SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Richard White"/1) | (@(roleclean,performerclean) "Richard White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2031 matches on Author, 1030 matches on Performance Comments, 725 matches on Performance Title, 621 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Second

Dance: I: Je ne scai quoy-Tench, Villeneuve, Miss Oates; II: Comic Dance-Nivelon, Mrs LeBrun; III: French Sailors-Lalauze, Mlle Roland; V: Grecian Sailors-Glover

Song: II: The Roast Beef of Old England-Leveridge; IV: Since Times are so bad-Leveridge, Salway

Performances

Mainpiece Title: King Richard Iii

Dance: As17421108

Song: Beard, Lowe

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: HHarlots Progress

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Song: Platt

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Life and Death of Tom Thumb

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Old Witch of Endor or Harlequin Turnd Beau

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Register Office

Entertainment: End: Bucks Have at Ye All-Richards

Monologue: II: Teague's Rambles to London. Capt. O'Brallaghan (with the favorite song in Love a La Mode)-Broderick; Terence O'Droghida-Youngs; the Knife Grinder (By Particular Desire)-Broderick

Performances

Mainpiece Title: King Richard The Third

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Calippus Actor: Whitefield

Afterpiece Title: The Druids

Performance Comment: As17750320 but to avoid confusion actors are again listed: Parts-Mattocks, Reinhold, Miss Brown, Miss Dayes, Lee Lewes, Dunstall, DuBellamy, Mas. Loader, Mas. George, Fox, Banks, Cushing, Hollingsworth, Thompson, Mrs Pitt, Mrs Whitefield, Mrs White, Miss White, Miss Wild; Dances-Aldridge, Helm, Daiguville, Sga Vidini.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Event Comment: At Mr Penkethman's and Mr Miller's Booth, at the Horns-Inn at Pye Corner, entering into Smithfield. A Celebrated Droll, Shewing the Pomp and Grandeur she lived in King Edward the IVth's Time, and the Misery she fell into upon Richard Duke of Gloucester's being made Protector. How she was oblig'd to do Penance in a white Sheet, carrying a lighted Torch bare Foot thro' the City, and then turn'd out to Starve; as also how she wandering met with her Husband, and the Tragick End of them Both. With the comical and diverting Humours of Sir Anthony Noodle, a foolish Courtier, and his Man Weezel

Performances

Mainpiece Title: Jane Shore

Song:

Dance:

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: Paid Charlotte Lane for making a white cloth coat and blue sattin waistcoat, loop'd and bound with silver for Mr Dyer, 18s.; for sewing silk and twist, 4s. 6d. Buckram and stays, 3s.; Hair cloth and wadding, 4s. dimety sleevelining & linnen pockets, 2s. 6d.; 2 doz. & 4 rich silver wire buttons at 8d.-18s. 6d. 19 breast buttons ditto at 4d.-6s. 4d. Dimety body lining to waistcoat and cuffs at 12s.-#1 13s.; 8 yds blue allopeen at 21!2 d.-17s. 4d. 21!4 yds white serge desoy at 5s.-11s. 3d. Also for Mr Dyer for making a yellow sattin waistcoat & cuffs, and mending a coat for Ranger, 8s.; sewing silk and twist, buckran & stays 4s.; three quarters yds white shallbon and interlining at 4d.-6s. 4d. Dimety body lining to waistcoat, 3s. 4d.; Stuff to make the backs 1s. 2 and 3!4 yds Blue Sattin for ye n silver'd buttons at 1s. 6d.-4s. 6d.; 11!2 doz. breast buttons ditto at 9d.-1s. 11!2d; For new buttoning and lacing a coat for Mrs Vincent 6s.; 2 doz. and 4 coat silver'd buttons at 1s. 6d.-3s. 6d.; 11!2 doz. breast buttons at 9d.-1s. 1 1!2d.; Sewing silk &c., 1s. 6d. (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: Damon and Phillida

Dance: As17551114

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser; or, Wagner and Abericock Author(s): Richard Jones

Afterpiece Title: The Rape of Proserpine with the Birth and Adventures of Harlequin

Performance Comment: Ceres-Mrs Lampe; Proserpine-Mrs Abegg; Jupiter-Mattocks; Mecury-Baker; Followers of Ceres-Mlle Capdeville, Mrs Viviez, Mrs Jansolin, Mrs White, Mrs Granier, Mrs Leppie, Mrs Belfort; Pluto-Legg; Daemons-Poitier Jr, Granier, Leppie, Rochford, Desse, Dumay, Gosley; Harlequin-Miles; Yeoman-Lalauze; Clodpole-Shuter; Old Man-C. Smith; Old Woman-Mrs Pitt; Colombine-Mrs Dyer; Country Lads and Lasses-Dumay, Gosley, Rochford, Miss Helm, Miss Mullart, Mrs White; Gardeners-Dumay, Gosley; The Elements: Earth-Gosley, Mrs Jansolin; Air-Leppie, Mrs Granier; Fire-Granier, Mlle Capdeville; Water-Poitier, Sga Maranesi.

Performances

Mainpiece Title: The Jovial Crew Or The Merry Beggars

Related Works
Related Work: The Jovial Crew Author(s): Richard Brome

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17610911, but cast first listed here: Ceres-Mrs Lampe; Proserpine-Mrs Abegg; Jupiter-Mattocks; Mercury-Baker; Followers of Ceres-Mlle Capdeville, Mrs Viviez, Mrs Jansolin, Mrs White, Mrs Granier, Mrs Leppie, Miss Daw; Pluto-Legg; Daemons-Granier, Leppie, Rochford, Desse, Dumay, Gosley; Harlequin-Miles; Yeoman-Weller; Clodpole-Shuter; Old Man-C. Smith; Old Woman-Mrs Pitt; Colombine-Mrs Dyer; Country Lads, lasses-Dumay, Gosley, Rochford, Miss Helm, Miss Mullart, Mrs White; Gardeners-Dumay, Gosley; The Elements, Earth-Gosley, Mrs Jansolin; Air-Leppie, Mlle Marianne; Fire-Granier, Mrs Granier; Water-Desse, Mlle Capdeville.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Principal parts: Beard, Mattocks, Collins, Shuter, Dyer, Dunstall, Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White, Mrs Walker, Miss Davies, Miss Brent, Miss Hallam. Hawthorn-Beard; Justice Woodcock-Shuter; Young Meadows-Mattocks; Eustace-Dyer; Sir William Meadows-Collins; Hodge-Dunstall; Rosetta-Miss Brent; Lucinda-Miss Hallam; Deborah Woodcock-Mrs Walker; Margery-Miss Davies; Others-Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White (Edition of 1763); Dances Incident to the Opera-Maranesi, Miss Twist. (playbill).

Dance: II: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Woodward; Belfond-Smith; Truman-Hull; Lolpoop-Dunstall; Cheatly-White; Shamwel-Cushing; Capt. Hack'em-Marten; Attorney-Anderson; Sir William Belfond-Shuter; Sir Edward Belfond-Gibson; Termagant-Gardener; Roger-Weller; Ruth-Mrs Pitt; Lucia-Miss Miller; Mrs Hack'em-Mrs Copin; Mrs Margery-Mrs White; Teresa-Miss Hallam; Isabella-Miss Vincent; Mrs Termagant-Mrs Vincent.
Cast
Role: Cheatly Actor: White
Role: Mrs Margery Actor: Mrs White

Afterpiece Title: The Upholsterer

Cast
Role: Belmour Actor: White

Dance: TThe Knife Grinders, as17631012

Performances

Mainpiece Title: No Ones Enemy But His Own

Afterpiece Title: What We Must all Come To

Performance Comment: Principals by Shuter, Dyer, Cushing, White, Mrs Pitt, Mrs Green, Miss Hallam, Miss Elhiott; Prologue-; Epilogue-; Drugget-Shuter; Sir Charles Rackett-Dyer; Lovelace-Cushing; Woodley-White; Lady Rackett-Miss Elliot; Mrs Drugget-Mrs Pitt; Dimity-Mrs Green; Nancy-Miss Hallam (Genest, V, 54); Two Songs in character When first the dear youth passing by-Miss Hallam; To dance & to Dress & to Flaunt it about-Miss Hallam(Winston MS 9).
Cast
Role: Woodley Actor: White

Performances

Mainpiece Title: King Henry V With Conquest Of French At Agincourt

Performance Comment: King-Smith; Exeter-Tindal; Achbp. Canterbury-Sparks; Fluellin-Shuter; Pistol-Dyer; Williams-Buck; French King-Gibson; Constable-Clarke; Isabel-Mrs Stephens; Catherine-Miss Hallam; Westmoreland-White; Gower-Anderson; Bardolph-Marten; Hostess-Mrs Pitt; MacMorris-Barrington; Jamy-Dunstall; Ambassador-White; Burgandy-Bennet; Dauphin-Davis.
Cast
Role: Westmoreland Actor: White
Role: Ambassador Actor: White

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Woodward; Belfond Jr-Smith; Truman-Hull; Lolpoop-Dunstall; Sir William Belfond-Shuter; Cheatly-White; Capt. Hackum-Buck; Shamwell-Cushing; Attorney-Anderson; Termagant-Gardner; Roger-Weller; Mrs Hackum-Mrs Copin; Margery-Mrs White; Sir Edward Belfond-Gibson; Ruth-Mrs Pitt; Lucia-Mrs Baker; Teresa-Miss Hallam; Isabella-Miss Vincent; Mrs Termagant-Mrs Vincent.
Cast
Role: Cheatly Actor: White
Role: Margery Actor: Mrs White

Afterpiece Title: Perseus and Andromeda