Event Comment: By Command of Their Majesties. [Mainpiece in place of Jane Shore, announced on playbill of 8 Jan.] Receipts: #284 12s. 6d. (275/7/0; 9/0/6; 0/5/0)

Event Comment: [Mainpiece in place of Jane Shore; afterpiece of The best Bidder, both announced on playbill of 17 Jan.] Receipts: #140 12s. (139/2; 1/10)

Event Comment: Mainpiece: Never acted here. Benefit for Mrs Wells [whose 1st appearance in tragedy was as Jane Shore at DL, 30 Apr. 1783; her 2nd was as Isabella at DL, 30 Apr. 1784, on which night she spoke the Address noted above]

Event Comment: [The play is opened by Mrs Beverley and Charlotte, and when Mrs Siddons came on she was hissed because of a widespread report that she had refused to act for Brereton's benefit in Dublin. "A considerable period of time was lost; it might be forty minutes before the play began . . . We could perceive that the lady supported herself with a great degree of firmness under this very aweful trial--a trial which, in great measure, determined her future fame--perhaps her residence in this metropolis" (Town and Country Magazine, Oct. 1784, p. 510). "The Breretons have used her shockingly--Mrs B. was mean enough to sneak off the stage and leave her to stand the insults of a malicious party tho' she knew the whole disturbance was on her account and that her husband had at least been obliged to contradict the reports that concern'd him" (Betsy Sheridan, Journal, 1960, p. 32). Mrs Siddons explained to the audience that the stories circulated against her were "calumnies." She had, in fact, on 19 Aug., acted Jane Shore in Dublin for Brereton's benefit (Dublin Public Register, 19 Aug. 1784). "Though Mrs Siddons delivered this address with her usual judgment and articulation, and it was received with reiterated bursts of applause, yet she was so agitated when off the stage as to be very near fainting, and continued for some time much flurried" (Public Advertiser, 6 Oct.).] Receipts: #304 5s. (291/13; 12/11; 0/1)

Event Comment: Benefit for Blandford and Randall. 3rd piece: A Pantomimical Interlude, from Don Juan. First Scene opens with a Tempestuous Sea, and Shipwreck of Don Juan and his man Scaramouch, who is cast on shore from off the Back of a Dolphin on the Island of Martinico. Scene from the pantomimes of The Enchanted Island, Wizard of the Silver Rock, The Witches Frolic, &c. The whole to conclude with a View of the Inside of the Bastille, with the different Gratings, Railings, and Instruments of Death and Torture by which the unfortunate Victims suffered, and the Grand Chorus of God save the King. The Curtain will rise precisely at 6:45

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 23 Dec.] Receipts: #231 18s. 6d. (226.8.0; 5.10.6)

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 23 Dec.] Receipts: #231 18s. 6d. (226.8.0; 5.10.6)

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 15 Oct. Afterpiece: Prologue by George Colman, elder.] Receipts: #291 19s. (229.12.0; 56.18.6; 5.8.6)

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 12 Mar.] Receipts: #311 8s. 6d. (233.7.0; 74.10.0; 3.11.6)

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)