SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Hurst"/1) | (@(roleclean,performerclean) "Robert Hurst")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1434 matches on Performance Comments, 924 matches on Author, 309 matches on Event Comments, 94 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Roberts, Boxkeeper

Performances

Mainpiece Title: The Constant Couple

Dance: End II: Lads and Lasses-; III: Dutch Skipper-Sandham; IV: Shepherd's Holiday-Burny, Sandham, Eaton, Mrs Haughton, Mrs Mountfort, Miss Sandham

Song: End I: Miss Thornowets; IV: Miss Thornowets

Event Comment: Benefit Roberts, Boxkeeper

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Damon and Phillida

Dance: Sandham

Music: II: Welch Harp-a Gentleman for his Diversion; IV: Solo-Ravenscroft

Event Comment: Benefit John Roberts, now Confin'd in the Fleet Prison. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Lottery

Dance:

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17311025, but Falstaff-Gentleman who perform'd it in Harry the Fourth; Rugby-Williams; Sir Hugh-Norris; Mrs Ford-Mrs Giffard? (Daily Advertiser) or Mrs Roberts (Daily Post).

Afterpiece Title: The Devil to Pay

Dance: LLes Amants-Burney, Mrs Wherrit

Event Comment: Benefit Berry, Roberts, Miss Brett

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Country Wedding

Song:

Dance:

Event Comment: DDaily Post, 28 Sept.: Yesterday Morning [27 Sept.] between Nine and Ten o'Clock, Robert Wilks, Esq., one of the Patentees and Managers of his Majesty's Company of Comedians, died, at his House in Bow-street, Covent-Garden

Performances

Performances

Mainpiece Title: The Miser

Music: Second and Third Musick, as17331201 I as IV on 1 Dec

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Polichinelles by Janno and F. Tench. V: Watteau by Miss Robinson

Song: II: A Thousand Fairy Scenes (from Rosamond) by Master Arne. IV: An Air in Porus by Roberts

Performance Comment: IV: An Air in Porus by Roberts .
Event Comment: Benefit Roberts and Perry. At 7 P.M.'Boxes 51. Pit is. Gallery 2s

Performances

Mainpiece Title: Concert

Music: Two Sonatas on the Harp by Perry. Also by the best Performers

Performances

Mainpiece Title: The Humorous Election; Or, Court And Country

Performance Comment: Parts by Mrs Roberts, Mrs Charke, Mrs Egerton, Mrs Talbot, Turbutt, Miss Jones, Jones, Hallam, Woodward, Woodburne, and Este .

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Lady Grace Actor: Mrs Roberts

Afterpiece Title: The Lover His Own Rival

Performance Comment: Parts by Penkethman, Rosco, Kelly, Miss Jones, Mrs Dove, Miss Gerrard, Mrs Roberts, but see17360210.

Dance: II: Dutch Skipper by Vallois and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c

Song: III: Italian Song by Mrs Chambers

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Flora

Song: English Roast Beef by Leveridge. Mock Italian Song by E. Roberts

Performance Comment: Mock Italian Song by E. Roberts .

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: II: By a Scholar of Nivelon's. III: Two Pierrots by Nivelon and Lalauze. IV: Tambourine by Miss Rogers. V: Sailors (from Orestes) by Glover and others

Song: I: Chanson a Boire, to Musick of Mr Handel's, sung by Leveridge and Laguerre. II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England

Performance Comment: II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England .

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Cleora; or, The Amorous Old Shepherdess

Dance: Hornpipe by Ferguson. Tambourine by Miss Rogers

Song: Cuckoo Solo by Master Oates. Mock Italian Song by E. Roberts

Performance Comment: Mock Italian Song by E. Roberts .

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Flora's Hol1day; or, The Shepherds Welcome to the Spring

Performance Comment: Parts by Leveridge, Laguerre, Roberts, Stoppelaer, Mrs Wright, Miss Hillyard; with The Faithful Shepherd (a ballet) by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle De Lormc, Miss Norman, Mrs Kilby .

Music: Select Pieces on several Instruments

Dance: I: Clown by Nivelon. II: Tambourine by Miss Rogers. III: French Peasants by Lalauze, Mlle D'Hervigni, &c. IV: Harlequine by Mlle De L'Isle

Performances

Mainpiece Title: The Inconstant

Music: Overture to Ariadne. Select Pieces between the Acts. V: Handel's Water Musick, in which Benj. Baker will play the Kettle-Drums, accompanied with Trumpets and French Horns

Dance: I: Le Depit Amoureux by Desse and Mlle Delorme. II: Comic Dance by Nivelon and Mlle De L'Isle. IV: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: The Faithful Shepherd by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle Delorme, Miss Norman, Mrs Kilby

Song: I: Chancon a Boire, as17360504. II: The Confession sung by Roberts and Miss Hillyard. III: The opinion of the Ancients, as17360412

Performance Comment: II: The Confession sung by Roberts and Miss Hillyard. III: The opinion of the Ancients, as17360412.

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts

Performance Comment: IV: Mock Italian Song by E. Roberts .
Event Comment: EEgmont, Diary, II, 390: To the Haymarket Playhouse, where a farce was acted called Eurydice First Hiss'd?, an allegory on the loss of the Excise Bill. The whole was a satire on Sir Robert Walpole, and I observed that when any strong passages fell, the Prince, who was there, clapped, especially when in favour of liberty. [The Princess of Wales was also present.

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performance Comment: Pierot-Lalauze; Endymion-Salway; Chasseurs-Vincent; Roberts; Nymphs-Miss Brunette, Miss Rogers; Diana-Mrs Vincent; Merlin-Leveridge; Cupid-Glover; Graces-Mrs Bullock, Miss Oates, Mrs LeBrun; Hour-Miss Cantrell; Zephyrs-Villeneuve, Desse, Richardson, DuPre; Psyche-Mlle Roland; Jupiter (Harlequin)-Lun; Mercury-Laguerre; Doctor-Penkethman; Doctor's Wife-Mrs Kilby. With Scenes representing the exact Views of The Hermitage and Merlin's Cave, as taken from the Royal Gardens at Richmond.

Performances

Mainpiece Title: Penelope

Performance Comment: Monticelli; Amorevoli; Visconti; Muscovita. [Robert Price to Thomas, Earl of Haddington, 19 Dec.--Deutsch, Handel, p. 528.]
Event Comment: Benefit J. Roberts, Mines, Masons, Cooper. Afterpiece by desire

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: The Honest Yorkshireman

Dance: II: As17420510; IV: Pantaloon and Enamorata, as17420420

Song: AArrah my Judy-Stoppelaer

Entertainment: CCries of London-Salway

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick, 1st time; Dumont-Delane; Belmour-Mills; Jane Shore-Mrs Pritchard; Alicia-Mrs Woffington (Daily Advertiser), Mrs Roberts (London Daily Post and General Advertiser); Duke of Gloster-Macklin; Catesby-Winstone; Ratcliff-Blakes.

Afterpiece Title: The Lying Valet

Song: IV: Beard

Event Comment: Benefit Roberts and Mrs Stevens

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Virgin Unmask'd

Dance: TTambourine-Cooke; Peasants, as17421230; Characters of Dancing, as17421025; New Grand Comic Ballet, as17430407

Event Comment: FFawkes and Pinchbeck's Great Theatrical Booth, facing the Hospital Gate, West Smithfield. Taken from Shakespear. [Possibly a puppet show.] The occasion is the Retaking the English Standard belonging to Sir Robert Rich's Regiment of Horse by George Darraugh

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Event Comment: Benefit Roberts and Mrs Stevens

Performances

Mainpiece Title: Henry Viii

Song: Cantata-Beard; To Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Related Works
Related Work: Mordecai's Beard Author(s): Robert Baddeley

Dance: NNew Serious Dance, as17440404

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment