SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Price"/1) | (@(roleclean,performerclean) "Robert Price")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1149 matches on Performance Comments, 1033 matches on Event Comments, 924 matches on Author, 108 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted this season. Full Prices. [Sparked by Victor's publication of his History of the Theatres of London and Dublin, 1730 to the Present, a series of articles on the Rise and Progress of the English Stage appeared in the Gentleman's Magazine for May (p. 214 ff); June (p. 264 ff); and July (p. 297).

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Register Office

Event Comment: Benefit for author of the Farce. Full prices. Last time of performing the Farce this season

Performances

Mainpiece Title: Woman's A Riddle

Afterpiece Title: The Register Office

Event Comment: By his Majesty's Command. Full Prices

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Polly Honeycombe

Event Comment: Boxes #4 2s. 6d. (Account Book). [i.e., only 16 persons were in the Boxes, and the 2s. 6d. indicates that at least one occupant came in after the third act and paid only half price.] Receipts: #26 12s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Rape of Proserpine

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Full prices. No money returned after curtain is drawn up. Vivat Rex. [A. Murphy and S. Foote joined a partnership and rented dl theatre from Garrick for summer performances (Genest, IV, 616). For Gentleman, Miller? See Winston MS 9.

Performances

Mainpiece Title: All In The Wrong

Event Comment: By Authority. [The Stratagem] An English Tragi-Comical Burletta, translated from the Italian. Music by Hasse. All Scenes, Cloaths, and Decorations entirely new. Prices: Box 5s.; Pit 3s.; Gallery 2s. To begin exactly at Seven. Places to be taken at the Theatre. Vivat Rex. 'Tis hoped no Gentlemen will take it amiss that they cannot be admitted behind the scenes, or into the orchestra. Those who have already taken places, will be so good to send in time (Public Advertiser). [This full notice repeated in subsequent bills, will not be recorded further.

Performances

Mainpiece Title: The Stratagem

Dance: Several new Dances composed by Gherardi, to be executed by his scholars who are all English.End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others

Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Entertainment: of singing and dancing.of singing and dancing

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introduc'dThe Coronation

Event Comment: Full Prices, No admittance behind scenes

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Coronation

Event Comment: CCoronation By desire. As it is introduc'd in King Henry VIII, the Coronation will be represented after other plays. Full prices

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Coronation

Dance: II: The Italian Gardiners-Grimaldi, Miss Baker

Event Comment: Mainpiece: Not acted in three years. Full Prices. [See 17 Nov. 1758.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Coronation

Dance: I: The Camp Alarm'd, as17610926; III: The Cow Keepers-Grimaldi, Miss Dawson

Song: V: Miss Young

Event Comment: Full Prices. [Young Gentleman-Bridges according to Genest, IV, 634.]

Performances

Mainpiece Title: Othello

Afterpiece Title: The Coronation

Dance: A Comic Dance-Master Rogie, Miss Capitani. As17610912

Event Comment: Full Prices

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Coronation

Afterpiece Title: Queen Mab

Event Comment: Full Prices. None admitted behind scenes. [Both pieces advertised regularly for three days in advance.] Income from Boxes #95 15s. Expenses #44 17s. 8d. Including #5 11s. extra for Coronation: viz. 2 men at 10s. 6d. each, chorus singers &c. eleven more at 5s. including Dibdin; 6 Trumpets and 1 fife at 5s. Receipts: #244 7s. (Winston Theatrical Record)

Performances

Mainpiece Title: King Henry V; With Conquest Of The French At Agincourt

Afterpiece Title: The Coronation

Event Comment: Alteration of Shakespeare's Play by Garrick. New Scenes and Habits. Full Prices

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Author's night. Full Prices. A company of young fellows were apprehended at a public house in the Strand where they were assembled to perform the tragedy of Othello. On examination three of the principal performers were committed to Bridewell (Gentleman's Magazine, 1761, p. 601)

Performances

Mainpiece Title: Hecuba

Afterpiece Title: Lethe

Dance: NNew Dutch Comic Dance, as17610925

Event Comment: Afterpiece: An Arabian Night's Entertainment reviv'd in 2 Parts, with Alterations, New Scenes and Habits. Full Prices

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Genii

Event Comment: Mainpiece: Not acted these 8 years. [See 8 Dec. 1752.] Afterpiece: Not perform'd these 10 years. [See 3 Jan. 1753.] No persons can POSSIBLY be admitted behind the scenes or into the orchestra. FULL prices

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Event Comment: Mainpiece. Advertised as a New English Opera, with music compos'd by Dr Arne. Characters new Dress'd. Full Prices

Performances

Mainpiece Title: Artaxerxes

Ballet: II: A New Ballet call'd The Statue Animated. Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford

Dance: End Opera: A New Dutch Dance-Maranesi, Mlle Capdeville

Event Comment: Never acted. Comedy by Wm. Whitehead. New Scenes and Dresses. Full Prices

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Chaplet

Event Comment: Full Prices. School for Lovers Published 1s. 6d

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Polly Honeycombe

Event Comment: Both pieces under the Direction of Dr Arne. Mainpiece: Written by Dryden. Set to Music by Handel. Afterpiece: A Serenata of one Act set to Music by Dr Arne. N.B. Though the nightly expenses attending these performances during the Lent, will be at least equal to any on the like occasion, the Prices will be only Boxes 7s. Pit 5s. First Gallery 3s. and the Upper Gallery 2s. To begin as usual. Subscriptions will continue through the Lent to be taken at Three Guineas, for which the Subscribers shall receive Twelve Box tickets to be used at pleasure, till all are come in, which tickets may be had at Dr Arne's in the Piazza, next the Church, Covent Garden

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Beauty and Virtue

Music: I: Concerto on Violincello-Siprutini; II: Concerto on German Flute-Florio

Event Comment: This day publish'd Semele set to Music by Mr Handel. Price 1s. As it is performed this evening at the Theatre Royal in Covent Garden. Printed for J & R. Tonson in the Strand

Performances

Mainpiece Title: Semele

Music: As17620226

Event Comment: Full Prices

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Genii

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile