SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Martin"/1) | (@(roleclean,performerclean) "Robert Martin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1393 matches on Performance Comments, 944 matches on Author, 423 matches on Event Comments, 139 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: A New Comedy by Robert Hitchcock [first perform'd at York]

Performances

Mainpiece Title: The Macaroni

Related Works
Related Work: The Macaroni Author(s): Robert Hitchcock

Afterpiece Title: The Apprentice

Song: III: O What a Charming Thing's a Battle-Bannister

Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Related Works
Related Work: Braganza Author(s): Robert Jephson

Afterpiece Title: The Anatomist

Cast
Role: Martin Actor: Burton
Event Comment: Mainpiece: Written by the Author of Braganza [1st time; T 5, by Robert Jephson. Prologue and Epilogue by the author (see text)]. With new Scenes and Dresses. Public Advertiser, 15 Feb. 1779: This Day is published The Law of Lombardy (1s. 6d.). Receipts: #221 (196.19.0; 23.13.6; 0.7.6)

Performances

Mainpiece Title: The Law Of Lombardy

Related Works
Related Work: The Law of Lombardy Author(s): Robert Jephson

Afterpiece Title: High Life below Stairs

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Related Works
Related Work: The Count of Narbonne Author(s): Robert Jephson

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Related Works
Related Work: The Campaign; or, Love in the East Indies Author(s): Robert Jephson
Related Work: The Campaign Author(s): Robert Jephson
Related Work: Love and War Author(s): Robert Jephson

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

Related Works
Related Work: Love and War Author(s): Robert Jephson
Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by Edmond Malone. Epilogue by John Courtenay (see text)]: With new Dresses, Decorations, &c. Public Advertiser, 18 Dec. 1787: This Day is published Julia (1s. 6d.). Receipts: #217 2s. 6d. (201.5.0; 15.11.0; 0.6.6)

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Related Works
Related Work: Julia; or, The Italian Lover Author(s): Robert Jephson

Afterpiece Title: The First Floor

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Not acted these 10 years. [Epilogue by Robert Jephson.] Afterpiece: Written by D. Garrick, Esq. Public Advertiser, 31 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #340 5s. 6d. (166.10.0; 11.0.0; 1.4.6; tickets: 161.11.0) (charge: free)

Performances

Mainpiece Title: The Law Of Lombardy

Related Works
Related Work: The Law of Lombardy Author(s): Robert Jephson

Afterpiece Title: Lethe; or, AEsop in the Shades

Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II) Jewish Education

Afterpiece Title: A Lesson for Lawyers

Related Works
Related Work: A Lesson for Lawyers Author(s): Robert Baddeley

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Related Works
Related Work: The Toy-Shop Author(s): Robert Dodsley

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 865; not published]. Public Advertiser, 20 Apr.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford Square. Receipts: #320 9s. 6d. (94.18.0; 16.5.0; 0.12.6; tickets: 208.14.0) (charge: #117 10s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Mordecai's Beard

Related Works
Related Work: Mordecai's Beard Author(s): Robert Baddeley

Afterpiece Title: The Romp

Related Works
Related Work: Love and Money; or, The Fair Caledonian Author(s): Robert Benson

Dance: End I: As17900323

Song: End II: a new Masonic Song-Dignum

Entertainment: Monologue. End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun

Event Comment: 2nd piece: Never [previously] acted in this Kingdom [by Robert Jephson, altered by the author from his The Hotel; or, The Servant with Two Masters, which was based on Il Servitore di due Padroni, by Carlo Goldoni, and on Arlequin Valet de deux Maitres, by Jean Pierre de Ours de Mandajors, and 1st acted at Smock Alley Theatre, Dublin, 8 May 1783]. Oracle, 18 Mar. 1791: This Day is published Two Strings to Your Bow (1s). Receipts: #210 3s. 6d. (205.17.0; 4.6.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Related Works
Related Work: Two Strings to Your Bow Author(s): Robert Jephson

Afterpiece Title: A Divertisement

Dance: As17901123

Event Comment: Mainpiece [1st time; T 5, by Robert Merry. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. Oracle, 7 May 1791: This Day is published Lorenzo (1s. 6d.). Receipts: #187 3s. (182.19.6; 4.3.6)

Performances

Mainpiece Title: Lorenzo

Related Works
Related Work: Lorenzo Author(s): Robert Merry
Related Work: La Scola dei Maritati Author(s): Martin y Soler
Related Work: L'Isola del Piacere Author(s): Martin y Soler
Related Work: Le Nozze dei Contadini Spagnuoli Author(s): Martin y Soler

Afterpiece Title: Two Strings to Your Bow

Related Works
Related Work: Two Strings to Your Bow Author(s): Robert Jephson
Event Comment: Mainpiece [1st time; CO 3, by Robert Merry. Larpent MS 933; not published]: With entire new Music, Scenery, and Dresses. The Overture and the whole of the Music composed new by Mazzinghi. Books of the Songs to be had at the Theatre. Receipts: #284 1s. (281.14; 2.7)

Performances

Mainpiece Title: The Magician No Conjurer

Related Works
Related Work: The Magician no Conjurer Author(s): Robert Merry

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Cast
Role: Sir Robert Ramble Actor: Lewis

Afterpiece Title: The Pad

Related Works
Related Work: The Pad Author(s): Robert Woolbridge

Afterpiece Title: The Shipwreck; or, French Ingratitude

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: Benefit for Mrs Kemble. 3rd piece [1st time; MF 1, by Robert Benson; music by Dr Arnold]: The Piece to conclude with a representation of the late Grand Naval Review [held at Portsmouth, in honor of George III's visit to that place, 28 June]. The Machinery, &c., entirely new for the occasion. Books of the Entertainment to be had at the Theatre. Morning Herald, 21 Aug. 1794: This Day is published BRITAIN's GLORY (price not listed). Morning Chronicle, 18 Aug.: Tickets to be had of Mrs Kemble, No. 24, Haymarket

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE GAMESTER

Afterpiece Title: BRITAIN'S GLORY; or, A Trip to Portsmouth

Related Works
Related Work: Britain's Glory; or, A Trip to Portsmouth Author(s): Robert Benson
Event Comment: Account-Book: Tickets delivered by Townsend, Williamson, Robson (music porter), Smart, Walker, Strahan, Anselmo, Sturgeon, Furkins, Bazely, Simmons, Roberts, Barnes, Steer will be admitted. Receipts: #409 10s. (34.11.0; 7.0.6; tickets: 367.18.6)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Two Strings to Your Bow

Related Works
Related Work: Two Strings to Your Bow Author(s): Robert Jephson
Event Comment: Benefit for Mrs Kemble. 1st piece: Not acted these 7 years. 2nd piece [1st time; MF 1, by Robert Benson]: The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. Morning Chronicle, 25 Aug.: Tickets to be had of Mrs Kemble, No. 9, Haymarket,

Performances

Mainpiece Title: Douglas

Afterpiece Title: Love and Money; or, The Fair Caledonian

Related Works
Related Work: Love and Money; or, The Fair Caledonian Author(s): Robert Benson

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue End 2nd piece: Monsieur Tonson-Fawcett

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson, based on La Clemenza di Tito. by Pietro Bonaventura Trapassi? Metastasio. Text (unauthorized), Dublin: John Archer, 1796; it assigns no parts. Authors of Prologue and Epilogue unknown]: The Scenery by Marinari. Receipts: #237 10s. (169.18; 64.12; 3.0)

Performances

Mainpiece Title: The Conspiracy

Related Works
Related Work: The Conspiracy Author(s): Robert Jephson

Afterpiece Title: Harlequin Captive

Event Comment: Benefit for Dumay, Hussey, Merifield, J. Martin, Miss Daw

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Old Maid

Music: I: Violin Solo-J. Martin

Performance Comment: Martin.

Dance: II: A Hornpipe-Miss Daw; III: New Comic Dance-Duquesney, Granier, Dumay; IV: The Catalonian Marriage, as17630308 End: a Minuet-Dumay, Miss Twist

Event Comment: Benefit Wright and E. Roberts. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Mock Doctor

Performance Comment: See17330423 but Doctor-Cibber Jr; Dorcas-Miss Raftor; Sir Jasper-Shepard; Leander-Stoppelaer; Hellebore-Roberts; Welshman-James; Harry-Leigh; James-Mullart; Charlotte-Mrs Mullart; Lucy-Miss Mears.
Cast
Role: Hellebore Actor: Roberts

Dance: I: Drunken Peasant-LeBrun; III: Scots Dance-Haughton, Mrs Walter; IV: Dutchwoman-Miss Robinson; End of Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

Song: II: Singing in English-E. Roberts; V: Singing in Italian-E. Roberts

Performance Comment: Roberts; V: Singing in Italian-E. Roberts.

Music: In III: Concerto on Little Flute-John Bastion

Event Comment: Benefit Roberts and Jones

Performances

Mainpiece Title: Jane Shore

Performance Comment: Gloster-Roberts; Hastings-W. Mills; Dumont-Bridgwater; Bellmour-Paget; Ratcliff-Winstone; Catesby-Ridout; Alicia-Mrs Charke; Jane Shore-Mrs Butler.
Cast
Role: Gloster Actor: Roberts

Afterpiece Title: The Mock Doctor

Cast
Role: Harry Actor: Roberts

Dance: III: Pastoral Dance-D'Vallois, others; V: Scotch Dance-Holt, Mrs Walter

Song: I: E. Roberts

Performance Comment: Roberts.

Performances

Mainpiece Title: The Committee

Performance Comment: Teague-Tony Aston; Careless-Ryan; Blunt-Quin; Day-Penkethman; Abel-Chapman; Obadiah-Hippisley; Story-Aston Jr; Mrs Day-Mrs Egleton; Ruth-Mrs Bullock; Arabella-Mrs Buchanan; Mrs Chat-Mrs Martin.
Cast
Role: Mrs Chat Actor: Mrs Martin.
Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Dance: TThe Grand Aga and his Sultana-Salle, Mrs Laguerre; The Baulk-Salle, Mrs Laguerre

Performances

Mainpiece Title: The Committee

Performance Comment: Teague-Bridgwater; Careless-Ryan; Blunt-Walker; Day-Hippisley; Abel-Mullart; Obadiah-James; Bookseller-Chapman; Ruth-Mrs Horton; Arabella-Mrs Buchanan; Mrs Day-Mrs Mullart; Mrs Chat-Mrs Martin .
Cast
Role: Mrs Chat Actor: Mrs Martin
Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Roberts; Lady Loverule-Mrs Kilby; Jobson-Mullart; Nell-Miss Norsa, but see17360325.
Cast
Role: Sir John Actor: Roberts

Dance: II: Two Pierrots by Lalauze and Nivelon. III: Tambourine by Miss Rogers. V: Sailors, as17360501

Song: I: The Confession by Roberts and Miss Norsa. IV: By Roberts

Performance Comment: IV: By Roberts .

Performances

Mainpiece Title: The Committee

Performance Comment: Careless-Ryan; Blunt-Walker; Teague-Stoppelaer; Ruth-Mrs Horton; Day-Hippisley; Mrs Day-Mrs Mullart; Abel-Mullart; Obadiah-James; Story-Aston; Bookseller-Chapman; Arbella-Mrs Bellamy; Mrs Chat-Mrs Martin.
Cast
Role: Mrs Chat Actor: Mrs Martin.
Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: Flora

Dance: HHornpipe (by Desire)-Ferguson; Peasant, as17370201