SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Elford"/1) | (@(roleclean,performerclean) "Richard Elford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1991 matches on Author, 750 matches on Performance Title, 668 matches on Performance Comments, 472 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: A Comedy [by Richard Cumberland] never performed there. Paid John Doe for sticking Black Bills #3 12s. Paid Cooper (printer) as per bill #20 2s. (Account Book). [The Westminster Magazine held in reserve its judgment on Lewis as an actor until the reviewer could see him in another part.] Receipts: #137 4s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Midas

Event Comment: Tamerlane (usually presented this Evening) is obliged to be declined, on Account of the Indisposition of two principal Performers. [Mainpiece in place of King Richard III, announced on playbill of 2 Nov.] Receipts: #192 4s. 6d. (191.6.6; 0.18.0)

Performances

Mainpiece Title: The Conscious Lovers

Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: Love a-la-Mode

Song: In II: a Song-Leoni

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Booth; Capt. Dudley-Hull; Charles-Wroughton; Major O'Flaherty-Aickin; Fulmer-Dunstall; Varland-Quick; Lady Rusport-Mrs Green; Louisa-Mrs Bulkley; Mrs Fulmer (1st time)-Mrs Pitt; Charlotte Rusport-Mrs Mattocks; Epilogue for that Charity by Richard? Cumberland, Esq-Hull, Mrs Mattocks.
Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: The Upholsterer

Dance: As17771104

Song: End II: song-Mrs Farrell

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Related Works
Related Work: The Battle of Hastings Author(s): Richard Cumberland

Afterpiece Title: Daphne and Amintor

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: A Monody

Afterpiece Title: Polly Honeycomb

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland]: taken from [the same, by] Massinger and [Mariamne, by] Fenton. [not in Larpent MS; not published.] With new Dresses. Henderson "might surely break himself of the aukward custom of clapping his hands together almost perpetually, and running on and off the stage with so ungraceful a levity" (Morning Chronicle, 11 Nov.). [Miss Younge was from dl.] Receipts: #127 10s. 6d. (124.14.0; 2.16.6)

Performances

Mainpiece Title: The Duke Of Milan

Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: The Touchstone

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: William And Nanny

Related Works
Related Work: William and Nanny Author(s): Richard Josceline Goodenough
Event Comment: [Mainpiece: Prologue by Richard Cumberland. Afterpiece: Prologue by George Colman, the elder.] To begin at 6:00. Pit 2s. Gallery 1s

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue.End: A Sea Fight.Frenchman-Jerrold

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson. Larpent MS 557; not published]. 3rd piece [1st time; F 2, by James Cobb. Larpent MS 556; not published. Author of Prologue unknown]. Receipts: #222 6s. 6d. (122.18.6; tickets: 99.8.0) (charge: #105)

Performances

Mainpiece Title: Seventeen Hundred And Eighty One; Or, The Cartel At Philadelphia

Related Works
Related Work: Seventeen Hundred and Eighty One; or, The Cartel at Philadelphia Author(s): Richard Wilson

Afterpiece Title: Sir Courtly Nice; or, It Cannot Be

Afterpiece Title: Who'd have Thought It

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Text (which assigns no parts) 1st published in his Posthumus Dramatic Works, I, 1813. Epilogue by the author (Public Advertiser, 24 Apr. 1782). Prologue probably by same; speakers unknown]: With new Scenery, Dresses and Decorations. Receipts: #171 14s. (166/6; 5/8)

Performances

Mainpiece Title: The Walloons

Related Works
Related Work: The Walloons Author(s): Richard Cumberland

Afterpiece Title: The Dragon of Wantley

Event Comment: Benefit for Wilson. 1st piece [1st time; prel I (?)]: A Tragical Tragedy, altered [probably by Richard Wilson] from Fielding's Pasquin. In the Tragedy will be introduced the Triumphal Entry of the Queen of Ignorance. 2nd piece: In 3 acts. [This play is by Thomas Baker; it is not TUNBRIDGE Wells; or, A Day's Courtship, by Thomas Rawlins, the younger.] 3rd piece [1st time; M. INT I, author unknown. Words printed complete in Public Advertiser 19 Aug. 1782]

Performances

Mainpiece Title: The Life And Death Of Common Sense

Related Works
Related Work: The Life and Death of Common Sense Author(s): Richard Wilson

Afterpiece Title: Tunbridge Wells [recte Walks]; or, The Yeoman of Kent

Afterpiece Title: The Tobacco Box; or, The Soldier's Pledge of Love

Afterpiece Title: The Author

Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Related Works
Related Work: The Wishes; or, Harlequin's Mouth Opened Author(s): Richard Bentley
Related Work: The Wishes Author(s): Richard Bentley
Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Author of Prologue unknown. Epilogue by the author (Public Advertiser, 30 Jan. In 1796 this was acted at CG altered by the author in 4 acts]: With new Dresses, &c. Public Advertiser, 10 Feb. 1783: This Day at Noon will be published The Mysterious Husband (18d.). [Afterpiece in place of Barnaby Brittle, announced on playbill of 27 Jan.] Receipts: #275 9s. (269/14/6; 5/14/6)

Performances

Mainpiece Title: The Mysterious Husband

Related Works
Related Work: The Mysterious Husband Author(s): Richard Cumberland

Afterpiece Title: Cross Purposes

Dance: As17820927

Event Comment: Benefit for Jewell, treasurer. 3rd piece [1st time; F 1, by Richard Paul Jodrell. Text 1st published (with cast for later season) by W. Lowndes and J. Barker, 1786]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Related Works
Related Work: Seeing is Believing: A Dramatic Proverb Author(s): Richard Paul Jodrell

Dance: As17830610

Event Comment: Afterpiece: Altered from Allen Ramsay [by Richard Tickell]. Receipts: #179 8s. 6d. (122/16/0; 55/13/0; 0/19/6)

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Related Works
Related Work: The Tender Husband; or, The Accomplish'd Fools Author(s): Richard Steele

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Richard Tickell

Dance: End of Act I of afterpiece a Highland Reel by Williamson, the Miss Stageldoirs, &c. [This was danced, as here assigned, at all subsequent performances.]

Related Works
Related Work: The Device; or, The Marriage-Office Author(s): C. Richards
Related Work: The Female Duellist Author(s): Richard Suett

Song: In Act iv of mainpiece song by Williames

Event Comment: Benefit for Wilson. 2nd piece [1st time; INT I, probably by Richard Wilson. MS: Larpent 667; not published]. 3rd piece: Never perform'd here. [Prologue and Epilogue by John Gay.]

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades

Related Works
Related Work: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades Author(s): Richard Wilson

Afterpiece Title: The What d'ye Call It

Monologue: 1784 08 10 End of interlude Joe Haynes's Epilogue, riding on an Ass, by Wilson

Related Works
Related Work: The Union; or, St. Andrew's Day Author(s): Richard Wilson
Related Work: A Gazette Extraordinary; or The Illumination Author(s): Richard Wilson
Related Work: Seventeen Hundred and Eighty One; or, The Cartel at Philadelphia Author(s): Richard Wilson
Related Work: The Life and Death of Common Sense Author(s): Richard Wilson
Related Work: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades Author(s): Richard Wilson
Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Related Works
Related Work: The Carmelite Author(s): Richard Cumberland

Afterpiece Title: The Spanish Rivals

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the author. Epilogue by Edward Topham (see text). In 1794 this was altered by the author, and reduced to 4 acts]: With new Scenes and Dresses. Public Advertiser, 25 Jan. 1785: This Day is published The Natural Son (1s. 6d.). Receipts: #175 19s. 6d. (154/12/0; 21/0/0; 0/7/6)

Performances

Mainpiece Title: The Natural Son

Related Works
Related Work: The Natural Son Author(s): Richard Cumberland

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Richard Tickell
Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Related Works
Related Work: The Arab Author(s): Richard Cumberland

Afterpiece Title: Rosina

Dance: As17841116

Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Afterpiece Title: St

Related Works
Related Work: St. Patrick's Day; or, The Scheming Lieutenant Author(s): Richard B. Sheridan
Related Work: The Union; or, St. Andrew's Day Author(s): Richard Wilson

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Related Works
Related Work: The Device; or, The Marriage-Office Author(s): C. Richards
Related Work: The Female Duellist Author(s): Richard Suett
Event Comment: Afterpiece: With new Scenery, Machinery, Music, Dresses, and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses, and the Music of the Pantomime composed by Shield. Receipts: #206 4s. 6d. (204/2/0; 2/2/6)

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: The Magic Cavern; or, Virtue's Triumph

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Related Works
Related Work: The Country Attorney Author(s): Richard Cumberland
Related Work: A School for Widows Author(s): Richard Cumberland

Afterpiece Title: Harvest Home

Event Comment: Mainpiece: Sir Richard Steele's Comedy. Never acted at this theatre [acted 17 Mar. 1760, and advertised for performance on 10 Apr. 1764]. Receipts: #229 8s. 6d. (213.19.6; 15.9.0)

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplished Fools

Related Works
Related Work: The Tender Husband; or, The Accomplish'd Fools Author(s): Richard Steele
Related Work: Nump's Courtship; or, Love Makes the Painter Author(s): Richard Steele
Related Work: Accomplished Fools Author(s): Richard Steele

Afterpiece Title: The Farmer

Dance: As17871029

Event Comment: Afterpiece: Written by the Author of Rosina [Frances Brooke]. The Music by Shield. With entire new Scenes painted by Richards. Books of the Songs to be had at the Theatre. Receipts: #207 9s. 6d. (197.9.0; 10.0.6)

Performances

Mainpiece Title: The Conscious Lovers

Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: Marian

Song: In II: a song-Mrs Kennedy

Event Comment: Mainpiece [1st time; CO 3, by Richard Bentley. Beginning with 4 Feb. 1789 reduced to an afterpiece of 2 acts. Not in Larpent MS; not published; synopsis of plot in Public Advertiser, 15 Dec.]: With entire new Dresses, Scenery, and Decorations. The Music partly selected from the works of Haydn, Purcell, Pleyel, Anfossi, Cimarosa, Gretry, Giordani, Sacchini [the score (Longman and Broderip [1788]) adds: Irwich]; and partly composed by Shield. With a Grand Overture by Salieri. Books of the Songs to be had at the Theatre. Receipts: #245 3s. 6d. (238.6.6; 6.17.0)

Performances

Mainpiece Title: The Prophet

Related Works
Related Work: The Prophet Author(s): Richard Bentley

Afterpiece Title: Duke and No Duke

Dance: End: a New Dance, as17881107, but Mrs _Ratchford