, Reed, R. Smith. No Building on Stage. [The usual notice about fraudulent tickets.

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Dyer; Aimwell-Ridout; Scrub-Collins; Sullen-Dunstall; Boniface-Marten; Foigard-Barrington; Sir Charles-R. Smith; Dorinda-Mrs Chambers, 1st appearance that stage; Gibbett-Bennet; Gipsey-Miss Young; Lady Bountiful-Mrs Bambridge; Cherry-Mrs Baker; Mrs Sullen-Mrs Bland.
Cast
Role: Sir Charles Actor: R. Smith

Afterpiece Title: The Double Disappointment

Cast
Role: Jeremy Actor: R. Smith

Song: I: No Never-Lowe, Mrs Chambers; III: Song-Mrs Chambers

Dance: V: Dutch Dance, as17531018

Event Comment: Benefit for Smith. It is the last time of performing (Daily Advertiser)

Performances

Mainpiece Title: The Carnival Concert

Performance Comment: Prologue-Smith.
Cast
Role: Prologue Actor: Smith.

Afterpiece Title: La Pantomime du Charpentier

Event Comment: A Tragedy [by Edmond Smith] revived. Never acted there before

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Sheridan; Hippolitus-Smith; Lycon-Ridout; Ismene-Mrs Baker; Phaedra-Mrs Woffington.
Cast
Role: Hippolitus Actor: Smith
Event Comment: Benefit for Henry Smith. Concert divided into five parts. To begin at 6:30 p.m. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: Aethiopian Concert

Performance Comment: Cleopatra will entertain the town with the surprizing History of Elizabeth Canning. Song-Smith; Cantata-Sadler; Clown-Mulliner; Singing-Sadler, Mrs Yeates; Singing-Lauder; Dance-Mme Katharine.
Cast
Role: Song Actor: Smith