SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Smith"/1) | (@(roleclean,performerclean) "Robert Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Performance Comments, 937 matches on Author, 624 matches on Event Comments, 324 matches on Performance Title, and 182 matches on Roles/Actors.
Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

Related Works
Related Work: Teraminta Author(s): John Christopher Smith
Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: A Day at Rome

Related Works
Related Work: A Day at Rome Author(s): Charles Smith
Event Comment: [The Public Advertiser substitutes Court for Roberts in the Choruses.

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; First Spirit-Ross; Elder Brother-Clarke; Younger Brother-White; Second Spirit-R. Smith; The Lady-Mrs Ward; Bacchanals-Beard, Mattocks; Bacchants-Miss Brent, Miss Miller; Third Spirit-Miss Polly Young; Euphrosyne-Miss Miller, first time; Sabrina, the Pastoral Nymph, and the Song of Sweet Echo-Miss Brent; The Chorusses-Legg, Baker, Roberts, Dibdin, Fawcett, Mrs Lampe, Mrs Jones, Miss Davis; The Dances-M. Duquesney, Sga Manesiere, Miss Wilford, George, Granier. With the usual Decorations and Machinery (playbill).

Afterpiece Title: Miss in Her Teens

Event Comment: Boxes #28 2s. 6d. Rec'd of Rev'd Mr Smith in full for his share of Tickets ye 9th Inst. #2 12s. 6d. (Account Book). Receipts: #117. (Account Book)

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; Elder Brother-Clarke; Younger Brother-Dyer; 1st Spirit-Ross; 2nd Spirit-Mattocks; Lady-Mrs Ward; Bacchanals-Beard, Baker; Bacchants-Miss Brent, Mrs Vernon; Chorusses-Legg, Whitaker, Roberts, Ryley, Dibdin, Courts, Mrs Lampe, Miss Young, Miss Davis, Miss Sledge; Euphrosyne-Mrs Vernon; Sabrina, the Pastoral Nymph, and the song of Sweet Echo-Miss Brent.

Dance: The Dances incident to the masque-Poitier Jr, Mlle Capdeville, Granier, Leppie, Desse, Rochford, Dumai, Gosley, Hussey, Balthazar, Mrs Granier, Mrs Jansolin, Mrs Mariane, Mrs Crawford, Mrs Welch, Miss Daw

Event Comment: Benefit for Several. Watson, Roberts, Palmer. Tickets deliver'd by Daney and C. Roberts will be taken

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Col Fainwell-Palmer; Freeman-Packer; Modelove-Baddeley; Prim-Moody; Tradelove-Burton; Sacbut-Bransby; Perrowinkle-Parsons; Simon Pure-Vaughan; Mrs Prim-Mrs Bradshaw; Betty-Mrs Smith; Mrs Lovely-Miss Plym; Act I, a Hornpipe-Miss Tetley.
Cast
Role: Betty Actor: Mrs Smith

Afterpiece Title: A Fairy Tale

Dance: End: Comic Dance, as17660207

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Barry; Randolph-Ridout; Glenalvon-Smith; Norval-Sparks; Officer-Bennet; Anna-Mrs Vincent; Lady Randolph-Mrs Bellamy, 1st time.
Cast
Role: Glenalvon Actor: Smith

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: Benefit Smith

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

Performance Comment: See17320330 but Jobson-Miller; Nell-Mrs Roberts.
Cast
Role: Nell Actor: Mrs Roberts.

Dance: SSailor's Dance-Burney; Two Pierrots-Burney, Mrs Tollet

Song: BBacchanalian Song-Excell

Event Comment: Benefit Roberts, Boxkeeper

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: See17310406 but Charles-W. Giffard; Cholerick-Morgan; Dismallo-Bullock; Antohio-W. Williams; Charino-Collet; Governor-Huddy; Duart-Smith; Manuel-Havard; Sancho-R. Williams; Monsieur-Bardin; Angelica-Mrs Morgan; Elvira-Mrs Haughton; Louisa-Mrs Plomer; Honoria-Mrs Thomas.
Cast
Role: Duart Actor: Smith

Afterpiece Title: Damon and Phillida

Dance: Sandham

Music: II: Welch Harp-a Gentleman for his Diversion; IV: Solo-Ravenscroft

Event Comment: Benefit for Roberts, Widow Lampe, Miss Young. Afterpiece: For the last time this season

Performances

Mainpiece Title: King Henry Iv, Part I

Performance Comment: As17610914, but King-Gibson; Hotspur-Smith.
Cast
Role: Hotspur Actor: Smith.
Role: Peto Actor: R. Smith

Afterpiece Title: The Dragon of Wantly

Dance: III: The Taylors, as17620107

Music: II: A Piece upon the Welch Harp-Evans

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Performance Comment: Peggy-Mrs Smith; Dick-Blakes; Joe-Fawcett; King-Burton; Miller-Moody.
Cast
Role: Peggy Actor: Mrs Smith
Related Works
Related Work: The King and the Miller of Mansfield Author(s): Robert Dodsley

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Event Comment: Benefit for Roberts, Mrs Lampe, Mrs Jones. Afterpiece: [Advertised again as "For the Last Time this season."

Performances

Mainpiece Title: Rule A Wife

Performance Comment: As17640306 but Sanchio-R. Smith.
Cast
Role: Sanchio Actor: R. Smith.
Role: Leon Actor: Smith, first time

Afterpiece Title: Thomasand Sally

Dance: End: The Judgment of Paris, as17640503

Event Comment: Benefit for Baddeley. Mainpiece: With the Grand Triumphal Entry. 2nd piece [1st time; INT I, probably by Robert Baddeley]: Baddeley, in the character of Moses in The School For Scandal, will present the Audience with a specimen of Jewish Education in a series of Instructions to his son Shadrach. Public Advertiser, 13 Apr.: Tickets to be had of Baddeley, No. 4, Little Russel Street, Covent Garden. Receipts: #246 13s. (178.10; 30.11; 0.17; tickets: 36.15) (charge: #79 4s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-Smith; Cassander-Aickin; Lysimachus-Brereton; Hephestian-Davies; Polypercon-Philimore; Clytus-Hurst; Roxana-Miss Sherry; Parisatis-Mrs Sharp; Sisigambis-Mrs Davenett; Statira-Mrs Robinson.
Cast
Role: Alexander Actor: Smith

Afterpiece Title: Jewish Education

Related Works
Related Work: The Jewish Education Author(s): Robert Baddeley

Afterpiece Title: The Critic

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, my eyes being so bad since last night's straining of them, that I am hardly able to see, besides the pain which I have in them. The play was a new play; and infinitely full: the King and all the Court almost there. It is The Storme, a play of Fletcher's; which is but so-so, methinks; only there is a most admirable dance at the end, of the ladies, in a military manner, which indeed did please me mightily....And there comes my wife home from the Duke of York's playhouse. Two songs, printed somewhat later in Choice Songs and Ayres, The First Book, 1673, may have been prepared for this revival: Hark the storm grows, set by Robert Smith; and Cheer up my mates, set by Pelham Humphrey

Performances

Mainpiece Title: The Storm

Event Comment: The King's Company. The date of the first performance is not known, but the premiere probably occurred during this month. The Preface states: This Play, as it was wrote in less than a moneth, and was the last Play that was Acted at the King's Theatre in Covent-Garden, before the fatal Fire there. [The Preface may mean that this was the last new play acted before the fire.] Two songs for this play, with music by Robert Smith, are in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Miser

Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The King's Company. The date of the premiere is not known, but the play followed The Citizen Turned Gentleman (4 July 1672) and refers to it in the Prologue. Edward Ravenscroft replied in the Preface and Prologue to The Careless Lovers, which appeared in February or March 1672@3. A song, Long betwixt Love and fear Phillis tormented, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Preface to The Assignation: It succeeded ill in the representation, against the opinion of many of the best Judges of our Age. Langbaine, English Dramatick Poets, p. 154: This Play was Damn'd on the Stage

Performances

Mainpiece Title: The Assignation; Or, Love In A Nunnery

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Event Comment: The King's Company. The date of the premiere is not known, but as the play was entered in the Stationers' Register, 26 June 1673, it was probably acted in May 1673 or earlier. For a discussion of its possible dates, see Nicoll, Restoration Drama, p. 403. A song, The day is come, I see it rise, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Dedication to the edition of 1673:...though it succeeded on the Stage

Performances

Mainpiece Title: Amboyna

Event Comment: The Duke's Company. This date of the premiere is not known, but the presence of Cademan (who was injured in August 1673) in the cast suggests a late spring or early summer production. In addition, two songs, in the play, Beauty no more shall suffer eclipse, and Full round the health good natured and free, both set by Robert Smith, are in Choice Ayres and Songs, 1673 (which was entered in the Stationers' Register, June 1673). It is possible, then, that the play was first given early as May 1673. Downes, Roscius Anglicanus, p. 33: A Comedy call'd The Reformation, Written by a Master of Arts in Cambridge; the Reformation in the Play, being the Reverse to the Laws of Morality and Virtue; it quickly made its Exit, to make way for a Moral one

Performances

Mainpiece Title: The Reformation

Related Works
Related Work: The Reformation Author(s): Joseph Arrowsmith
Event Comment: Benefit Neale and Vaughan. Receipts: money #8 13s.; tickets #120 10s. London Daily Post and General Advertiser, 25 May: Yesterday Mr Smith [of CG], being disorder'd in his Senses, threw himself out of his Lodging Window up two pair of Stairs near Gray's Inn . . . and ... his Life is despaired of

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts

Performance Comment: IV: Mock Italian Song by E. Roberts .
Event Comment: Benefit Mrs Roberts. At the particular Desire of several Persons of Distinction

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Phillis-Mrs Roberts .
Cast
Role: Phillis Actor: Mrs Roberts

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performance Comment: Hunter-Mrs Roberts. With an Epilogue of Thanks, spoke by Mrs Roberts in Man's Cloaths .

Music: Solo on Violin by Eversman. Dancing

Song:

Event Comment: Benefit J. Roberts. By Desire. For the Entertainment of the Ancient and Honourable Society of Non-Common Pleas, Mainpiece: Written by the Author of George Barnwell. Second and Third Pieces: Both written by the Author of Pasquin. To begin exactly at Half an Hour after Six, and all will be over by Half an Hour after Nine. Tickets (containing the Prologue to the Register, by way of Ode to the New Year, with the Musick engrav'd on a Copper Plate) may be had of Mr Henry Roberts, Engraver, at the Star over-against the Vine Tavern in Holborn, and at the Theatre in the Hay-Market. Daily Advertiser, 2 May: Sir, As at every one of our Theatres this Day there is a Benefit for Persons under Misfortunes, 'tis humbly hop'd that the more humane Pursuers o Pleasure will suspend their Curiosity for Vaux Hall for one Day, (out of a hundred) in Favour of so many Unfortunate, who have but the Chance of one single Night to relieve them from Afflictions which perhaps they have long labour'd under. And, as I have somewhere read, So humane Worth to God like Heights they'll raise, For the Preserver shares the Maker's Praise. I believe it is fully known, without troubling you with farther Particulars, that among the Number above mention'd, is included, Sir, Your very humble Servant, John Roberts

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Performance Comment: See17370413 Epilogue-Miss Roberts.
Event Comment: Not Acted these Thirty Years. Benefit Mrs Roberts. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Maid's The Mistress

Performance Comment: Gaylove-Johnson; Beauford-Wright; Sir D. Fancy-W. Giffard; Empty-Penkethman; Roger-Norris; Nicholas-Yates; Lady Fancy-Mrs Marshall; Harriet-Mrs Hamilton; Charlot-Mrs Roberts.
Cast
Role: Charlot Actor: Mrs Roberts.

Afterpiece Title: The Lovers Opera

Performance Comment: Lucy-Mrs Roberts; A New Epilogue-Mrs Roberts.
Cast
Role: Lucy Actor: Mrs Roberts
Role: A New Epilogue Actor: Mrs Roberts.

Dance: I: Pierrots-Vallois, Delagarde; V: Scots Dance-Haughton, Mlle Roland

Song: II: The Early Horn Salutes the Morn-Miss Jones; III: Singing in Italian-Mrs Chambers

Event Comment: Benefit Mrs Roberts. Tickets at Mrs Roberts' House in Duke Street, near lif

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: As17380210, but Zara-Mrs Roberts.
Cast
Role: Zara Actor: Mrs Roberts.

Afterpiece Title: The Lovers Opera

Performance Comment: Lucy-Mrs Roberts; Varole-Bardin; Daily Advertiser adds: Dalton-Harper; Edgar-Beard; Moody-Ryan; Obadiah-Griffin; Clodpole-Woodward; Clara-Mrs Pritchard; Flora-Miss Wilson.
Cast
Role: Lucy Actor: Mrs Roberts

Dance: I: Tambourine-Master Ferg, Miss Wright; II: Maggot-Haughton, Mrs Walter; III: Punch-Master Ferg; V: La Pieraite-Livier, Miss Thompson