SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Peake"/1) | (@(roleclean,performerclean) "Richard Peake")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1991 matches on Author, 696 matches on Performance Title, 670 matches on Performance Comments, 476 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Harlequin's Treasure; or, Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.

Performances

Mainpiece Title: King Henry The Fourth [part I]

Performance Comment: As17961020, but Sir Richard Vernon-Waddy; Poins-Claremont; Westmorland-Townsend; Sir W. Blount-_; Bardolph-_; Douglas-_; Northumberland-_; Sheriff-_.
Cast
Role: Sir Richard Vernon Actor: Waddy

Afterpiece Title: Harlequin and Oberon

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Macready; Squire Richard-Knight; John Moody-Quick; Lady Grace-Miss Mansel; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.
Cast
Role: Squire Richard Actor: Knight

Afterpiece Title: Bantry Bay

Afterpiece Title: The Irish Mimick

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: As17961229, but Lady Jane-Mrs Powell; added: Robert-Banks; Richard-Evans; Madam La Rouge-Miss Tidswell.
Cast
Role: Richard Actor: Evans

Afterpiece Title: Cape St

Ballet: The Scotch Ghost. As17961219

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Minor

Performance Comment: Sir William Wealthy-Wewitzer; Mr Richard Wealthy-Packer; Sir George Wealthy-C. Kemble; Shift, Smirk-Bannister Jun.; Loader-Caulfield; Mrs Cole-Mr Bannister; Lucy-Miss Heard.
Cast
Role: Mr Richard Wealthy Actor: Packer

Performances

Mainpiece Title: King Henry The Fourth, First Part

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Waddy; Worcester-Hull; Poins-Claremont; Francis-Knight; Sir Walter Blount-Toms; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Clarke; Sheriff-Abbot; Peto-Street; Gadshill-Wilde; Prince John of Lancaster-Curties; Messenger-Dyke; Carriers-Munden, Rees; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Sir Richard Vernon Actor: Waddy

Afterpiece Title: The Farm House

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Clarke; Squire Richard-Knight; John Moody-Thompson; James-Abbot; Constable-Whitmore; Poundage-Rees; Lady Grace-Miss Chapman; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Gibbs; Mytrilla-Mrs Watts; Mrs Motherly-Mrs Platt; Trusty-Mrs Litchfield; Lady Townly-Mrs Johnson (from the Theatre in America; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Squire Richard Actor: Knight

Afterpiece Title: The Maid of the Mill

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Performances

Mainpiece Title: The Wise Man Of The East

Performance Comment: Principal Characters by Lewis, Munden, Knight, H. Johnston, Murray, Davenport, Waddy, Thompson, Claremont, Simmons, Atkins, Abbot, Klanert, Curties, Mrs H. Johnston, Miss Murray, Mrs Davenport, Mrs Johnston, Mrs Whitmore, Mrs Mattocks, [Cast from text (G. G. and J. Robinson, 1799): Claransforth-Lewis; Ava Thoanoa-Munden; Timothy Starch-Knight; Ensign Metland-Murray; Bankwell-Davenport; Lawley-Waddy; Sir Richard Chances-Claremont; Quaker Servant-Simmons; Servant to Ava-Abbot; Waitby-Klanert; Servant to Lady Mary-Curties; Ruth Starch-Mrs H. Johnston; Ellen Metland-Miss Murray; Lady Mary Diamond-Mrs Davenport; Mrs Metland-Mrs Johnson; Rachel Starch-Mrs Mattocks; unassigned-Thompson, Atkins, Mrs Whitmore; Prologue-H. Johnston; Epilogue-Mrs H. Johnston. [These were spoken, as here assigned, at the 1st 11 performances only (see17991228).]These were spoken, as here assigned, at the 1st 11 performances only (see17991228).]

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: King Henry The Fourth [part I]

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Waddy; Worcester-Hull; Poins-Whitfield; Francis-Knight; Sir Walter Blount-Mansel; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Claremont; Gadshill-Wilde; Peto-Street; Carriers-Emery, Rees; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Sir Richard Vernon Actor: Waddy

Afterpiece Title: The Volcano

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: Prince Richard Actor: Kemble

Afterpiece Title: The First Floor

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: London's Tryumph

Event Comment: The death of the Duke of Gloucester on this day apparently closed the theatres for a short time. Andrew Newport, writing on 15 Sept. 1660 to Sir Richard Leveson, stated: The court is in deep mourning and will continue so for 6 weeks (Sutherland MSS., HMC, 5th Report, Appendix, 1876, p. 156), but it is not until 27 Sept. 1660 that Rugg reported: playes are for present forbiden because of the death of the Duke of Gloucester (BM Add. Mss. 10116, folio 90v). The theatres may have opened on Monday 8 Oct. 1660; certainly they were acting by 11 Oct. 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Andrew Newport to Sir Richard Leveson, 6 Dec. 1660: Plays at court every week (HMC, 5th Report, Part I, 1876, p. 158)

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Event Comment: Pepys, Diary: And then out to the red bull (where I had not been since plays come up again)...where I was led by a seaman that knew me, but is here as a servant, up to the tireing-room, where strange the confusion and disorder that there is among them in fitting themselves, especially here, where the clothes are very poor, and the actors but common fellows. At last into the pitt, where I think there was not above ten more than myself, and not one hundred in the whole house. And the play, which is called All's lost by Lust, poorly done; and with so much disorder, among others, that in the musique-room the boy that was to sing a song, not singing it right, his master fell about his ears and beat him so, that it put the whole house in an uprore. Nicoll (Restoration Drama, p. 309) argues that George Jolly probably occupied the red bull in St John's Street, Clerkenwell. When Richard Walden saw the red bull players at Oxford in July 1661, Anne Gibbs acted Dionysia in All's Lost by Lust. It is possible that she played that role on this day. See Walden's Io Ruminans, 1662

Performances

Mainpiece Title: All's Lost By Lust

Event Comment: On Sunday Charles, Duke of Cambridge, the son of the Duke of York, died. On 7 May 1661, Francis Newport wrote to Sir Richard Leveson: The Duke of Cambridge dyed on Sunday in the afternoon and was buryed yesternight without any solemnity, noe mourning in the Court for him (HMC, Sutherland MSS, 5th Report, Appendix, 1876, p. 151). If the theatres were closed because of this death, the closure was for not more than ten days

Performances

Event Comment: On the assumption that the run began on 28 June and extended twelve days (as Downes states), it would continue through 11 July. On 3 July a group of players entitled the Red Bull Company began a series of performances at Oxford. The performances are known through the entries in Anthony Wood's journal. For a discussion of the problems as to what actors these were, see Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713", Review of English Studies, XIX (1943), 366. On this day the players acted Tu Quoque, in which, according to Richard Walden (Io Ruminans, 1662) Anne Gibbs acted Gertrude

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: At Oxford on this day the so-called red bull players acted All's Lost by Lust in the morning, The Young Admiral in the afternoon. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Dionysia in the former, Rosinda in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Event Comment: At Oxford in the morning A Mad World My Masters was played; in the afternoon, The Merry Milkmaids of Islington. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Harebrain's Wife in the former, A Lady in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: At Oxford the players gave The Young Admiral in the morning, The Rape of Lucrece in the afternoon. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Rosinda in the former, Lucretia in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: See Calendar of the Middle Temple Records, ed. Hopwood, p. 169, for a fee of #20 paid to Sir William Davenant's@company, the receipt being signed by Richard Baddeley; and for #1 5s. for baize to cover the stage and scenes. The play may well have been Love and Honour

Performances

Mainpiece Title: Love And Honour

Event Comment: See Herbert, Dramatic Records, p. 118, where this play appears under date of 6 July, a Sunday in 1662; it is the second of the plays on this list to fall on Sunday in 1662 (see 2 June 1662). Following The Brothers on Herbert's list is Antipodes (by Richard Brome), without a date, between 6 and 23 July

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Brothers Author(s): Richard Cumberland
Event Comment: The Duke's Company, the receipts for #20 being signed by Richard Baddeley (A Calendar of the Middle Temple Records, ed. Hopwood, p. 170). W. J. Lawrence (Review of English Studies, IX (1933), 221) suggests The Adventures of Five Hours as a possibility. Pepys, Diary: I met Madam Turner...she and her daughter having been at the play to-day at the Temple, it being a revelling time with them

Performances

Mainpiece Title: An Unidentified Play

Event Comment: Diary of Richard Boyle, Volume III, in the Duke of Devonshire's Library in Chatsworth: the new play caled the Indian Queen. [I am indebted to Professor Kathleen Lynch for this notice.

Performances

Mainpiece Title: The Indian Queen