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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Martin"/1) | (@(roleclean,performerclean) "Robert Martin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2624 results for: Keyword - Robert Martin
We found 1393 matches on Performance Comments, 944 matches on Author, 423 matches on Event Comments, 139 matches on Performance Title, and 0 matches on Roles/Actors.

2401
17 August 1780 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. Tickets to be had of Bannister Jun. at a print shop, four doors below New-street, St. Martin's Lane

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Dance: II afterpiece: As17800615

Entertainment: End: a Variety of Imitations-Bannister Jun

2402
07 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Williames and Spencer. Gazetteer, 5 May: Tickets to be had of Williames, No. 32, St. Martin's-street, Leicester-fields [Spencer not listed]. 3rd piece: Not acted these 3 years. To conclude with a Waterfall, as it was originally performed. Receipts: #188 5s. 6d. (27/12/0; 12/6/6; 1/14/0; tickets: 146/13/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Musical Miscellanies

Afterpiece Title: The Elopement

2403
10 May 1784 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 7 May: Tickets to be had of Mrs Martyr, No. 32, St. Martin's-strcet, Leicester-fields. 1st piece [1st time; CO 2, by Horatio Edgar Robson. MS: Larpent 657; not published. Composer of music unknown]: The Music partly new and partly compiled. With a New Overture. Receipts: #181 i5s. (99/16; tickets: 81/19) (charge: #105)

Performances

Mainpiece Title: Too Loving By Half

Afterpiece Title: The Winter's Tale

Afterpiece Title: Rosina

Dance: End of 2nd piece Adelaide de Brabant, as17840508

2404
20 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Staunton and Mrs Hedges. Gazetteer, 8 May: Tickets to be had of Staunton, No. 9, St. Martin's-street, Leicester-fields; of Mrs Hedges, opposite Old Bond-street, Piccadilly. Receipts: #208 1s. 6d. (15/13/0; 19/15/6; 0/16/0; tickets: 171/17/0) (charge: #106 0s. 11d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Musical Oglio

Afterpiece Title: The Double Disguise

2405
17 November 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Mainpiece: Not acted these 4 years. Paid Half Year's Watch & Beadles, St Martin's Parish, #22 3s. 8d. Receipts: #289 18s. (276/1/0; 12/19/6; 0/17/6)

Performances

Mainpiece Title: Zara

Afterpiece Title: Bon Ton

2406
06 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Williames and Staunton. Public Advertiser, 3 May: Tickets to be had of Williames, No. 22, Gerrard Street; of Staunton, No. 9, St. Martin's Street. Receipts: #192 8s. 6d. (23/10/0; 11/9/0; 0/11/6; tickets: 156/18/0) (charge: #110 18s.)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Comus

2407
16 April 1788 @ Covent Garden

Event Comment: Benefit for Johnstone. [Afterpiece in place of Love in a Camp, advertised on playbill of 15 Apr.] Public Advertiser, 11 Apr.: Tickets to be had of Johnstone, No. 83, St. Martin's Lane. Receipts: #256 9s. 6d. (152.1.0; 7.2.6; tickets: 97.6.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Barataria

Dance: As17871129

2408
06 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. 2nd piece [1st time; M.INT I]. Public Advertiser, 1 May: Tickets to be had of Wrighten, New Buildings, Hemming's Row, St. Martin's Lane. Receipts: #250 6s. (38.14; 19.15; 1.7; tickets: 190.10) (charge: #109 8s. 2d.)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

2409
10 January 1789 @ King's Theatre

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

2410
21 October 1789 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces the 1st night of The False Friend (see 24 Oct.), but "Miss Farren was taken ill, and The Beggar's Opera was the substitute. It proved, however, to be a substitute flat, stale and unprofitable. We never saw more indiffernet acting" (Oracle, 22 Oct.). Afterpiece in place of Richard Coeur de Lion, advertised on playbill of 20 Oct.] Paid Watch & Beadles, St. Martin's parish? 1 Year #42 10s. 4d. Receipts: #73 4s. (46.17.0; 24.17.6; 1.9.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

2411
27 February 1790 @ Haymarket Theatre

Event Comment: A new Comic Opera; the music by Bianchi [with additions by Mozart [K. 479, 480 (see Loewenberg, 407)], Martin y Soler, Paisiello]. Under the direction of Federici

Performances

Mainpiece Title: La Villanella Rapita

Dance: End I: La Bergere des Alpes, as17900107; End Opera: Les Mariages Flamands, as17900213, but Mlle Dorival

2412
06 May 1790 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: The Miser

2413
20 May 1790 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Public Advertiser, 19 May: Tickets to be had of Sedgwick, No. 66, St. Martin's Lane. Receipts: #218 5s. (47.12.0; 19.19.6; 1.12.6; tickets: 149.1.0) (charge: #110 9s. 2d.)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: Comus

2414
20 May 1790 @ Haymarket Theatre

Event Comment: Benefit for Mlle Dorival. Tickets to be had of Mlle Dorival, No. 36, St. Martin's-street

Performances

Mainpiece Title: Ninetta

Dance: End I: Les Mariages Flamands, as17900213, but Mlle Dorival, in place of Mlle _de'Caro; End Opera: +La Jalousie sans Raison, as17900325

2415
03 June 1790 @ Covent Garden

Event Comment: Benefit for Duffey and Cox. Diary, 3 June: Tickets to be had of Duffey, No. 115, St. Martin's Lane [Cox not listed]. Receipts: #315 10s. 6d. (94.12.0; 6.3.6; tickets: 214.15.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Follies of a Day

Song: End I afterpiece: Tho' Bacchus may boast (composed by Shield)-Duffey; End II: Mad Tom (composed by Purcell)-Duffey

2416
19 October 1790 @ Covent Garden

Event Comment: Mainpiece: 15th [recte 14th] Time [i.e. in continuation of the reckoning for the previous season]. With new Dresses, Scenes, Machinery and Decorations. The Music partly from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne. The rest by Shield. The Chorusses selected from Handel, to be sung by the Performers from the Concert of Ancient Music. [Miss Williams was from the Exeter theatre.] Receipts: #137 1s. 6d. (133.7.0; 3.14.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: Animal Magnetism

2417
01 January 1791 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin, 1792]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Musick composed principally by Storace, with a few Pieces selected from [Una Cosa Rara, by] Martini [i.e. Martin y Soler], Salieri, and Paisiello. "The Siege of Belgrade is a very pleasing vehicle for the music, which in a modern opera is all that is expected from the poet" (Universal Magazine, Jan. 1791, p. 66). "The battle between Palmer and Kelly ought to be shortened. It is almost as ludicrous as that between Don Whiskerandos and Beefeater, in Mr Puff's Tragedy [in The Critic]" (Gazetteer, 4 Jan. 1791). Account-Book, 24 May 1791: Paid Cobb for Copyright of Siege of Belgrade of #210. Receipts: #267 9s. 6d. (242.0.0; 23.9.6; 2.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deuce is in Him

2418
13 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Israel In Egypt; Messiah; Grand Selection 0

Afterpiece Title: A New Selection

Performance Comment: Concerto on the violin-Master Clement; Gentle Airs Melodious Strains-Miss Broadhurst (Athalia); Let me wander not unseen, Or let the merry Bells-Dignum; And young and old-Chorus; Sweet bird that shun'st-Miss Hagley; accompanied on the violin-Shaw (L'Allegro); Pleasure my former ways resigning-Spence (Time and Truth); Solo on the violoncello-Mason; From rosy Bowers-Mrs Crouch (Purcell); Ah! d'ascolta gia parmi-Miss Davies (Martin y Soler); Awake Eolian Lyre-Reinhold (Dr Arnold); Gird on thy Sword-Chorus (Saul).

2419
18 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Morning Chronicle, 14 May: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane. Receipts: #100 16s. 6d. (65.11.0; 31.9.0; 3.16.6; tickets: none listed) (charge: #117 13s. 8d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: The Pannel

2420
26 May 1791 @ King's Theatre

Event Comment: Benefit for Mlle Mozon. Tickets, 10s. 6d. each and Boxes, to be had of Mlle Mozon, No. 32, St. Martin-street, Leicester-fields

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End III: an entire new Ballet (composed by Vestris Jun.) Les Folies d'Espagne- see17910610; (for that night only) Pas de Trois-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; Pas Seul-Juber (principal dancer from France); a Pas de Deux-Juber, Mlle Mozon; conclude with Minuet de la Cour-as17910505Vestris Sen

Ballet: End I: L'Amadriade. As17910517

2421
16 August 1791 @ Haymarket Theatre

Event Comment: Benefit for Mrs Kemble. Afterpiece [1st time: F 2, by Stephen George Kemble, altered from The Fair Maid of the West, by Thomas Heywood. Larpent MS 914; not published. Author of Prologue unknown]. Morning Chronicle, 15 Aug.: Tickets to be had of Mrs Kemble, next door to the Old Slaughter's Coffee-house, St. Martin's Lane. "Miss Kemble, though only four years of age, drew forth much applause" (Diary, 17 Aug.)

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Northern Inn; or, The Days of Good Queen Bess

2422
29 September 1791 @ Drury Lane at King's Theatre

Event Comment: 2nd piece: The Scenes entirely new, designed and executed by Greenwood. The Music composed principally by Storace, with a few pieces selected from Martini [i.e. Martin y Soler], Salieri, and Paisiello. Receipts: #450 8s. (403.12; 46.12; 0.4)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Siege of Belgrade

Afterpiece Title: All the World's a Stage

2423
03 October 1791 @ Covent Garden

Event Comment: [Mrs Fawcett was from the York theatre.] Afterpiece: 1st Time as an After Piece. With Dresses, Scenes, Machinery, and Decorations. The Music partly selected from Cimarosa, Gluck, Martin, Reeve, and Dr Arne. The rest composed by Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Oct.: Paid Reynolds in full for The Crusade #60. Receipts: #187 13s. (181.16.6; 5.16.6)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Crusade

2424
19 March 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Palmer. Afterpiece [1st time; P 3, author unknown. "Founded on the Tale of Inkle & Yarico" (Kemble Mem.), by Sir Richard Steele, in The Spectator, No. II, 13 March 1710-11. Not in Larpent MS; not published]: The Music by Gluck and Martini [i.e. Martin y Soler]. Morning Herald, 9 Mar.: Tickets to be had of Palmer, No. 3, London-road, St. George's Fields. Receipts: #452 16s. (169.17; 47.13; 2.11; tickets: 232.15) (charge: #169 5s. 8d.)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: The American Heroine; or, Ingratitude Punished

Dance: In afterpiece: the Dances (composed by Hamoir,)-Hamoir, Bidotti, Keys, Nicolini, Walker, Whitmill, Mrs Barrett, Mrs Bourk, Mrs Brooker, Mrs Davis, Mrs Harris, Mrs Haskey, Miss Jacobs, Miss DeCamp

2425
10 May 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Sedgwick. Sedgwick's Illness depriving him of the Power of appearing this Evening, he trusts his Friends and the Public will, with their usual Liberality, admit of his Indisposition as an Apology. Morning Herald, 17 Apr.: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane, Long-acre. Receipts: #394 18s. 6d. (83.5.0; 43.7.0; 8.16.0; tickets: 259.10.6) (charge: #157 7s.)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Sisters; or, The Violence of Love Author(s): Robert Gould
Related Work: The Rival Milleners; or, The Humours of Covent-Garden Author(s): Robert Drury

Afterpiece Title: Bon Ton

Dance: End: a Dance-