The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rob Williams"/1) | (@(roleclean,performerclean) "Rob Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10791 matches on Author, 1665 matches on Performance Comments, 443 matches on Event Comments, 51 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performances

Mainpiece Title: Othello, Moor Of Venice

Performances

Mainpiece Title: Julius Caesar

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: King Edward The Third

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performances

Mainpiece Title: The Double Dealer

Performances

Mainpiece Title: All For Love; Or, The World Well-lost

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Timon Of Athens

Performances

Mainpiece Title: Love For Love

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points to this day as a strong Possibility. Downes, Roscius Anglicanus (p. 44) states that it was given thirteen days consecutively, and John Coke (see 16 March 1696@7) states that it was acted "till Saturday" (16 March 1696@7). If the tragedy was acted on Wednesdays but not Fridays, as was often the practice in Lent, and if the farce alluded to for Saturday, 16 March 1696@7, comprised the entire program, this day was probably the premiere. The following sequence of performances is based on these premises. Downes, Roscius Anglicanus, p. 44: The Mourning Bride...had such Success, that it continu'd Acting Uninterrupted 13 Days together. Gildon, English Dramatick Poets, p. 23: This Play had the greatest Success, not only of all Mr Congreve's, but indeed of all the Plays that ever I can remember on the English Stage, excepting some of the incomparable Otway's. Aston, A Brief Supplement (in Cibber, Apology, II, 302): His [Betterton's] Favourite, Mrs Barry, claims the next in Estimation. They were both never better pleas'd, than in Playing together.--Mrs Barry outshin'd Mrs Bracegirdle in the Character of Zara in the Mourning Bride, altho' Mr Congreve design'd Almeria for that Favour

Performances

Mainpiece Title: The Mourning Bride