SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rob Williams"/1) | (@(roleclean,performerclean) "Rob Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10791 matches on Author, 1665 matches on Performance Comments, 443 matches on Event Comments, 51 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performances

Mainpiece Title: Othello, Moor Of Venice

Performances

Mainpiece Title: Julius Caesar

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: King Edward The Third

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performances

Mainpiece Title: The Double Dealer

Performances

Mainpiece Title: All For Love; Or, The World Well-lost

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: Timon Of Athens

Performances

Mainpiece Title: Love For Love

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points to this day as a strong Possibility. Downes, Roscius Anglicanus (p. 44) states that it was given thirteen days consecutively, and John Coke (see 16 March 1696@7) states that it was acted "till Saturday" (16 March 1696@7). If the tragedy was acted on Wednesdays but not Fridays, as was often the practice in Lent, and if the farce alluded to for Saturday, 16 March 1696@7, comprised the entire program, this day was probably the premiere. The following sequence of performances is based on these premises. Downes, Roscius Anglicanus, p. 44: The Mourning Bride...had such Success, that it continu'd Acting Uninterrupted 13 Days together. Gildon, English Dramatick Poets, p. 23: This Play had the greatest Success, not only of all Mr Congreve's, but indeed of all the Plays that ever I can remember on the English Stage, excepting some of the incomparable Otway's. Aston, A Brief Supplement (in Cibber, Apology, II, 302): His [Betterton's] Favourite, Mrs Barry, claims the next in Estimation. They were both never better pleas'd, than in Playing together.--Mrs Barry outshin'd Mrs Bracegirdle in the Character of Zara in the Mourning Bride, altho' Mr Congreve design'd Almeria for that Favour

Performances

Mainpiece Title: The Mourning Bride